Quotes of All Topics . Occasions . Authors
The thing about a cartoon is, you can do whatever you want. The tightrope that we are walking on 'The Simpsons' and 'Futurama' is "How do you continue to surprise the audience, but make them good surprises?" Not every surprise is good, but you want to continue jolting people.
The thing about a cartoon is, you can do whatever you want. The tightrope that we are walking on 'The Simpsons' and 'Futurama' is 'How do you continue to surprise the audience, but make them good surprises?' Not every surprise is good, but you want to continue jolting people.
There is something very pleasurable about watching cartoons, a really warm, comfortable feeling. My taste is quite broad, but most of all I like American cartoons. Early Disney, Betty Boop, Roadrunner, Ren & Stimpy, South Park. Sometimes I'll watch Pokemon or bad 80s cartoons.
I was hesitant to do 'Mulan II.' For me, I felt like the story that needed to be told, this legendary character of Mulan, was already encompassed in the first movie, and I was worried they would try to create this crazy cartoon character out of this legendary character of China.
If you look at wrestling when I started to get my big break back in 1992, I changed wrestling from the cartoons of Hulk Hogan and Iron Sheik and the matches with the leg drop and the hand behind the ear and the playing to the crowd. They were just cartoon characters if you ask me.
How Hungama became the top children's channel in India is interesting because we were up against, not just Disney, but also Time Warner's Cartoon Network. It was an illustration of the fact that for any company that wants to grow in emerging markets, localizing content is the key.
For sheer creativity and totality of involvement, 'Rolf's Cartoon Club' with HTV in Bristol was an amazing show to work on, but I think the 'Rolf on Art' series, culminating in the painting of the Queen's portrait to celebrate her 80th birthday, just nudges into the favourite spot.
I got a call from my agent saying you have an offer to voice a cartoon by the name of 'My Little Pony.' And that's pretty much what went in my ear. So I asked him the three questions that actors always ask. I need to see the script, when and how much, which were legitimate questions.
I would say any creative person has that: you can't just force a topic. Whether you're a painter, you want to do a cartoon. Anything. Something may come up that's not your style or suited to what you are working on at the moment. So you file it away and hopefully find a place for it.
I am a method actor, but I'm also a film actor as well as a method actor. Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character.
John flung himself into a pseudo-karate stance, one hand poised behind him and one in front, posed like a cartoon cactus. I thought for an odd moment he had moved his limbs so fast they had made that whoosh sound through air but then I realized John was making that sound with his mouth.
When I read the news that Wonder Woman was going to be resurrected for a blockbuster movie in 2016, 'Batman vs. Superman', it made me excited - and anxious. Would the producers give her a role as fierce as her origins - and maybe some shoulder straps - or would she just be cartoon eye candy?
I kind of see myself as a cartoon that's on its way to becoming a real person that has to find that special amulet or mushroom to get to that next realm or level. I don't feel like anything is that tangible. It freaks me out, why I feel unhappy or conflicted and why that can change on a dime.
When I went to California Institute of the Arts, I was classmates with a lot of like-minded weirdoes, some of who have gone on to create other cartoon shows-J.G. Quintel, 'Regular Show;' Pen Ward, 'Adventure Time.' We were all friends in school and pushed each other and made each other laugh.
Our public portrayal of fathers has shifted during my life. TV fathers have 'evolved' from real people like Sheriff Andy Taylor, Beaver's dad Ward Cleaver and Heathcliff 'Cliff' Huxtable, to cartoon dads like Homer Simpson and Seth MacFarlane's caricatures in 'American Dad!' and 'Family Guy.'
My grandmother was probably the first person who I thought was beautiful. She was incredibly stylish, she had big hair, big cars. I was probably 3 years old, but she was like a cartoon character. She'd swoop into our lives with presents and boxes, and she always smelled great and looked great.
Home gigs can be hard because it's an odd collision. More than anything, I feel self-conscious when my family are in the audience. I'm doing this job which is not quite acting - part of it is me, part performance. You're presenting a cartoon of yourself to people who know you as a line-drawing.
I think the cartoons that they're children are watching, particularly 'The Simpsons,' they're OK. I think that the adult audience is making much too much of the danger that they imply. That's not the case. The danger for children today, honey, is the news. Keep them away from news on television.
