I think the trick to playing villains is that you can't play them as if they know that they're villains, otherwise it becomes some sort of mustache-twirling caricature!

I see in Cambridge, particularly among the women dons, a series of such grotesques! It is almost like a caricature series from Dickens to see our head table at Newnham.

The problem is that rap is so often a caricature of its own image. Nobody comes to the table with the seriousness of the effect that it can have; nobody is prepared for that.

Magneto is classically known for being, like, a caricature of a supervillain who gives a lot of speeches, likes to fly up, teach people a lesson, make society look at themselves.

I will admit that I purposely stress myself out. But I think I like stressing myself out. There's a glamour to, like, 'I've got to get to the airport!' I just like the caricature.

I guess when I first started speaking with an American accent, there's a tendency to create a caricature of the accent because you just exaggerate the pieces that stand out to you.

I'm not interested in playing the villain as a loud caricature, one-dimensional character. I am trying to humanise evil. If you see my character in 'Aurangzeb,' I am not trying to act evil.

Drag breaks the fourth wall, which is why it's never been quite accepted, because nobody wants to be told that they are really a caricature of themself and to not take yourself too seriously.

The problem became this: We became a caricature of ourselves. We were after light, and it began to look as though we were after heat, not to reveal some information or not to find out the story.

When I made 'Polly Maggoo,' it was more or less the end of this collaboration with 'Vogue' because I made a caricature of the editor-in-chief and the fashion people, so they didn't really adore me.

The caricature of what George Osborne is doing on the fiscal side is absurd. If you read some of the commentary, particularly from the left, you would think he was turning the clock back to the 1930s.

Animation is different from other parts. Its language is the language of caricature. Our most difficult job was to develop the cartoon's unnatural but seemingly natural anatomy for humans and animals.

Every president becomes a caricature. The press, partisans, late-night shows, and other arbiters of our culture these days boil down complicated and multi-faceted personalities into one-dimensional punchlines.

I remember going to one party of this preppy, bourgeois crowd, and there was some obnoxious character there, really bad news, and saying, 'Oh my God, so the caricature you always see in films actually exists.'

The whole idea of rock and roll lifestyle is a cartoon. It's a caricature. And at times, it's made up of people emulating others; a few who actually live that lifestyle and many who claim to live that lifestyle.

I think people have an idea of what Fox News is. If people don't watch Fox News, then it's just a caricature, it's not real, they have it in their heads that it's something very different than what it actually is.

My name is an acronym for EA - EA All Day. It's a persona that I developed over the years in sports as a caricature of myself. On the field, in practice, in the weight room, I was just a character and a personality.

There is such a cliche to certain roles that all I can do is to try to make them realistic and work for the times, and so the audience actually won't see me as a caricature of something, but rather as an actual person.

On telly, if it's not the right kind of show, I revert back to my 'Girlie Show' persona, become this daft, bawdy caricature of myself and I'm not actually like that, I'm actually quite - not clever, but smart with my words.

Pummeling an answer out of someone never works. You cannot intimidate someone with aggressive language and think they'll be more forthcoming... that's a caricature of interrogation, part of the TV culture of what it looks like.

You have to avoid caricature, at the one end of the spectrum, and sentimentality, at the other; which is not to say that such characters shouldn't be funny part of the time, or that their actions shouldn't evoke genuine feeling.

For me, geopolitical issues are becoming more important, because how can you understand economy if you don't understand geopolitics? People think economists just deal with spreadsheets and charts. That's a narrow-minded caricature.

When Kellogg's brought up the idea of the tiger, they sent me a caricature of Tony to see if I could create something for them. After messing around for some time I came up with the 'Great!' roar, and that's how it's been since then.

The idea of getting old is horrific, but I don't want to make it worse by becoming a grotesque caricature. A lot of people have made that mistake of trying so hard to hang on to their looks that they make themselves look really scary.

