Quotes of All Topics . Occasions . Authors
Certainly a big challenge for me with evening-wear is to make it look modern and artistic and avant-garde. The very concept of a ball gown is not in itself a modern concept, and women need to wear that for a certain presence in Hollywood. I'm also aware that a starlet might go to more than one place that night so the piece could also offer, maybe not a revolution, but an evolution.
A lot of the pieces I've done over the years have involved alterations of scale and the idea of the viewer's relationship to the object and how we see things by either enlarging or reducing objects, it causes the viewer to look at them again. It's hard to do because our culture is so bombarded by images and media. How do you make something fresh for a viewer? That's a real challenge.
I think screenwriter Steve Kloves does such a difficult job. And he does a bloody brilliant job, too. Transferring these Harry Potter books into films and making them coherent is one thing. But making them entertaining, as well, is quite another... He does a tremendous job, and he gets a lot of stick. And it's really unfair sometimes, and I challenge anyone else to do the job he does.
When a social movement adopts the compromises of legislators, it has forgotten its role, which is to push and challenge the politicians, not fall in meekly behind them. We who protest...are not politicians. We are citizens. Whatever politicians may do, let them first feel the full force of citizens who speak for what is right, not for what is winnable, in a shamefully timorous Congress.
We've become more and more interrupt-driven. If you have six tasks to do in an hour, you can't just take 60 minutes and divide and have 10 minutes per task. You have 10 minutes per task minus the time required for context-shifting. That will be the next big challenge: figuring out how to fight the distraction-driven mode we're in and stay focused on one thing long enough to get it done.
I love story-writing because I can (more or less, on occasion) actually DO it. That's really the truth. I like the idea that a story is sort of a site for making cool language effects - a site for celebrating language, and, therefore, the world. And the brevity is part of the challenge. I like stories because I get them - I know how to make beauty, or something like beauty, in that mode.
If you really think back to the great writers, there's a lot of happiness in Tolstoy; there's a lot of love, there's childbirth, and there's dances. And likewise in Shakespeare and even Cervantes, there's a lot of celebrations of the positive manifestations of life. Technically, I found it harder to do, so that's kind of a good late-life challenge - without getting sentimental or chirpy.
[Several candidates talked of problems with the federal Medicare system, particularly concerns about whether it would cover prescription drug costs in the future.] We're asking senior citizens to make a choice between their health and their income, ... Medicare is probably the most difficult challenge we face in the next century, because it has a lot to do with other things besides money.
One of the top challenges is the fact that you are dealing with survivors. Every time you deal with a documentary film subject it is fraught with obvious minefields but when you are dealing with a population that is severely traumatized and trying to recover from that trauma there is an extra level of vigilance and care and attention that has to be implemented all the time at every level.
Of course it does, Jomes answered earnestly. Many of life's treasures remain hidden from us simply because we never search for them. Often we do not ask the proper questions that might lead us to the answer to all our challenges. We are so caught up in fear and regret, that hope seems a foolish endeavor. Proof of hope, however, is not only possible, it is an overlooked law of the universe.
What I find is that many times when I work with chance, with indeterminacy, I am more open to experience, less prone to a fixed process, and I think it creates a very important challenge. It creates a way of writing that is, in a way, flatter or smooth, a surface conducive to release, to movement. And in this way, the form of writing gets delightfully melded with the process of the writing.
I think any musical has so many moving parts and the challenge is unifying all the moving parts in particular because you have the camera and now it's all about adaptation and what works in one medium doesn't necessarily work in another so the challenge is to stay as true as you can to the material and yet not be afraid to step out of it and add elements to make it satisfying cinematically.
The challenge in any musical is unifying all the moving parts of it, in particular a movie musical because now you're adding the camera and you're adding the idea of adaptation. So the challenge is to stay as true as you can to the material that you love and yet not be afraid to step outside of it and introduce elements into it that make it exist in a satisfying, exciting way cinematically.
Make the most of every moment. Get excited about every little thing. Why not? Why not have your wonderful moment of excited anticipation? Why not be happy NOW? This is my greatest challenge, but something I'm pouring my heart into: learning how to enjoy what I have, right here, right now. Every moment is precious and although sometimes I struggle to see it, I see it more and more every day.
It's really interesting - I wanted to become an actress when I was young because I wanted to do romantic comedy. And I did a lot of comedies very early on, but then my career took kind of a left turn with Joss Whedon, and I discovered that doing genre work is actually more interesting as an actor, because the given circumstances are more extreme. And it really is creatively more challenging.
If peace is really what you want, then you will choose peace. If peace mattered to you more than anything else and if you truly knew yourself to be Spirit rather than a little me, you would remain nonreactive and absolutely alert when confronted with challenging people or situations. You would immediately accept the situation and thus become one with it rather than separate yourself from it.
The biggest challenge is self-financing 100% of everything. Recording costs, studio time, engineer fees, travel costs are all a part of the creation process. Then after the creation, there are producer fees, mixing, mastering, photo shoots, artwork, packaging, artist feature fees, legal fees, clearances, and so on that must be covered before any music can officially be released to the public.
