Careers Quotes - Page 98

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Every time you worry that you could get trapped in some kind of work you don't care about, you're dealing with the problem of meaningfulness. I guarantee that in the back of your mind is the thought that somehow you have to make a contribution to something, be acknowledged, do something that matters-or you're just fooling around.

What Hollywood truly wants is for people to be themselves. I think what it's designed for is to kind of turn people into something and just make them saleable. But what it really stands for, what it really loves, are people who are unafraid to be themselves, and as you can see, these are people who are excelling in their careers.

It's a trap I've fallen into earlier in my career - trying to be liked. Don't do it. When I watch TV and I see someone trying to make me like them, acting cute or quirky or goofy, I'm not impressed. Don't act like America's watching you. Just latch onto your character. Characters are flawed. Be unlikeable. Be flawed. Be a person.

First, therefore, [the Jew] goes about making up to the people for his previous sins against them. He begins his career as the 'benefactor' of mankind. Since his new benevolence has a practical foundation, he cannot very well adhere to the old Biblical recommendation, that the left hand should not know what the right hand giveth.

I still have the same outlook on things that I did 10, 20 years ago. As an animator, there’s no career path that you can follow; there’s very few people doing this that you can look to and pinpoint the mistakes. It hasn’t changed since I was little. You have interests and follow them and strange things happen, organically or not.

I think actors, at a certain point in their careers, decide they're either going to keep taking risks or take the exact same risk over and over again so that it's not a risk anymore. That's when I don't want to work with them. I think there are some actors who are just doing the exact same thing, and they will never shift from it.

I went through the workroom at Central Saint Martins in London, which is the most competitive workroom of a design school in the world. Very high creativity, very conceptual, very international, age-diverse and cutthroat - people who have master degrees reapplying into a foundation there is just wild to me to launch their careers.

In the early eighties, there were a lot of artists involved with the music scene. All those young artists, before their careers took off, were into music. Robert Longo used to play some guitar. He had a band for a while. Basquiat had a band. I mean, people were always trying to mix music and art - in fact, I'm guilty of it myself.

I went from having three little jobs that I strung together to being on the road full-time; having some savings that my managers told me to spend. You fly all over the country opening for these other people. You pay a publicist to get some press while you're establishing yourself and you will be solvent in this career forevermore.

My mother is somebody who I think of as having just an intense close focus. She's somebody who really can pay very, very close attention to the thing she's focusing on for a very long period of time, and that has served her incredibly well in her professional career. She knows - the things she knows, she knows them just so deeply.

For the most part, I meet people who are like 'I really like your work. I'm watching your career. I want to see you do well. Keep doing what you do.' I get that so much, and it's so reassuring. I often wish that so many people, who just work normal jobs, could get a pat on the back as much as I do, because it's very complimentary.

I've never really felt that being part of a literary community is all that important. It can be extremely detrimental to a writer. It can damage successful writers by giving them an exalted sense of what they've done, and it can crush less successful writers by infecting them with envy and malice at an early stage in their careers.

A photographer's best pictures are from deep inside him, and also some of the worst. Some photographers enjoy distinguished careers without ever taking personal photographs. Others, audaciously and arrogantly and courageously discharge their most private feelings through photography. Trouble is, sometimes it all adds up to baloney.

Lagos has also had a particular effect on my career. I was there early, and although it was a courageous step to go there and invest on this scale - I went there maybe 20 times - it's also been also super-controversial. There's an old school of thought that somebody like me has no place to go there.Because of colonialism and so on.

One of the things that I've always not liked is the modern players have always concentrated on dancing in the end zone and BSing when serious things were going on in this country that needed to be changed. So my opinion is that when these young people stand up and risk their careers, that's a good sign for everything and all of us.

If you can look at your failure and answer yes to the questions, "Did I give it my absolute best effort?" and "Have I learned something valuable?" then you have failed in the right way. By these standards, I've failed many times in my career. But every failure has made me stronger and wiser. Inevitably, success has always followed.

At a young age, I became very aware that not only did my family have to struggle but that families around the country were struggling as well. Also, being Jewish and having lost relatives in the Holocaust, I've always been aware of the meaning of prejudice. These are things that have remained with me throughout my political career.

