I have been involved in lots of crossover and event books, and the truth is, I dearly love them. I love stories that actually take advantage of the huge DC library and catalog - that stuff thrills me.

The argument we always used to use was that keeping records in the catalog was good for people that were coming new to the music, but I think that was talking over a ten year or fifteen year time span.

When I'm on stage, the songs that we've chosen to play from the back catalog are things that still resonate with me, and matter to me. And the songs that I couldn't be a part of, we don't play anymore.

Even though there is obviously a marked stylistic difference between the majority of our catalog and a cover like 'The Sound Of Silence,' it certainly isn't the first time we've done an acoustic track.

'It Still Moves' is really the only record in our catalog that I've always felt I wanted to remix. Part of the fun of that record was that we recorded it all to tape, and it was all super-duper organic.

Everyone you talk to in the world, whether they know it or not, because the catalog is so vast, a lot of times people have favorite songs that are Motown songs that they didn't even know were Motown songs.

When I began looking into the Carter catalog and came across 'Will My Mother Know Me There,' it seemed like such a joyful number and such a song of the spirit that I could hear them all singing it together.

I've had agents tell me, 'You're not gonna be on the cover of anything; you're a catalog girl.' I've had clients tell me, 'You're too fat, and we can't book you any more because you don't fit into the jeans.'

In the end, a new Americanization movement can't just be about listing our privileges and immunities, which we catalog in our laws. It also has to be about reinforcing our duties, which we convey in our habits.

I looked through our catalog year by year, and I saw that there were pockets of time when we wrote some terrific songs. Then all of a sudden, we'd go for another two or three months and there weren't great songs.

I'm never going to be one of those people who is good at organization. But I'm very visual. I have a catalog in my head of things I already own, so it's easy to shop and I always know exactly what I'm looking for.

We struck an unusual deal. I'll get to leave CNN with my catalog and documentaries. We were able to create a brand at CNN - 'Black in America' - that I now own. I can take that brand and extend it in any way I want.

Psychologists, for reasons of clinical necessity or vagaries of temperament, have chosen to dissect and catalog the morbid emotions - depression, anger, anxiety - and to leave largely unexamined the more vital, positive ones.

And Warner Bros. seems to be pretty much into re-releasing all of their catalog. So there's the Warner Bros. stuff and the stuff that we have control over, we're gradually re-releasing it. Some stuff we don't have control over.

But however long you may have continued in rebellion, and how ever black and long the catalog of your sins, yet if you will now turn to God by a sincere repentance, and believe in the Lord Jesus Christ, you shall not be cast out.

Armchair poverty tourism has been around as long as authors have written about class. As an author, I have struggled myself with the nuances of writing about poverty without reducing any community to a catalog of its difficulties.

I don't know how old I was when I first started going to shows, maybe 14 or 15, but very quickly, I discovered Dischord Records in D.C. and loved all the music on that catalog. I was a big Rites of Spring fan, Minor Threat, of course.

I'm not like a Sears Catalog of ideas. I don't have that many ideas. I've more or less written them over the years. Usually, I come up with a situation or a character, and it rattles around in my head until the story or the plot emerges.

The problem with the Moodies is not what to play, it's what to leave out! That's always difficult. We stopped having support acts many years ago just because of that. We needed getting on to two hours; there's such a big catalog to call on.

Growing up in New Orleans, when you're in seventh and eighth grade, and you're into music, and you're a dorky dude, you know, you listen to the entire Rush catalog and the entire Zeppelin catalog, and you go through these, like, phases of classic rock.

Games take years to make, and it's important that when we launch, it can't just be a great launch catalog and then a desert for a really long time. To be honest, for a lot of developers, they'd rather not be competing at launch with all this other software.

I planted an orchard when I was 13. The impulse came from wanting to grow my own apples. That and the nursery catalog showed an apple tree with a beautiful girl standing under the fruit. Whether the flavor or the picture that did it, I've been hooked since.

The first thing you put on in the morning is your lingerie, and you have to look at yourself and tell yourself that you're beautiful, and that's really hard to do when even a simple catalog can't confirm that you're wearing something appropriately or look good enough.

Y'all should be happy for me. It's funny, compared to my peers, my catalog isn't even that big, but I'm still getting a lot of notoriety because my songs do really well. I'm working hard and minding my own business and trying to do something I'm super passionate about.

On the back of comic books in the 1970s, there was something called the American Seed Company. They would send you a cardboard box full of seeds; kids would sell them door-to-door in the neighborhood and then pick from a catalog of prizes. I bought myself a watch that way.

Computer scientists have built a set of massive DNS databases, which provide fragmentary histories of communications flows, in part to create an archive of malware: a kind of catalog of the tricks bad actors have tried to pull, which often involve masquerading as legitimate actors.

