Quotes of All Topics . Occasions . Authors
I always tell my audiences not to listen to such artists who play audio CDs at their concerts. Such shows shouldn't be called live shows. People like AR Rahman, Sunidhi Chauhan, and Arijit Singh are the ones who hold true concerts.
In 1990 if you heard a song on the radio and you really wanted to hear it again you'd have to buy it on tape or CD. Hearing music doesn't hold that kind of value anymore because anyone can hear it. It's going to become even easier.
I have lots of CDs that came out at one time or another, and according to the statements I've gotten, no one's buying them.I figured there's no need making a new CD. There are plenty of mine out there, and none of them are selling.
Sitting in a room, alone, listening to a CD is to be lonely. Sitting in a room alone with an LP crackling away, or sitting next to the turntable listening to a song at a time via 7-inch single is enjoying the sublime state of solitude.
I've always had my ear peeled for interesting music. As a student, I regularly spent time hunting for interesting repertoire, looking through music bins, buying stacks and stacks of CDs, and discovering rarely played pieces by composers.
I have an iPod, but I do still love CDs. There's something nice and tangible about a CD. I'm a mixture of old and new - I love my sewing machine, but I've also embraced new technology. The iPad is what did it for me - it's extraordinary.
You can put together an album with a bunch of producers, but your vision has to be clear. If you just grab a track from this person and this person and put them on a CD it doesn't mean that they go, just because you are rapping over them.
Yoko Ono is someone who's music I've discovered more recently. The current cd rereleases of her albums all had bonus tracks recorded just with a tape recorder and I'm really into these at the moment because they have a great intimate feel.
I got really paranoid, burning every song onto three CDs and hiding them in various places around the house just in case I got burgled and there was, y'know, a fire in my bedroom. I told friends where I was hiding them in case I was killed.
I like keeping music in front of people. I try to sell at shows as much as I can - setting up a distro table and bringing out crates of vinyl and some CDs. That's my favorite way to sell because you're actually face-to-face with the customer.
I loved Fugazi, the D.C. hardcore band, because they always did everything themselves. They had their own label, and the CDs always cost nine dollars, the T-shirts always cost eight dollars, the shows always cost five dollars, no major label.
I follow a simple formula when I compose. I ask myself, 'What would the audience want to hear?' and 'Why would they buy my CDs?' And the process of answering these questions through music follows. Sometimes, it works. Sometimes, it backfires.
I've always bought CDs and even when I was young and at primary school I had a massive collection of CDs. I just like the excitement of opening it, reading the book, learning all the words and things like that. Hopefully I'll always be like that.
I used to go and cop stacks of blanks CDs and sit there and burn copies of my mixtapes and print up my own mixtape covers and post up in downtown Oakland and Telegraph in Berkeley and literally was selling my mixtapes for five bucks, hand-to-hand.
I grew up listening to Patsy Klein, Reba Mcentire and would study their voices. But once I became bored with that, I moved on to more contemporary stuff like Sheryl Crow and I combined everything that I had learned from country and rock and made this CD.
My first love was basketball, but that wasn't gonna launch me, and I knew I had to get into other things. So me and my friends, we started making mix CDs and going down to South Beach or to the parking lot at Pitbull concerts to spend all night hustling.
Many, many years ago, I was one of the few conductors who talked to the audience and now a lot of classical conductors have figured it out... otherwise, you just get the back of someone's head playing music you could hear on a CD. It's not enough anymore.
Music TV in the U.K. is disappearing. 'Top Of The Pops,' 'CD:UK' and shows like that have gone, and it's bringing down the music industry. We should do as much as we can to keep our music TV and producers need to be more willing to accommodate live music.
I had my own label, Rising Force Records, and made records, but had them distributed to the chains, to the retailers, but the retailers are gone - there's no physical sales anymore - so I'm not gonna make the CDs and have 'em put into trucks to go nowhere.
In my early 20s, there was a period when all I owned was about a dozen CDs and a crappy Discman. I'd listen to 'The Man Who Sold The World' album endlessly as I sat on off-peak trains jerking around the Sussex countryside to and from the asylum I worked in.
I was scouted by this talent scout back home. She found me because I used to make my dad these CDs of my music, and I think that some guy that he worked with had a niece who worked with the talent scout, or something really drawn out, kind of word-of-mouth.
Then why don’t you and Bubba have girlfriends? (Nick) I don’t want the drama of it. After the last one burnt up all my clothes with my Jack Daniel’s Black Label collection and tried to decapitate me with my CDs, I decided I’d take a hiatus for a bit. (Mark)
People have libraries at home, they have bookshelves, they have CDs. And they sort of try, people try to bring great artists into their lives, into their physical houses and sort of live with portions of them. But they're not really deeply engaging with them.
Change is inevitable with the evolution of technology. In the '70s, we had records. In the '80s, we had CDs, and now we are living in the digital age. You can say it's sad or unfortunate, but the reality is you've got to roll with the times and the technology.
Success really comes down to the product, not to me, my personality, or what club I'm seen going into or coming out of. None of that matters. What's important is whether or not people feel like they wasted their time or money when they pay for a movie or a CD.
It seems to me like the Internet allows you to break that structure a little bit. You know, here's your CD that's going into stores, here's your EP that you offer online, here's a subscription for songs you recorded on the road, here's your live stuff streaming.
