I used to live in a street in Bristol which was, depending on your tabloid of choice, either Britain's most dangerous street or a moral cesspit. People made judgments about me on where I lived. It affected me - it affected my life chances. That is going on today with people in social housing. That, to me, isn't acceptable.

I think men are more adventurous in that they're more likely to take chances. Women play it safe. But now, maybe more of the women that see how it's working for the guys think, 'I can do that, too'. Maybe they'll pick male players, not necessarily female players; it's just whatever that match is that works for that player.

The Big Dream of any entrepreneur really has very little to do with the entrepreneur. If you truly love repairing automobiles, chances are, you'll be a lousy business owner. Likewise, if you are fascinated by debits and credits, the dream of building an accounting firm with you at the helm is probably best left unfulfilled.

As far as U.S. intelligence knows, Iran is developing nuclear capacities, but they don't know if they are trying to develop nuclear weapons or not. Chances are they're developing what's called 'nuclear capability,' which many states have. That is the ability to have nuclear weapons if they decide to do it. That's not a crime.

In the back of my mind, I can never forget this could be gone tomorrow - and at this point I think the odds are against me... the chances of succeeding in this business are slim to none; there's only a handful of people that have long careers. You have to put in the work, you can never be satisfied, never take it for granted.

If you read novels of the 19th century, they're pretty experimental. They take lots of chances; they seem to break a lot of rules. You've got omniscient narrators lecturing at times to the reader in first person. If you go back to the earliest novels, this is happening to a wild extent, like 'Tristram Shandy' or 'Don Quixote'.

I find that the time that goes by is actually your best friend when you are making a record. The passing of time gives you perspective on what you recorded and what you wrote. If something sounds good to you 12 months after you recorded it then chances are pretty good that there's something valuable about the part or the song.

One of the things with the second record, a word I held close to my chest was 'brave.' To take chances to go outside the box and explore. To continue to toss off any expectation that our fans or anyone else might have of us, to just tap into who I am as a writer and artist and really just operate within that freedom of creation.

I think people who are not rich can be extremely happy. And I think the chances to be happy in this new world - with many more opportunities to be creative, to be online, to educate yourself - there'll be a lot more chances to be happy. It's not to say everyone will take them, but there will be a lot of new paths to opportunity.

Tennis is like, it gives you a lot of chances, but if you don't take those chances, it takes a lot of chances away from you. It's just the scoring pattern. We cannot dwell over a loss or a win for very long. We have no time to celebrate; we have no time to dwell; we have to move on. Wake up the next day and try and win the match.

'Glee Project' and 'Glee' have the same spirit, but they're both harder in their own ways. With 'Glee Project,' there's more pressure because you're being judged in everything you do. When you film 'Glee,' you go to the studio and have an off day, and it's OK - you're still going to be there; you take as many chances as you need.

The most-asked question when someone describes a novel, movie or short story to a friend probably is, 'How does it end?' Endings carry tremendous weight with readers; if they don't like the ending, chances are they'll say they didn't like the work. Failed endings are also the most common problems editors have with submitted works.

Canoeing was hard and scary, and the wind could blow you across the lake if you did it wrong. After a year of not doing it right, I could talk to people and get them to sit up straight, take different kinds of chances, to breathe differently, to engage in the moment in the boat. And I changed them, and I changed me in the process.

I tell my students based on my experiences in Hollywood, sure, you can always move to L.A. and try to work with the system, and people do that, but chances are if you want your story in film with characters of color, you will have to make that movie yourself. Find a way to make it yourself. Not just screenwriters, but also producers.

By repealing the Child Poverty Act, which forced governments to take real action to tackle child poverty, this government brings a proud chapter of British history to an undignified end. In future the government will measure child poverty not by looking at whether they have any money, but by looking at their so-called 'life chances.'

People come to me and say, 'What'll I do if I go in the water and see a shark?' You don't have to do anything. The chances of that shark attacking you in any way is so remote. The sea should be enjoyed, the animals in it. When you see a shark underwater, you should say, 'How lucky I am to see this beautiful animal in his environment!'

Whether through the introduction of a Universal Basic Income, or through developing ways to ensure that the self-employed, entrepreneurs and fledgling start-up companies have the support they need to take chances and innovate, the £500bn investment programme proposed by Corbyn responds to the challenges we will inevitably have to face.

The fact that I have done films down South didn't boost or hamper my chances here. In fact, I was still shooting for both my Telugu films when I met Ashu sir for 'Mohenjo Daro.' During the audition, he gave me five scenes with lengthy dialogues. Once I cleared them, he gave me a song to dance to. So, my Bollywood entry was no cakewalk.

I think, regardless of gender, women and men need to be brave, take chances with their work, and be open to feedback. But I do think 'politeness' is an issue that can hinder your work if you aren't careful. Kindness is important, but being overly polite - thinking you can't disagree with someone about your own work - be careful about that.

Pele featured in the Brazilophile imaginary as the a figure of non-utile excess, a carefree artist in the Nietzschean sense, indifferent to the narrow teleology of winning matches... check the way that most of the endlessly replayed footage we see of Pele is not of him scoring goals, but audaciously missing chances contrived by force of wit.

The NBA makes you become a bigger version of what you already were. If you were somebody who was not so nice and you came into a lot of money and fame, then you're probably going to abuse that in the wrong way. But if you come into those things and you were doing the right things, then chances are you're going to do more of the right things.

As I've become a professional, I just feel more pressure to produce, to score goals and get assists. I know I'm a good player, but it gives evidence of how good you are if you're able to look at how many passes you've made in a game or how many chances you create. It's in the books. It's become more about stats as I've become a professional.

If you are a card-carrying human being, chances are that you share the same fear as all other humans: the fear of losing love, respect and connection to others. And if you are human, in order to avoid or prevent the pain, trauma and perceived devastation of the loss, you will do anything to avoid your greatest fear from being visited on you.

I think kids are in your temporary care, and that they probably arrive with pretty much the personalities they're going to have. I grew up in a perfectly traditional family and turned out how I did. I'm not sure there's much that the family can do except lots of love and lots of care and lots of chances for them to develop the best they can.

When you're doing what you love to do, you become resilient. You create a habit of taking chances on yourself. If you do what's expected of you, and things go poorly, you will look to external sources for what to do next, because that will be your habit. You will be standing there frozen. If you are just filling a role, you will be blindsided.

Taking chances is my job; some will connect and some won't, and certain films find their audiences in different ways. I think 'Spotlight' probably is a better movie because of 'The Cobbler.' You learn with every movie you make: you learn from your mistakes, and you learn from your achievements, and I really do have that approach to filmmaking.

I never wanted to launch legal action, but Cricket Australia simply left me no option. James Sutherland himself said that, to an extent, I had been made 'a scapegoat.' I find that a totally unfair basis to end my career. The damage to my reputation and career has been immense, which means the chances of me getting a senior job are that much less.

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