Quotes of All Topics . Occasions . Authors
I cited 'Catch-22' as a landmark film and one of my favourites.
'Catch-22' was a nightmare to make, and everybody was unhappy except me.
It's kind of a Catch-22. The more successful you get, the less normal you get.
Catch-22's admirers cross boundaries - ideological, generational, geographical.
It's always a Catch-22 situation. They hate you if you're the same, and they hate you if you're different.
When I read something saying I've not done anything as good as 'Catch-22' I'm tempted to reply, 'Who has?'
The fictional character with whom I most profoundly identified was Yossarian in Catch-22. Always did, still do.
You cannot be happy with your family while being personally unhappy with your work. It's a Catch-22 kind of thing.
As a teenager, I read a lot of science-fiction, but then I read 'Catch-22' and 'The Catcher in the Rye' and started reading more literary fiction.
I was in Kenya when I read 'Catch-22,' and I associate this book that has nothing to do with Kenya - whenever I think of 'Catch-22,' I think of Nairobi.
I feel like part of your job as an actor is you're going to get noticed, and the more successful you get, the more noticed you are. It's kind of like a Catch-22.
I was eighteen when I first read Joseph Heller's stunning work 'Catch-22,' and was at that time close to being drafted for the fruitless and unenlightened war in Viet Nam.
'Catch-22' was a huge failure, and it rubbed off on everybody connected to it. I had a bunch of lean years where I had to do things, a lot of which I wasn't wildly enthusiastic about.
I'm in a Catch-22. If I don't go after a ball, I'm lazy, I'm not giving it 100 percent. If I do dive for the ball - which I did, and blew out my shoulder - it's, Why did I play it so hard?
At the end of the day, if we don't show female sports on TV, how are sponsors going to want to sponsor women? And if we don't support the women, how do you expect us to get results? It's a bit of a catch-22.
Catch-22's first readers were largely of the generation that went through World War II. For them, it provided a startlingly fresh take, a much-needed, much-delayed laugh at the terror and madness they endured.
Now that my kids are out of the house, I'm finally able to get to the classics I never read: Emily Bronte, Dylan Thomas, Joseph Heller's 'Catch-22.' It's endless. They're all in this gigantic pile next to my bed.
One of the dilemmas of architecture in general is that there is a Catch-22 - you can't actually get to be commissioned to do certain types of building until you've already built that type of building. So it seems to be incredibly hard to get going.
It's kind of a catch-22 now because since the 'Da Vinci Code,' I have access to places and people that I didn't have access to before, so that's a lot of fun for somebody like me, but I'm always trying to keep a secret. I don't want people to know what I'm writing about.
There is a lot of evidence to back up the assertion that war fiction takes time. Many all-time classics of the genre, from Erich Maria Remarque's 'All Quiet on the Western Front' to Joseph Heller's 'Catch-22' to Tim O'Brien's 'The Things They Carried,' took over a decade to pen.
I could play it safe by recording songs that are familiar, but am I expanding myself as an artist by doing covers? It's a catch-22. It's called show business: The word 'business' is in it, and you've got to be a businessman. But then again, you have to be true to yourself as an artist.
We have to nurture our young women and understand the beauty and the strength of being a woman. It's kind of a catch-22: Strength in women isn't appreciated, and vulnerability in women isn't appreciated. It's like, 'What the hell do you do?' What you do is you don't allow anyone to dictate who you are.
Drag is great way to get people to pay attention to me, but it's a difficult way to get people to take me seriously as a musician. So it's a weird Catch-22. It's like a gimmick that gets them to pay attention, but when they see my image, they're like, 'There's no way this is going to have any legitimacy to it.'
I think the legal profession is getting somewhat corrupted. When it comes to lawyers, I think it's kind of a Catch-22. On one hand, there's so much process, procedure and mess caused by the legal profession. But on the other hand, the only way to sort through all that process, procedure and mess is through the legal profession.