Growing up as a singer, and a cast member, and now as an adult, a songwriter, I get the luxury of choosing the kinds of songs that I want to sing, because I'll write, you know, hundreds of songs. Even though only 12 appear on the album. That's 12 that I've chosen to sing of my catalog.

My parents let me get my outfit in the gayest place possible, the 'International Male Catalog.' They sold mostly speedos and thongs and clubwear, and I was like, I'm getting that sheer shirt with the dragon on it, and then those vinyl patent leather pants and the cheetah platform boots.

I found a 'lost' manuscript called the Book of Soyga that had once belonged to Queen Elizabeth I's court astrologer, John Dee, in Oxford's Bodleian Library. Everybody thought it was the missing key to Dee's interest in magic. Of course, it wasn't really lost. It was there, in the catalog.

It used to be that, in astronomy, a small team of people could look at photos of a few thousand galaxies and classify and catalog them relatively easily. But now, with a new generation of robotic telescopes scanning the skies constantly and producing millions of images, that's become next to impossible.

It has only been within my lifetime that asteroids have been considered a credible threat to our planet. And since then, there's been a focused effort underway to discover and catalog these objects. I am lucky enough to be part of this effort. I'm part of a team of scientists that use NASA's NEOWISE telescope.

I got this Christmas gift with the entire Beatles catalog. I had fun trying to duplicate what I was hearing on these records, only using the instruments I had at hand - an acoustic guitar, and that's all. It was endlessly amusing to me to try to imitate John Lennon and Paul McCartney's harmonies using the guitar.

You just have to have a song that you're desperate to play along to, and for me it was 'Turn' by the Scottish band Travis. I went to see them headline the Scottish T in the Park Festival, so after that festival, I went home and taught myself all of the Travis back catalog with an old guitar and a little chord book.

Living in Georgia, I never wanted to model. But I had the travel bug big time when I was young. I think because I had an all-American look, I was great for catalogs. They constantly sent me overseas for editorial, but I would always come back with catalog jobs. I was fine with that. It served my purpose to see the world.

I was 12 when I ordered my first guitar out of the worn and discolored pages of a Sears, Roebuck catalog. The story that I bought it on the installment plan is untrue, the invention of a Hollywood press agent. Local color. I paid cash, $8, money I had saved as a hired hand on my uncle Calvin's farm, baling and stacking hay.

There's such a currency to Led Zeppelin, or the members of Led Zeppelin. If I put it to you this way, on the run-up to the O2 concert, the only music that we played was music of Led Zeppelin - the past catalog stuff; that's what we played on the way towards shaping up the set list for that. But we played really, really well.

It was the '50s, and the card catalog and the Dewey Decimal System were in fashion. I hung out in the 812 section - American theater and plays. This is where I first read Arthur Miller's 'Death of a Salesman' and was transfixed. I remember staring into space for what seemed an eternity after reading Linda Loman's final speech.

I like my house to be unique to me. Sure, I've bought plenty of things out of a catalog, but the way I put them together in my home is special. You might have bought your sofa at a major home decorating store, but the rug you found at the flea market is so unique, it takes your room from 'carbon copy' to 'simply yours' in no time.

Lately I've been falling asleep listening to 'Common One' by Van Morrison, specifically the song 'Summertime in England.' It's 15 minutes long, so to make it through the entire song is a real task unto itself, but Van has that emotional payoff that makes even his most tiresome songs more powerful than most people's entire catalog.

I don't want to be the guy who goes, 'Oh yeah, blah blah blah... everyone freaking well knows me.' Because that's not the case. Once in a while, someone will remember some silly thing I did and then they feel good. And they go, 'Oh, hey, Michael Bolton, I celebrate your whole catalog.' And I'm like, 'Great, great, I totally get it.'

Since the traditional recorded-music business models have drastically changed, there is truly diminished income derived from recorded music by artists - both current and catalog. The touring industry has become much more important as a majority revenue stream and the ancillary fan experiences and promotions that may be derived from it.

I learned most of what I knew about online communities on The Well, and it was a good place to learn. The group of people in Sausalito and Bolinas who'd gotten the Whole Earth Catalog off the ground - a bunch of boomer hippies, intellectuals and nerds - established the 'Whole Earth 'Lectronic Link', and showed us what online communities were.

What people don't realize is that the initial sales of an album isn't where the bulk of your returns come from. It happens over time, sitting in the catalog, picking up commercials, getting included on packages here and there - there's years and years of pipeline money that goes on. That's where real money comes from - building that body of work.

When you raise a child, you don't sit down and take all the rules of life, write them into a big catalog, and start reading the child all these individual rules from A to Z. When we raise a child, a lot of what we do is let the child experiment and guide the experimentation. The child basically has to process his own data and learn from experience.

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