Yeah, my son likes a lot of guitar bands. He gave me something the other day which was really good. He'll burn a CD for me full of things that he has, so he's a pretty good call if I want to check some of that stuff out... The other two aren't quite into that yet.
Put this in your CD-ROM: www dot Canibus dot com. You can find me on the Internet, talkin' to chicks That was sweatin' me off the 'Music Makes Me High' remix. I be talkin' mad trash, tryin to get 'em to laugh. See, if I click and drag long enough I'll get the ass.
I am stupidly passionate about music; it has become a bit of drug. I buy tons of CDs and spend days listening to each and every one, putting notes on every song to know which tracks are good so that when I do my little MP3 collection, I know which songs to include.
I'm really happy that I've been able to make people laugh and distract them from their day to day bullshit at a comedy show or because they enjoyed one of my CDs or TV specials, but I don't know how many people have actually had life changing thoughts because of it.
If someone's really busy listening to other CDs, and worried about what's new and what's truly relevant for discourse now, maybe it isn't that interesting. To me it is, because I'm tuned into that and that's what I like, so it's interesting to me. It's all I can do.
With vinyl you had twenty-two minutes per side. CDs came along, and you had sixty, seventy, eighty minutes and people felt like they had to fill them up. They were like those Fuji apples from Japan. They look like perfect, super-gigantic versions of American apples.
Being honest, if I had a daughter I wouldn't want her listening to a Nicki Minaj CD until she was a certain age. Even when I meet my fans and they tell me they are 12, I cringe a little. I always say, 'Listen. I don't want you saying the bad words, put school first.'
There's nothing definite yet. Of course, any time you have a book, there's going to be book signings and stuff. We'll do bookstores that handle both audio and video. And some of the stores want to have the CDs available at the same time. So that part looks real good.
The only way I thought I could do a greatest hits album is to do it in a prison where they have no f**king idea who I am. I'd do what I consider the best of those old, early CDs before I did DVDs. A women's prison would be even better, but it has to be English-speaking.
People now have been conditioned to believe they should only buy one song at a time, that nobody can make an entire record that would merit you paying, you know, $7, $8, $10 when CDs in the '90s were $18, $19 and people bought millions and millions and millions of them.
A digital download is not as visceral as buying a CD, removing the shrink-wrap, putting the disc in your player, and pouring through the booklet of lyrics and liner notes. The digital age has removed us from the tactile experience of what it meant to listen to an album.
If you hope to have more money tomorrow than you have today, you've got to put a chunk of your assets into stocks. Sooner or later, a portfolio of stocks or stock mutual funds will turn out to be a lot more valuable than a portfolio of bonds or CDs or money-market funds.
I've watched the dynamics of music completely change to where we've sold tapes, we've sold CDs, then everything started becoming 'music is free' now. In a perfect world, Napster wouldn't have come along. But the world isn't perfect, and when it changes, you have to adapt.
I'd been sending out demos and CDs for years. I knew my stuff was good enough, but I was getting nowhere. Then, three people - my future manager and two publishers - happened to send one of my tracks to EMI publishing in the same week. All of a sudden, they were interested!
I find it ironic that now water is more expensive than music. On the one hand, record companies can't go crying when they've gouged consumers for decades, charging exorbitant prices for CDs that cost 29 cents to make. On the other hand, when music is free, musicians starve.
A friend gave me a CD of the 'Pathetique' Symphony as a Christmas present. I went home, and I put on the CD expecting to listen to Tchaikovsky. But it started 'ta ta ta taaa.' It was too long for me. I didn't understand it at first, but then I fell in love, in love, in love.
If I gave you now, $10 as a gift, how happy would you be? Would you be happy, is the marginal $10, the best use of $10 you can use? Of course not. If I have you a CD, you know exactly what you are getting and you will have a value for it. So, money has lots of problems with it.
I'm constantly listening to music and thinking about it and compiling my own cassettes and CDs in obsessively specific order. I have quite lunatic agendas for what I want to achieve. They won't make sense to anyone other than me, but it is what I've spent most of my life doing.
It goes to extremes - from people saying I'm the best of all-time to people saying, 'I hate that white boy.' Who cares? At the end of the day, if people don't like you, they're not your friends anyway. They're not going to be supporting you by buying your tickets and CDs and clothes.
There was a time when we were in a van and handing out the CDs at Warped Tour. We had a two-song EP that we were just handing out for free just to promote ourselves. That was on the 'Waking the Fallen' record, and we were just going around and handing out the CDs and stuff like that.
Look at music for what it's worth around the world and not just America. In other countries, people are still buying CDs and going to record stores. But in America, it's all about digital. The game is breaking down. But, look at me, you need to know how to play the game the right way.
I never pigeonholed myself - the only reason you'd want to pigeonhole is to monetize your business and, as a person, I don't see the importance of doing that. My music took off above the rest of those things: You can just make a song, put it on a CD, and get it out to all these people.
I definitely love record stores. And worked in many over the years. Having said that, it's not necessarily that I love vinyl per se. I mean, I'm happy to use CDs and MP3s: to me, it's the music that's top priority. I do have a good collection of vinyl, but I rarely actually pull it out.
There's still value in a CD, even if it's just nostalgic. People are still willing to pay. But it can't compare to a digital-only release where you can control the exact time that it'll come out, you know what I mean? So whoever finds how to bridge that gap is gonna make a lot of money.