I am a relatively new Member to this Chamber, and it is troublesome to me and I can tell Members it is getting very troublesome to my constituents when they hear this repeated consistent drum beat of a corruption of the democratic process.

If you're writing a piece for the Boston Pops, the balance is towards one end. If you're writing a piece for a chamber music society, then it's towards another point. I won't make a final answer on that. I think it changes with every piece.

On any given vote, on any given day, a smart senator who has taken a bold or controversial position can reach far more media outlets between the elevator and the Senate chamber than he or she could garner in a full press conference back home.

Members walk into the chamber full of hatred. They believe the worst lies about the other side. Two senators stopped by my office just a few hours ago. Why? They had a plot to nail somebody on the other side. That's what Congress has come to.

It is not enough for us to merely continue to talk about and contribute to the echo chamber of white noise of what's wrong with America or for candidates to spout off silly poll-tested talking points about national security or foreign policy.

I really like Adam Curtis' 'Century of Self.' It's about how artists have failed the general public by being so exclusive, like being in an echo chamber. I was definitely more like that in my early twenties - my music was completely inaccessible.

I've learned powerful lessons about the nature of forgiveness from human rights defenders. For example, for the greater good of his country, Kofi Woods emerged from a torture chamber in Liberia to later defend the very men who had brutalized him.

It is often quite impossible to gauge the mood of the Chamber in advance, particularly on big occasions. One moment, it is relaxed and good-humoured; at the next, it can be angry and querulous, and the House in this mood can be a formidable arena.

In the 1950s in the United States, few music lovers were listening to chamber music. Daddy played Bach and Haydn on our phonograph for me. Not only did I become familiar with the form; he discussed the concerti. My own head start. My own Head Start.

When I was a kid, all I knew about Michael Jackson was that he was crazy. He had a monkey named Bubbles and some kind of oxygen chamber, and he used to be black, but he made himself white, and he was nuts. That was Michael Jackson in full. Wacko Jacko.

I wanted to entertain and make people laugh. I think it really hit in third grade, but once I was in high school, I joined chamber choir. I wanted to do musical theater, too, but they had rehearsals at the same time. That was a bit of 'Sophie's Choice.'

Dub has been a big influence in terms of production. It's inspired so many people and so much music - in terms of music where mixing desk was the instrument. Central to that is the echo chamber, and I think there's a little bit of a romantic thing there.

I'm a storyteller - that's my chamber, that's my box. I'm always tryin' to give you the best story from our side of the table that you could really relate to quick. I understand where I wanna be at, but sometimes the production takes me where I need to go.

For most people, chemotherapy is no longer the chamber of horrors we often conceive it to be. Yes, it is an ordeal for some people, but it wasn't for me, nor for most of the patients I got to know during my four months of periodic visits to the chemo suite.

I say to string players in small chamber orchestras, 'it's always easy to become a passenger on the journey in sound, just adding volume to the whole. But if you play in an individual way, it makes the difference between good and great sound in an orchestra.'

When I am in the Scottish Parliament chamber, I often feel the need to sit for the entire debate. It's only courteous to listen to what everyone has to say, although I often find myself desperate to say something but too scared to stand up in case I regret it.

In concertos, I stand up, and I conduct with the bow when I'm not playing. During symphonies, I sit, but sometimes I stop playing to conduct. Being seated in a section allows me to feel more like we're playing chamber music, which is how I like to approach it.

I'm obviously very keen on the theater and I think it's inevitable that some of the orchestral and chamber pieces have got dramatic elements which might even suggest an unspecified dramatic plot of some kind or other, even though it's not in my mind at the time.

If you have an architecture of control, let's say, where you select in advance everything that's going to affect your life, then you're going to live in a very small world that will have an echo chamber feature... Pandora, which I love, actually feeds into that.

Constitutionally, a revising chamber is useful and important. The first occasion I know of in history when the Lords fulfilled this role was in 1539 when Henry VIII's act of proclamations was neutered by their lordships so effectively that the Act was repealed in 1547.

When we were subjected to a vicious character assassination campaign orchestrated by senior White House officials and championed by their allies in the right-wing echo chamber, Hillary reached out to us. Her counsel during that tumultuous period was as timely as it was wise.

We were very rich culturally. One Sunday each month, we would do this thing called Chamber Pots at somebody's house. A classical music group would come over and we'd have dinner. There were thirty people - parents and kids - and we'd sit on the floor and listen to this beautiful music.

Don't all writers have a hidden nerve, call it a secret chamber, something irreducibly theirs, which stirs their prose and makes it tick and turn this way or that, and identifies them, like a signature, though it lurks far deeper than their style, or their voice or other telltale antics?

I think touring is an important part of the life of an orchestra. Not only sharing with other audiences, but bringing that sense of family that you get back home. The sense of growing deeper into the music, of making it all sound like chamber music - that comes from being together on tour.

The Senate floor is and always has been the great arena of our democracy. I spent eight years in my younger life as a boxer, and sometimes when I enter the chamber, I think, 'This is the ring. The American people can see us here and listen to our arguments. This is where the fights matter.'

After all, chamber of commerce type conservatives love nothing more than to opine on the great virtues of Texas. The low taxes, the low regulation, delightfully paired with a low investment in education, health care and really anything else that might be of use to their working-class citizens.

I never listen to music when I am writing. It would be impossible. I listen to Bach in the mornings, mostly choral music; also some Handel, mostly songs and arias; I like Schubert's and Beethoven's chamber music and Sibelius' symphonies; for opera, I listen to Mozart and in recent years Wagner.

One reason the United States is one of three countries in the world that do not have any form of paid maternity leave is that many American business leaders, like the U.S. Chamber of Commerce, oppose any family-friendly policies. They scare people into thinking maternity leave will be a job killer.

Instagram influencers project a specific, highly crafted image of perfection - one that is largely white, thin, and psychologically Zen. Critics argue that this boom, in turn, has helped fuel excessive self-promotion in which we post about only the good moments rather than reality - essentially, a distorted echo chamber.

At school, I'd sing in groups in the locker room or in the bathroom, which was like an echo chamber. The problem is I didn't know how to get started singing professionally. The pool hall was my Facebook. I'd hang out there to keep up with what was going on and to let people know where I could be reached if singing jobs came up.

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