Quotes of All Topics . Occasions . Authors
I was in my 30s when I quit my job and ran for Congress. So often, we're told it's OK to take these big career leaps when we're in our 20s, but we cast such an unfavorable light on those who take big risks later on in their careers or when they start families. There's enormous pressure to have it all figured out.
First and foremost, I consider myself a storyteller. And I'm endlessly fascinated with people, with what they do and why... and how they feel about it. Which means I'm interested in romance fiction. I was drawn to it, as both a reader and a writer, at the very beginning of my career. It's my kind of storytelling.
I'd love to become like Bill Murray, who was so funny on 'Saturday Night Live' and has gone on to do some of the landmark comedies people like. And then to add this whole other phase to his career with 'Lost in Translation' and 'Rushmore.' I always felt to be able to have something similar to that would be great.
Throughout my career I've played a lot of parts that might've been played by a man. They're human roles rather than specifically men or women. I've never been as hooked into that as a lot of women are, you know, like, 'There aren't enough roles for women.' There aren't necessarily a lot of good roles for anybody.
People ask me all the time, 'Are you fed up with reality TV?' At the end of the day, it can affect my career in the sense that the more reality shows there are, the less scripted dramas out there, but I can't ever really knock them. I started on 'Popstars,' which was a reality talent show. I have respect for them.
Millennials are a very interesting generation for a lot of reasons. They're absolutely adorable, but they have some significant challenges. Their lives and their careers are delayed by about 10 years, partly because of the recession, also because of technology and also because of the way that they approach things.
But human deciding what to eat without professional guidance - something they have been doing with notable success since coming down out of the trees - is seriously unprofitable if you're a food company, a definite career loser if you're nutritionist, and just plain boring if you're a newspaper editor or reporter.
Like all soul singers, I grew up singing in church but sometimes I would leave early and sit in the car listening to gospel band, The Blind Boys of Alabama. Hearing their lead singer Clarence made me connect the idea of church and show business and see how I could make a career singing music that stirred the soul.
Remarkable visions and genuine insight are always met with resistance. And when you start to make progress, your efforts are met with even more resistance. Products, services, career paths... whatever it is, the forces for mediocrity will align to stop you, forgiving no errors and never backing down until it's over
As Ive progressed in my career, Ive come to appreciate -- and really value -- the other attributes that define a companys success beyond the P&L: great leadership, long-term financial strength, ethical business practices, evolving business strategies, sound governance, powerful brands, values-based decision-making.
I think professionally I admire people and the way they've handled their careers and being in the media. But the people that I used to inspire me and keep me going were my peers in Toronto - I would see the same girls going to audition after audition, and their resilience to do it again, and I found that inspiring.
It's been said that as we move through life, we have to juggle a number of different balls. Some balls, like the one that represents career, are made of rubber. If we drop them, they have the ability to bounce back. But some balls are made of glass - family is like that. If you drop that ball, it doesn't come back.
I'm someone who's experienced impostor syndrome - as I think a lot of people have with their careers, especially when they pursue what they're passionate about, because they want to be good at it. I've experienced that as a gay man; I've experienced that as a cook, as a gallery director, as a student of psychology.
If I waited until I felt creative, I would never have had a career. I long ago learned that a day that starts out badly, when nothing comes out on the page or comes out wrong, can suddenly turn into a good day a few hours later, when suddenly everything starts to click. The brain can be cajoled into being creative.
Look, you see those groups talkin' about negativity and anger, and they'd do that for two albums, and then you'd see them change up. I knew they couldn't do a Kurt Cobain on their whole career. You can't stay like that all the time. It's like when Hammer tried to go gangster. You can't be something that you're not.
When I figured that I could do anything if I was simply methodical about it. I went to the library - and this was before the Internet - and I searched for a career that was creative, would not fall into a routine, involved problem solving and making things. It also had to be dynamic. I came up with special effects.
At this stage in my career, I don't have to take any big risks. You want to take a calculated risk, not one that leads to people saying 'yes, but there was that one time when she made that big mistake.' It's always a shame when that happens, especially if you've gotten by for decades without anything hugely tragic.