Before that I had largely thought of selling as just a way of making a living for myself. I had dreaded to go in to see people, for fear I was making a nuisance of myself. But now I was inspired! I resolved right then to dedicate the rest of my selling career to this principle: finding out what people want, and helping them get it.

I've been evolving in my stunt career Stunts have always had their place, and I have to measure them now. I've done things where, if I make a mistake, I could die. You really need to look at each thing. That usually is a mechanical failure. So, I have gone from doing everything, to listening and saying, "Maybe I shouldn't do this."

Coast to Coast AM may just be the most unusual show I have ever witnessed or been a part of. You really almost have to be born into that arena, I think, in order to handle it. I was very lucky in that's the way I was guiding my own career. It was this thirst to really get to the bottom of some of these stories that kept pushing me.

And lastly, when other things in life get tough, when you're going through family troubles, when you're heartbroken, when you're frustrated with money problems, focus on your work. It has saved me through every single difficult thing I have ever had to do, like a scaffolding that goes far beyond any traditional notions of a career.

It sucks to be the runner-up because I've been the runner-up for a long time in my career. I would get so close and then lose a huge movie and sometimes it's one kid who beats you out for three different movies. It's so frustrating at the time, but what's so great is the lesson you take from that, which is, 'I've got to get better.'

Way back in the day, when I first started and had delusions of adequacy as a cartoonist, I would listen to music. When I switched to a career as a writer, I would try to listen to music, but if the songs had lyrics they would get in the way of the words I was trying to write. So I switched to listening to purely instrumental pieces.

The inner essence of worship is cherishing Christ as gain - indeed as more gain than all that life can offer - family, career, retirement, fame, food, friends. The essence of worship is experiencing Christ as gain. Or to use words that we love to use around here: it is savoring Christ, treasuring Christ, being satisfied with Christ.

I spent many years in college studying English literature. I was on the verge of attending grad school to get a Ph.D. in Renaissance poetry - my lost careers were being a writer, artist, or academic. Do I regret spending all that time poring over Shakespeare when I could have been getting a jump start on the competition? Not at all.

All I can tell you is that you cannot make choices in your own career, either career choices or choices when you're actually working as an actor, based on trying to downplay or live up to a comparison with somebody else. You just can't do that. You have to do your own work based on your own gut, your own instincts, and your own life.

My priorities have always been God first, family second, career third. I have found that when I put my life in this order, everything seems to work out. God was my first priority early in my career when I was struggling to make ends meet. Through the failures and success I have experienced since then, my faith has remained unchecked.

I haven't given it (achieving 3,000 hits) much thought. I was taught a certain approach, how to come to the ballpark. I try not to do too much thinking about things like that. In this society we measure success in different ways. Three thousand (hits) represents success over a career, not a season. It'll be nice to get to that point.

We (Derek Jeter and I) always talk about getting old, gray, and fat when our careers are over and just having a good time. He's like me. He wants to have a good time and be a good person. It's a weird situation for us. It's just like we're looking in the mirror. the only difference is I'm on the West Coast and he's on the East Coast.

I was the first in my family to go to college, and I waitressed all the way through, using my earnings to pay for a bachelor's degree first and then a master's. I resented classmates who didn't have to work real jobs, the ones who had the luxury of taking unpaid internships that would eventually position them for high-paying careers.

I know that I've definitely found what I should be doing with my life. In my life, as far as my career goes, I always felt, as an actor, that it was something that would just be a temporary thing that would get me to what I wanted to do next. That's what my acting did. I really feel that I'm a much better director than I was an actor.

Being a startup entrepreneur is not for everybody and it’s not the only desirable career choice. I also know that many people have families and cost obligations that don’t allow the kinds of financial risks associated with starting a company. And for others the hours, stresses and sacrifices in personal relationships are not worth it.

A snappy label and a manifesto would have been two of the very last things on my own career want list. That label enabled mainstream science fiction to safely assimilate our dissident influence, such as it was. Cyberpunk could then be embraced and given prizes and patted on the head, and genre science fiction could continue unchanged.