Recently , crowds of thousands gathered throughout the Muslim world - burning European embassies, issuing threats, taking hostages, even killing people - in protest over twelve cartoons depicting the Prophet Muhammad that were first published in a Danish newspaper. When was the last atheist riot?
If you win elections on the theory that government is always bad and will mess up a two-car parade... a real change-maker represents a real threat. So your only option is to create a cartoon, a cartoon alternative, then run against the cartoon. Cartoons are two-dimensional; they're easy to absorb.
I just devoured all of his [Buster Keaton’s] films because his sense of comic timing was amazing. He’s the closest a human being has ever come to a cartoon character. And I was just amazed at his sense of character and timing, the humor. It's all just so…sophisticated, even when you watch it today.
I always wanted voice over to be part of my career. Even as a child, I'd watch cartoons and know that someone was doing the voices. When I moved to L.A., my hope was that I'd do on-camera work and voice over. I've ended up doing both, but the voice over side took off in a way that I didn't expect!!
The entire economy relies on the suspension of disbelief. So does a fairy story or an animated cartoon. This means that no matter how soberly the financial experts dress, no matter how dry their language, the economy they worship can only ever be as plausible as an episode of 'SpongeBob SquarePants.'
My dream was to draw for 'The Beano.' When I was 10 years old, I started drawing cartoon strips with 'The Beano' in mind. I lived in that world. You own a comic, it's yours and adults don't understand it. You could pile them up under the bed, and if you were off school ill, you'd go through them all.
What does it say about a president's policies when he has to use a cartoon character rather than real people to justify his record? What does it say about the fiction of old liberalism to insist that good jobs and good schools and good wages will result from policies that have failed us, time and again?
Two friends and I decided to get tattoos of different animals. My one friend got a bulldog. My other friend got a bull, I think, and then I got a shark. Two years later, there was a cartoon called 'Street Sharks,' and by happenstance, it looked eerily reminiscent of my tattoo. Actually, it was identical.
'Boo & Hiss' has been a passion project of mine for a couple of years. I was intrigued with the idea of what would happen in a classic cartoon predator/prey relationship if the predator - in this case, a cat - got to finally do in his adversary only to have the mouse return as a ghost and bedevil the cat.
Anorexia is a response to cultural images of the female body - waiflike, angular - that both capitulates to the ideal and also mocks it, strips away all the ancillary signs of sexuality, strips away breasts and hips and butt and leaves in their place a garish caricature, a cruel cartoon of flesh and bone.
My lawyer's opinion is that the cops might not actually be able to charge me with criminal damage any more - because theoretically my graffiti actually increases the value of property rather than decreasing it. That's his theory, but then my lawyer also believes wearing novelty cartoon ties is a good look.
I was shocked when I heard that Farghadani had been sentenced to 12 years and nine months in prison on spurious charges, as Amnesty International notes, of 'spreading propaganda against the system,' 'insulting members of the parliament through paintings' and 'insulting the Supreme Leader' with her cartoon.
It's not like we have a formula, but I think one of the reasons this show has survived is that it has a big heart at its center. Other cartoon shows have people crap on each other and make racist jokes. But I don't think people tune in for that. I just don't think a show lasts for 10 years without a heart.
My first job now is as a mother, everything else is secondary. My kids understand that I am an actress, and they are always so surprised to hear my voice on a cartoon character, or see my face on a video box. If it ever gets to be too much though, the career and the kids, I will simply set the career aside.
It's pretty crazy. I was thinking about that today, how 'True Blood' has penetrated so much of the cultural zeitgeist. It's truly amazing; it's incredible! The cover of 'Rolling Stone' is major. What's next, the cover of 'Vanity Fair?' When I'm in a 'New Yorker' cartoon, then I will feel like I have made it.
Somebody once told me that if you laugh at a George Bush joke, or you send an email cartoon to your friends that makes Bush look like a fool, you feel like you've done something significant. But really, what have you actually done? Just expressing contempt for your leaders doesn't really accomplish anything.