I have spent too long training myself to speak with an American accent, it's ingrained. I spend 16 hours a day on set speaking with an American accent. Now, when I try to speak with an Aussie accent, I just sound like a caricature of myself.

A simple caricature, a simple sketch - that's fine. There's nothing wrong with that. But if you draw up a caricature... if you associate that subject with the things you're not supposed to, then, of course, you can't expect that to be acceptable.

When I look at someone's face, there's something in my brain that just clicks - that breaks down their face into the elements that go into a caricature. It might be like the way a chef tastes a dish and can break down into elements what went into it.

Being an openly gay black man, unfortunately I've had experiences working with individuals who've tried to exploit my blackness or my gayness in a way that doesn't make me feel comfortable, or they try to manipulate me into being a caricature of myself.

Trump brings rhetoric and reality together in a cartoon caricature of a Republican politician that anyone can understand. That gives him a vital role in history. He is the perfect exorcist to drive a stake through the heart of the modern Republican Party.

In a band with humor, it's easy to be a caricature, especially when you've been around as long as we have. But we sing those songs as genuine as we can, always from the heart. When we do the fish sounds in 'Rock Lobster,' Cindy and I are pouring our hearts out.

It's very easy for me to say what success is. I think success is connecting with an audience who understands you and having a dialogue with them. I think success is continuing to push yourself forward creatively and not sort of becoming a caricature of yourself.

You are free to reject God. Make sure that you're really rejecting God, not some caricature of God that the church has shown you. But I, one, respect a God who not only allows us to reject Him but includes the arguments we can use against Him in the Bible. I respect that.

What can often happen when doing accents is that you go too far to one extreme, so it becomes a caricature. It's important to bring an accent back to a natural organic place so you're still speaking like you would speak, just the sound is different. But your rhythms are not.

Obama is trying to paint us as a caricature, as if we're some bizarre individualists who are hardcore libertarians. It's a false dichotomy and intellectually lazy. Of course we believe in government. We think government should do what it does really well, but that it has limits.

The caricature of science is that we hold tight to the theories we have, and shun challenges to them. That's just not true. In fact, we hold our highest rewards for those scientists who can prove others wrong. And by the way, they are famous in their own lifetimes. We don't wait until they're dead.

Anorexia is a response to cultural images of the female body - waiflike, angular - that both capitulates to the ideal and also mocks it, strips away all the ancillary signs of sexuality, strips away breasts and hips and butt and leaves in their place a garish caricature, a cruel cartoon of flesh and bone.

For me, the perfect film has no dialogue at all. It's purely a visual, emotional, visceral kind of experience. And I think one can create wonderful depth and meaning and communication without using words. I started out as an illustrator and a cartoonist and caricature artist, so for me the visual is primary.

Researching real people and doing them, I think, is harder than anything else. You don't want to do a caricature of them and you don't want to do an impression. You just want to do the best you can, in terms of presenting their views and a general impression of the guy. That's the hardest thing to do, real people.

What is now called 'green architecture' is an opportunistic caricature of a much deeper consideration of the issues related to sustainability that architecture has been engaged with for many years. It was one of the first professions that was deeply concerned with these issues and that had an intellectual response to them.

In some ways, I feel like the strength of animation is in its simplicity and caricature, and in reduction. It's like an Al Hirschfeld caricature, where he'll use, like, three lines, and he'll capture the likeness of someone so strongly that it looks more like them than a photograph. I think animation has that same power of reduction.

I came to the conclusion months ago, and I said it to members of Congress, that the only way people are going to fully appreciate what this reform is if we pass it and implement it and it becomes not a caricature but a reality, and I still believe that. So I think it will be easier to sell it moving forward than it was to this point.

In the '80s, society created a caricature of what a hacker or a programmer looked like: a guy wearing a hoodie, drinking energy drinks, sitting in a basement somewhere coding. Today, programmers look like the men we see in the show 'Silicon Valley' on HBO. If you look at the message girls are getting, it's saying, 'This is not for you.'

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