I couldn't understand her [my mother's] wiring, all the time. I couldn't understand how she denied herself pleasure and enjoyment in life. As my career got successful and I wanted to do things for her, she wasn't able to allow them because she just didn't work that way. It was always that. It wasn't necessarily ugly, just complicated.

The message to organizations is this: You have to increase the number of categories of contributing, or the types of career paths, which people can experience as successful. You cannot restrict esteem to the fewer and fewer who will be climbing up the management ladder. You need to have the majority of your people feeling like winners.

Michel duCille has been an editor of indelible integrity, decency, and a deep sense of humanity. Michel stood by me during the highlights and shadows of my life. We began our careers together as interns at 'The Miami Herald.' His photography over the years embodied the concerned journalist, which carried over to his work in management.

My idea of that[idea of career] is constantly changing. I mostly just throw it out to the universe and I can't really do much after that. I've never taken the steps to be "successful": I've never had a manager or signed to a publishing house. I've talked to people about it but I've never followed through because it gives me the creeps.

There are several more careers more engaging to follow than that of poetry. But the circumstances of one's birth, the conduct of one's parents, the current economic structure of society, and a thousand other local factors have as much or more to say about successions to such occupations, the naive volitions of the poet to the contrary.

I think 'Comic Book: The Movie' is the apex of my career in terms of making a personal statement that has significance to me and resonates with biographical detail about not only my career, but all the people that I've worked with in my career. All of it's riddled, on- and off-camera, with people I've known and worked with for decades.

It was all kind of a whirlwind at the beginning. I didn't really realize that I had a special gift from God. It was probably towards the end of high school in my senior year when things really started to come together and I realized that I had more potential and that I could do this as a career and that the Olympics were a possibility.

Other people want a career or success because they think that will help them find their personal life somewhere. I've done it the other way around. What I have is what everybody else is looking for. I know I've got it made. I know I'm a very lucky man. That came first. Then the music and the career just kind of took care of themselves.

I think there is really something we need to examine about the notion of careers, and are women encouraged and given the same opportunities to have vital healthy careers in which they are challenged by certain things, they try new things, they struggle, maybe they stumble, maybe they fail, and then there's more room to succeed as well.

In the course of his long, turbulent career, W. E. B. Du Bois attempted virtually every possible solution to the problem of twentieth-century racism...scholarship, propaganda, integration, national self-determination, human rights, cultural and economic separatism, politics, international communism, expatriation, third world solidarity.

It's a very special generation, because during our careers the computer entered chess. So we know how to play without computers, which is also important. We can analyse without computers. I am not saying that younger players cannot do this, but we are more in the habit of doing this. That's important to improve your chess understanding.

I came to filmmaking as an actor looking for great characters and great opportunities, both of which are kind of hard to come by. It turns out I really love the process. And, it's exciting to be able to take my career by the reigns and make things happen for myself. Hopefully, in doing so, more opportunities will become available to me.

Look at guys like Larry Bird and George Brett and John McEnroe; that's what they did in their careers. They all wanted to be the guy under the microscope late in the game or late in the match. So you just take on that know-how that that's part of your responsibility, and you learn that's what makes it exciting. That's what makes it fun!

Definite gifts render their possessors capable of overcoming any obstacle this side of death; they create an impetus of far more genuine value than external advantages in some other career where the impulse to make use of them remains weak or non-existent. The work that one enjoys is the greatest source of happiness and vitality in life.

I always knew that someone was going to come at me with a script to play God. It's just one of those things, the way your career is unfolding and all the talk about gravitas etc etc, so I had a strong feeling that someone was going to offer me the part of God. I was totally prepared to say, 'Thanks but no thanks,' unless it was a comedy.

I understand that it's a huge luxury for people to dwell on the problems in Washington. Things have to be pretty tidy in your own life that you have the time to worry about what's going on in Washington. Most of us spend our time worrying about the things that are directly around us: our love lives, our careers, and our banking accounts.

I also realise power is fleeting, it doesn't last forever in this career, so I want to make the most of it. I want to make the kinds of pictures that interest me, it's as simple as that. I've never done work for money ever. If your choices are based on grosses and the film doesn't do well, what does that mean? It leaves you with nothing.

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