Cameron threw her hands up in frustration. “What is this so-called ‘look’?” Whatever it was, she was going to have to start taking extreme measures to guard against it. Amy grinned. “You know the Tom and Jerry cartoon where Tom hasn’t eaten for days and he imagines Jerry looking like a ham? Kind of like that.
If you're a cartoon character or most TV characters, sure, you'll fight, because the punches are juicy-sounding and they don't leave marks. But in real life, if somebody punches you in the eye, it doesn't make any noise and your eye is swollen for, like, six months. It's a nightmare to get punched in the eye.
It is more raw and unfettered and I'm more likely going into something you could call extreme cartooning. There's a lot of that in the course of 'Holy Terror.' There are interludes where there are pictures - cartoon pictures - of modern figures and they are all wordless. It's up to readers to put the words in.
I don't read cartoons because I think for the most part the comics don't have an interest for me. There's just nothing there these days that makes me want to go seek them out. I'm not trying to say my work wouldn't have sparked that same reaction from somebody else. There's just nothing there for me personally.
My mom thought I might be good for voiceover. She thought I had a cute voice, so maybe I could do a cartoon or something. And while we were looking into that, we also thought I should get into theater acting, so I tried it and the first audition I went on, I booked it. And it kind of just snowballed from there.
'MAD Magazine' put out a book that was a collection of Trump cartoons, and they asked me to do the forward because they knew that I was a fan because I'd done stories and tweeted about 'MAD.' So I did the forward and asked them if I could do a cartoon. They let me, and I did caricatures of myself and Wolf Blitzer.
Two words guided the making of 'Babel' for me: 'dignity' and 'compassion.' These things are normally forgotten in the making of a lot of films. Normally there is not dignity because the poor and dispossessed in a place like Morocco are portrayed as mere victims, or the Japanese are portrayed as cartoon figures with no humanity.
I was a huge pop music fan as a kid, but the bands I was into were like 5ive and N-Sync. It was like watching a cartoon. There was so much going on, and the production was so well mixed. Stevie Wonder was able to give you those melodies and production but back it up with such creative integrity and real musicianship and artistry.
I like What Goes Around Comes Around for old concert tees. Oh man, I got this 'Sgt. Pepper' cartoon Beatles shirt there; it was, like, $300. I didn't even know how much it cost - I thought it was gonna be, like, $80 at most - till I got to the register and was like, 'Oh mah gawd!' Good Lord. But it's classic vintage rock, you know?
I feel like my music is just an extension of my acting. I treat the songs like scenes that tell a story... it's very similar. My favorite thing is when cartoon fans show up to my live gigs! They are always the most kick-butt audience members 'cause they're not trying to act all cool like a lot of the music fans do! It's refreshing!!
I was a top-notch cartoon model for Hanna Barbera, and they made me into a cartoon series called 'Devlin,' which ran for seven years, and I was on lunch pails and coloring books and all of that. It's really interesting being a coloring book when you're young - most kids colored in coloring books, but I made money off coloring books.
Seeing Rush the first time was huge for me. That was my favorite band and I couldn't believe they were actually in the same building as me. I was totally freaking out when the show started and when they started to play it was almost like cartoon characters coming to life. I couldn't get my head around the fact that it was really them.
["Where the Buffalo Roam" is] horrible pile of crap. [Bill] Murray did a good job. But it was a bad script. You can't beat a bad script. It was just a horrible movie. A cartoon. But Bill Murray did a good job. We actually wrote and shot several different endings and beginnings and they all got cut out in the end. It was disappointing.
I think the feeling was that 'Venture Brothers' really has something to sell in terms of a feature. 'Aqua Teen' is an element minute cartoon, and its very subversive and non sequitur and weird. We were writing the one show where we were constantly like, 'God, I wish we had another hour to tell this story.' It seemed like a natural fit.
I was the singing voice of a cartoon character. I did dog food commercials. I did a lot of commercials, actually, and helped pay my rent and my classes. Then I'd get one good line or two good scenes. I was building my career and building my own experience and learning technically what it was like to be on a set and all of those things.
I was from such a large family that when I first met my wife, I told her: 'You can go work outside of the house and I'll stay home and continue making my cartoon strips. Maybe I'll make some commercials nearby, you know I'll do anything locally, but I would love to just stay at home and raise the kids like I did when I was growing up.'