As soon as one identifies, challenges and overcomes illegitimate power, he or she is an anarchist. Most people are anarchists. What they call themselves doesn’t matter to me. The world is full of suffering, distress, violence and catastrophes. Students must decide: does something concern you or not? I say: look around, analyze the problems, ask yourself what you can do and set out on the work!
The only place where you can really surprise or shock the reader, or make someone laugh, is on the lower righthand corner - the very last panel - so as you turn the page, the payoff is in the upper lefthand panel. To pace every story so that there's a setup and a payoff at the page turn was a huge challenge; it's a part of the medium and you really have to learn what can be done in the medium.
I have always disliked the morning, it is too responsible a time, with the daylight demanding that it be 'faced' and (usually when I wake for I wake late) with the sun already up and in charge of the world, with little hope of anyone usurping or challenging its authority. A shot of light in the face of a poor waking human being and another slave limps wounded into the light-occupied territory.
There are millions of people out there ignoring disabilities and accomplishing incredible feats. I learned you can learn to do things differently, but do them just as well. I've learned that it's not the disability that defines you, it's how you deal with the challenges the disability presents you with. And I've learned that we have an obligation to the abilities we DO have, not the disability.
At some time, often when we least expect it, we all have to face overwhelming challenges. When the unthinkable happens, the lighthouse is hope. Once we find it, we must cling to it with absolute determination. When we have hope, we discover powers within ourselves we may have never known- the power to make sacrifices, to endure, to heal, and to love. Once we choose hope, everything is possible.
When I'm making the movie, I absolutely do. I work so hard, and out of the raw material that is the script and talks I have with the director, the writer, I create, I hope, a very specific person who wouldn't have otherwise existed. However, do I then attach and hang on to the finished product? No. The experience of the creation of the character is what feeds me, what excites me, challenges me.
My sense of humor keeps me from committing atrocities! I love rearranging words and destroying language and the established forms of art and music/challenging the reasoning of others. I'm not satisfied with the state of humanity. If I must live on the same planet as Mr and Mrs out of touch, I will do whatever I can to jolt their zombie-ass skulls from the upside-down veal market they hang from.
The U.S. government is gradually homing in on the more important chat forums and websites. The problem is, by now, many of these sites have gone underground, in some cases, changing their names and domains, adding logins and passwords, and locking out anyone who doesn't speak Arabic. Government bureaucracies are simply not agile or adept enough to keep up with this constantly evolving challenge.
Business is a noble vocation, directed to producing wealth and improving the world. It can be a fruitful source of prosperity for the area in which it operates, especially if it sees the creation of jobs as an essential part of its service to the common good. This common good also includes the earth... the environmental challenge we are undergoing, and its human roots, concern and affect us all.
There's been times when I've been in really tough shape at the top of the course. Talk about a hard challenge right there. I mean, if you ever tried to ski when you're wasted, it's not easy. Try and ski a slalom when … you hit a gate less than every one a second, so it's risky, you know. You're putting your life at risk there. It's like driving drunk only there's no rules about it in ski racing.
Don't ask for the task to be easy... just ask for it to be worth it Don't wish it was easier... wish you were better Don't ask for less challenge... ask for more skill Don't ask for less problems... and for more wisdom It's the challenge that makes the experience. Life and it's colour and meaning and adventure for you is this collection of experiences. To wish them away is to wish your life away.
Your medical documents will say Acquired Immune Deficiency Syndrome that is AIDS. What that means you have got this challenge of immune deficiency. Alright what causes immune deficiency? HIV. Alright. Is that all that causes immune deficiency? The medical textbooks will say there are other things that cause immune deficiency. There is also genetic immune deficiency that is a different phenomenon.
There's this biological association, when you do this movement, these things happen, and you're basically trying to rewire this 4-billion-year-old reflexive circuitry, which for me can be challenging if I don't really focus. It's the one of the few times as an actor where you are basically showing something with your body and your face that's completely different than what's going on in your mind.
Philosophers should resist the temptation to be publicly virtuous. Given an unjust society, from the vantage of what counts as the public good, they are corrupters, not edifiers. The desire to be seen to be virtuous, to make a positive contribution, is a deleterious symptom of professionalization. Philosophy's social utility is an ersatz for its duty to mount challenges to the entire social order.
Courage is resistance to fear, mastery of fear - not absence of fear. So many look to eradicate fear from their lives, when that is an impossible task. You can certainly experience moments in absence of fear, however accept that fear will be with you whenever you are in the process of living creatively. The challenge is to go ahead regardless, simply notice the feeling and manage being courageous.
As an actor, it's always important to understand what the director is after. That, to me, is my job. When I'm acting, I like to ask a lot of questions and understand exactly why the director is doing what they're doing, so that I can provide him or her with the ingredients that they need to get the scene that they want. It's not to challenge them, in any way. It's just so that I can do my job best.
You might be able to get a certain sound, and in the studio you certainly look at things under a microscope a lot more. You might hear more warmth out of a thicker string gauge. But in the practical world, like with us, we're playing An Evening With... so it's three hours of music, and our music is pretty challenging as far as the technical aspect. And I found after awhile that I was killing myself.