Hiding my migraines on the set may have been my toughest challenge as an actor. There were times when the pain from migraine headaches was so severe that I literally had to crawl across my dressing room floor. But I couldnt let anyone know. If they thought I might slow production, I figured that would end my career.
I'm living in a dream. I really consider myself really lucky. I was born and raised in Guatemala, in a village, where to go to the market you have to take two buses or drive about 20 minutes if you are lucky enough to have a car. I grew up very, very poor and I didn't even know that being an actor could be a career.
The truth is I've just never had any kind of plan at all for my career, which is probably not a very flattering thing to admit. I don't know that I'd ever planned to be in this situation. I'm still just an idiot, really really stupid. It's not like I'm now a genius because this has happened. I just got hugely lucky.
When you're in a band with three writers, three great writers, you only get one third of the writer thing. So that's the whole reason that I did a solo career. And that's, you know, when I told Fleetwood Mac I was going to do that, they were of course terrified that I would do that record and then that I would quit.
Someone asked the Swiss physician & author Paul Tournier how he helped his patients get rid of their fears. He replied, 'I don't. Everything that's worthwhile in life is scary. Choosing a school, choosing a career, getting married, having kids--all those things are scary. If it is not fearful, it is not worthwhile.'
If we were to use the success of 'Need You Now' as the barometer for every other song, then we'll probably be highly disappointed. That song will probably undoubtedly be the biggest song of our career. We can hopefully have success for 20 years, but we may not ever have the success of that one particular song again.
For me, the fall of the Wall came at the exact right time because, I mean, I was 17, basically I hadn't missed anything, unlike the generation of my parents, who were deprived of a lot of things. They couldn't travel, and they couldn't really get ahead in their professional careers. So for me, it was perfect timing.
In the beginning [of my career] I definitely felt a responsibility because I was representing a bunch of people [Sri lankans] who never got represented before. I felt this responsibility to correct that situation, to be like, "Look, you can't discriminate against refugees and Muslim people and blah, blah, blah . . ."
I'm a lobbyist and had a career lobbying. The guy who gets elected or the lady who gets elected president of the United States will immediately be lobbying. They would be advocating to the Congress, they'll be lobbying our allies and our adversaries overseas. They'll be asking the business community and labor unions.
From building robots and video games to coding apps that solve a problem in your community, or 3D printing in fashion tech, it is important that we explore different ways to engage girls in STEAM and also ensure that there are many, and different, women role models that will inspire our girls to pursue STEAM careers.
During the golden age of movie stars, there were plenty of actresses who were deemed unattractive at the start of their careers, but struggled and finally appeared more beautiful and more iconic. Sometimes that idea of being truly iconic has something to do with not necessarily being beautiful and thus trying harder.
But, as potentially the first African American first lady, I was also the focus of another set of questions and speculations; conversations sometimes rooted in the fears and misperceptions of others. Was I too loud, or too angry, or too emasculating? Or was I too soft, too much of a mom, not enough of a career woman?
Harvard's Kennedy School of Government asked me to serve as a fellow at its Shorenstein Center on the Press, Politics, and Public Policy. After my varied and celebrated career in television, movies, publishing, and the lucrative world of corporate speaking, being a fellow at Harvard seemed, frankly, like a step down.
I feel it's such a tragic thing [Kurt Cobain's suicide]. Here is a guy, a young guy, that had everything in his hands. He could have had a great life. He had a wife, he had a child, he had a fantastic career. He was important to a generation. And for him to do that - I didn't like that. I thought that was just wrong.
When I was growing up in the '50s, I had never heard of a "woman film director," so I did not consider it as an option. But I was fortunate that in the late-'60s and '70s, because of the feminist movement, women were stepping into all sorts of careers that had been closed to them in the past and film was one of them.
David Ayer was put on my map, at that point, and I always kept note and clocked his career. When he started directing, I saw Harsh Times, I saw Street Kings and I saw End of Watch. I gave my agents a list of directors that I wanted to work with, and at the top of that list was David. I wanted to have that experience.
