I would abolish the federal Department of Education and very quickly. People don't realize that the federal Department of Education gives each state 11 cents out of every school dollar that every state spends. But it comes with 15 cents worth of strings attached.

I don't think my basic business strategy is well known by the public, probably because people think it's too simple. My strategy has always been to try to focus in on a product or service where you can create a dollar of value for 20 cents and sell it for 40 cents.

It was a real hand-to-mouth existence in those early days - I'd have whatever dry cereal there was in the house for breakfast, 30 cents to spend on lunch and a hot dog for dinner. I did that for years. So there was definitely a hunger in me, of various kinds, to succeed.

The man who could go to Africa and rob her of her children, and then sell them into interminable bondage, with no other motive than that which is furnished by dollars and cents, is so much worse than the most depraved murderer that he can never receive pardon at my hand.

I decided to write Westerns because there was a terrific market for Westerns in the '50s. There were a lot of pulp magazines, like 'Dime Western' and '10 Story Western' that were still being published. The better ones paid two cents a word. And I thought, 'I like Westerns.'

Just my two cents: Even as a Christian, I love boxing because it's the ultimate stand-alone test of a competitor's skill and will. Just two opponents, lightly gloved, and a referee ready to jump in and stop it the moment he believes one opponent can no longer defend himself.

I was never very good at picking cotton, and then I only made fifty cents or $1 a day. People would work for $1 a day during the Depression. So we would get $2 for playing music and just having fun. I think that as a result of that it was not just the money, but we enjoyed doing it.

When I was eight, I bought my first puppet. It was a monkey, and I paid five cents for it. I collected some scrap wood and built myself a puppet theatre. I made 32 cents with my first show, which I thought was pretty good, and that's when I knew I would be a puppeteer when I grew up.

I do - very specifically, I remember Bessie Smith; I used to collect 78 records that I would buy from the St Vincent de Paul store at five cents apiece, and I did this indiscriminately. I would just take whatever was there. And I listened to Patti Page and Walter Huston, 'September Song.'

I remember, my first job when I got my working papers at 13 was as a vendor at Yankee Stadium - the old Yankee Stadium, with very steep stairs in the upper decks. It was all commission-based. And I think a soft drink was 25 cents, and I think you got a 10 percent or 11 percent commission.

Heckles always vary. I mean, some people are just drunk, and it's nonsense, or, you know, some people just want to just repeat something I've said or add their own two cents about an opinion, but because of the nature of what I do and who I am, like, I also get the racist stuff, which is hard.

At some point, I picked up an old library copy of 'To The Lighthouse' someone had bought for 25 cents. I began to read and didn't stop until the sun had blistered my back. A mysterious rightness, a beautiful submerged truth had invaded me, one that has ever since seemed slightly beyond my grasp.

The Depression was remarkable because you had nothing, and the salaries, when you got a job, were very small. But you could do anything. You see, a donut was ten cents. A cup of coffee was a nickel. That was lunch, with an apple. And I would be playing a lead on a Broadway show on that kind of diet.

When I was an orphan, I was the richest kid at the orphanage because everyone else was complaining about not having anything. But when I discovered that you could get two cents for a Coca-Cola bottle, I would follow people around who were drinking it and ask them if they were almost through with it.

In market research I did at Microsoft Corp. in the early 1990s, I estimated that the 'Wall Street Journal' took in about 75 cents per copy from subscribers, $1.25 at the newsstand and a whopping $5 per copy from ads. The ad revenue let them run a far bigger newsroom than subscribers were paying for.

When you're borrowing 40 cents of every dollar that you spend, that can't continue much longer. I think everybody really does understand that, and it's going to require all of us - those who are the most fortunate among us - but it's really going to require every American to contribute to a solution.

Everyone's got advice, everyone's got their two cents. Try to streamline, like, who are the people that I trust the most? Sometimes I call it my board of directors. They're going to challenge you, but they're also going to support you. They're not going to just tell you what you want to hear, either.

Fifty-nine cents. For years, I wore a button - '59 cents.' Many of my colleagues wore it also. The purpose was so that people would come up and ask, 'What does '59 cents' mean?' One could then launch into a discussion about how women working full time in the U.S. earn 59 cents for every dollar earned by men.