So do I wish I was to be king? That is not a question I ask myself. I ask myself, Would I be a good king? Would I be quick witted and generous of spirit and full of that boundless energy? Or would I be clumsy and stupid and dulled by my own prejudices? I try to be a good man, since I am alive at all, and hope that that teaches me what I would need to know if I was ever faced with a higher challenge.
I've come to view screenwriting assignments as playwriting grants, because they provide a considerable financial cushion. However, they can also be extremely time-consuming. Film projects tend to drag on and on, which takes me away from the theatre, and then they don't get made. At the same time, the screenplays that have come my way have been quite challenging, for the most part, and even enjoyable.
I think a lot of chefs can definitely think about great flavor combinations and stuff, but then they'll pass it along to their pastry chef to actually do it in the end. Pastries, you actually do using recipes, and it's got a little more of a science to it. It's something that a lot of times, chefs aren't really involved in coming up with throughout their career, so it makes it a little more challenging.
Take nothing for granted as beautiful or ugly, but take every building to pieces, and challenge every feature. Learn to distinguish the curious from the beautiful. Get the habit of analysis - analysis will in time enable synthesis to become your habit of mind. 'Think simples' as my old master used to say - meaning to reduce the whole of its parts into the simplest terms, getting back to first principles.
The beliefs which we have most warrant for have no safeguard to rest on but a standing invitation to the whole world to prove them unfounded. If the challenge is not accepted, or is accepted and the attempt fails, we are far enough from certainty still; but we have done the best that the existing state of human reason admits of; we have neglected nothing that could give the truth a chance of reaching us.
One of the patients that really stands out for me was a middle-aged woman who actually had HIV in the early days, and helping her kind of come to terms with that. She had rather late-stage illness, but just helping her, sort of cope with the challenges of the disease and the infections and all that, but also her social issues, like, coming out to her family about the illness, and a very religious family.
For fantasy is true, of course. It isn't factual, but it is true. Children know that. Adults know it too, and that is precisely why many of them are afraid of fantasy. They know that its truth challenges, even threatens, all that is false, all that is phony, unnecessary, and trivial in the life they have let themselves be forced into living. They are afraid of dragons, because they are afraid of freedom.
The challenge of preventing any further proliferation of nuclear weapons is just such a trial in the quest for world peace, one that cannot be achieved if we are defeated by a sense of helplessness. The crucial element is to ensure that any struggle against evil is rooted firmly in a consciousness of the unity of the human family, something only gained through the mastery of our own inner contradictions.
Pope John Paul II was fascinated by the United States. And I think he was initially surprised at the vigor of the Catholic Church in the United States. Maybe some of the press that we had gotten he found wasn't true. No, I think he suspected the church in the United States. Did he challenge us to some things? Sure, he did. But, no, I always - I think there was a good alliance. There was a good gel there.
As a guitarist and a lot of the times as a singer, I don't feel that comfortable and you really feel that when there's not an electric guitar or a nice beat to back it up. But, I enjoy challenges as a rule. I have always felt that what doesn't kill you, will make you stronger. I have learned to love with the rawness a little bit more and I know what I need to work on a little bit more as the tour goes on.
By turns sad and uplifting, Life in the Valley of Death tells the amazing tale of Alan Rabinowitz's courageous and spirited efforts to protect Burma's (Myanmar's) remaining tigers and establish the Hukawng Valley Reserve. It is hard to imagine a more passionate or exciting account of today's conservation challenges, or a more thoughtful rendering of life, death, and politics in Burma's most remote corners.
Our way out involves both resistance and renewal: saying no to what is, so that we can reshape and recreate the world. Our challenge is communal, but to face it we must be empowered as individuals and create structures of support and celebration that can teach us freedom. Creation is the ultimate resistance, the ultimate refusal to accept things as they are. For it is in creation that we encounter Mystery.
By 18th century standards, they [Great Britain] were the freest, most dynamic, most willing to challenge tradition and authority. They had the highest wages and highest living standard, and probably the most engagement between the populace and the government of any country. Then the United States took those same qualities to the nth degree, and the British were suddenly appeared stodgy and tradition-bound.
We should be most careful about retreating from the specific challenge of our age. We should be reluctant to turn our back upon the frontier of this epoch... We cannot be indifferent to space, because the grand slow march of our intelligence has brought us, in our generation, to a point from which we can explore and understand and utilize it. To turn back now would be to deny our history, our capabilities.
I am happiest in the brush and by myself - whether that's the woods of northern Minnesota or the wilds of Alaska behind a dogteam, picking through the foothills of the mountains by my ranch in New Mexico on horseback, or on the ship of my sailboat on the Pacific - so I guess it made sense to me that both Brian and Samuel would find their challenges and adventures, if that's what you call them, in the woods.
The truth... When they have a similar structure to and are organized in as truthful a way as nature. When I look out of the window, then truth for me is the way nature shows itself in its various tones, colours and proportions. That's a truth and has its own correctness. This little slice of nature, and in fact any given piece of nature, represents to me an ongoing challenge, and is a model for my paintings.