At this point in my career, I have the privilege of choosing my partners. In the beginning, you more or less take what comes in the door - or what matches up with your brand. But you're always subject to what's available, especially in the ski world where there are not infinite choices, especially on the fashion side.
I was very obsessed with Ruth Gordon. I really didn't foresee me having any type of career as a leading lady at all because it was just blonds. I just wasn't the type - I was told that by casting directors. I auditioned for Running on Empty [1988] and The Mosquito Coast [1986], and Martha Plimpton was just killing me.
I love the idea of longevity in this career. But [producing] is not about, "Let me do this because this might happen 20 years down the line." Sleepwalking wasn't a vehicle for me, it was a film that pushed the envelope. I want to produce good stories, versus creating a niche where I can look after myself as an actor.
I've struggled a lot to get where I am. I initially got rejected by every producer. But no complaints. I enjoyed each and every moment of the struggle. My first break came in 1997 from Krishna Vamsi and then Puri Jagannadh, who is my closest friend. I owe everything I am to him. Our careers have evolved simultaneously.
I wholeheartedly rejected anything remotely feminine but was not enthusiastic about anything masculine, either. I did not want to cook and have babies, and I did not want to be an engineer or a baseball player or a soldier or a politician or any of the myriad careers open mostly or solely to men. I wanted to be a poet.
I really pulled from that repertoire that Billie Holiday was singing, and the way she sang it. It's sort of this beautiful, not really midpoint, but a period of her career where she really still had her voice. She had that deep wisdom that we've come to associate her with. To me, that's her at the height of her powers.
She didn't know then that life has a way of backing you into a corner. You make your choices when you're far too young to understand their implications, and with each choice you make the field of possibility narrows. You choose a career and other careers are lost to you. You choose a mate and commit to loving no other.
Some taxpayers may object to a print journalism bailout on the grounds that it mostly benefits the liberal elite. And we can't blame taxpayers for being reluctant to subsidize the reportorial careers of J-school twerps who should have joined the Peace Corps and gone to Africa to 'speak truth to power' to Robert Mugabe.
It’s hard to pin down what makes Weiss’ music so distinctive. Perhaps it’s that even in the ballads, the tone is upbeat, the outlook positive. The way Weiss writes - passionately, wittily and with respect for his fellow musicians - attests to his talent and appetite for creativity, and suggests a long, enjoyable career.
Ties of loyalty play an understandably important part in how most MPs interact with their own party and the supporters who have elected and sustained them in their careers. As I know personally it is the strain put on those ties which constitutes the most unpleasant aspect of being at variance with one's own party line.
I didn't really do many business ventures throughout my career because I would have an idea and then before I'd have a chance to make something of it, I'd see someone else do it. I just liked to watch my fellow artists become entrepreneurs and be people who can inspire the next generation. I did that more with my songs.
The hardest thing to do in movies is be a day-part player. You have to go in, make your mark, and get out. There's a lot of leading actors who are not good for a lot of a movie, and then suddenly they have good moments, and they're like stepping-stones across a particularly feisty stream. They build careers out of that.
The best way to get students involved in science and want to follow either science careers or incorporate it in their lives or to achieve science literacy is to expose them to the various jobs in STEM. It's broad from biologists to electricians to nanotechnologists to building fusion engines. It's a wide range of things.
The development of science has produced an industrial revolution which has brought different peoples in such close contact with one another through colonization and commerce that no matter how some nations may still look down upon others, no country can harbor the illusion that its career is decided wholly within itself.
The slow-rising central horror of "Watergate" is not that it might grind down to the reluctant impeachment of a vengeful thug of a president whose entire political career has been a monument to the same kind of cheap shots and treachery he finally got nailed for, but that we might somehow fail to learn something from it.
I am very picky with my career. I don't need to do it for the money or the fame. I'm very choosy, which is why I haven't played the typical role that people expect to see from someone of my stature and size, as the mean jock or the preppy. It's very easy to see me like that. That's why I go against it in different roles.
I used to worry about money and career and what was going to happen. How was I gonna succeed or fail in the world? And I thought about it enough that I'm no longer worried about it. I'm not... I don't worry about what's gonna happen in my life. I don't worry about telling me about dying, my own mortality. That's a given.