I remember being denied a protein bar that I went in to buy. I was so hungry, and it was before an audition, and I ran in and tried to buy this protein bar. And I checked my bank account, and it was negative 17 cents... And I remember getting on the phone with my mom and laughing that I have negative 17 cents.

It seems that other parts of the world ought to be concerned about what we think of them instead of what they think of us. After all, we're feeding most of them, and whenever they start rejecting 25 cents of each dollar of foreign aid money that we send to them, then I'll be concerned about their attitude toward us.

We borrow 40 cents out of every dollar that we spend. We borrow most of it from countries like China. They have become major creditors of the United States and have more power over our economy than we want them to. So dealing with this is not only the right thing economically, it's certainly right from a moral viewpoint.

If the price of a burger goes up 5 cents, and the minimum wage that you have received is going up from $7.25 to $15 an hour - and there have been a number of studies that document just how much the price of a burger might go up if you increase the minimum wage. You match the costs, and the benefits far outweigh the costs.

You don't argue with a four-year old about why he shouldn't eat candy for dinner. You don't punch a mentally handicapped guy even if he punches you first. And you don't argue when a women tells you she's only making 80 cents to your dollar. It's the path of least resistance. You save your energy for more important battles.

The conditions were terrible. The farmworkers were only earning about 70 cents an hour at that time - 90 cents was the highest wage that they were earning. They didn't have toilets in the fields; they didn't have cold drinking water. They didn't have rest periods. People worked from sunup to sundown. It was really atrocious.

There is a profiteer when it comes to oil. 36 to 63 cents per gallon is swept off the top. And who profits from that? The government profits from it. And what does the government do with much of that money? It puts it into so-called 'alternative energy,' with so-called phony 'green jobs' that we're yet to see being produced.

When the mayor of Sao Paulo wanted to increase bus fare by 21 centavos in 2013, the country erupted in the largest mass protests in its history. It wasn't a dramatic hike - just nine cents - but a perfect symbol of the increasing burdens on the working poor, forced to fend with an inadequate system, insensitive to their plight.

I think that educators are in sales. Essentially, what you are doing is making an exchange with your class. You're saying, 'Give me your attention. In exchange, I'll give you something else.' The cash register is not ringing. It's not denominated in dollars or cents or euros, but it is a form of sales in a way. It is an exchange.

I remember back in the 1960s - late '50s, really - reading a comic book called 'Martin Luther King Jr. and the Montgomery Story.' Fourteen pages. It sold for 10 cents. And this little book inspired me to attend non-violence workshops, to study about Gandhi, about Thoreau, to study Martin Luther King, Jr., to study civil disobedience.

In a lot of the really impoverished areas of Johannesburg you see these packets of cheesy puffs which are like 6 feet long and the width of a basketball, and they're transparent and they have like 10,000 cheesy puffs in them, and you can buy that for like 50 cents. It's kind of a weird treat that you'd see people having in the townships.

At age nine, I got a paper route. Sixty-six papers had to be delivered to sixty-six families every day. I also had to collect thirty cents a week from each customer. I owed the paper twenty cents per customer per week, and got to keep the rest. When I didn't collect, the balance came out of my profit. My average income was six dollars a week.

Our family business was operating batting cages. The pitching machine spit out the balls at lightning speed. Don Drysdale, Sandy Koufax. Whitey Ford. 50 cents for 12 pitches. Of course, my mother ran the place, and I was her slave: selling candy, hosing down the street, and the most dreaded of all jobs, feeding the pitching machine with balls.

Measles is probably the best argument for why there needs to be global health, and why we have to think about it as a global public good. Because in a sense, measles is the canary in the coal mine for immunization. It is, you know, highly transmissible. The vaccine costs 15 cents, so it's not - you know, shouldn't be an issue in terms of cost.

My parents didn't know much science; in fact, they didn't know science at all. But they could recognize a science book when they saw it, and they spent a lot of time at bookstores, combing the remainder tables for science books to buy for me. I had one of the biggest libraries of any kid in school, built on books that cost 50 cents or a dollar.

My first five or six years in L.A., I was just trying to get two cents together to stay here. Playing Jason Stackhouse on 'True Blood' put me in a position, financially, to make decisions based on creativity, to choose roles based on whether I connected with them. I love the Jason Stackhouse character... But I also love stepping out of his shoes.

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