Quotes of All Topics . Occasions . Authors
I'm aware that I have a career. But, if I was the hottest in the game, songs all over the radio - let's say whoever produced made me super big. Like, that would be cool, but there would be something in me that goes, 'You only wrote the raps. You didn't make the beats. You didn't direct. You didn't do all that.'
Honestly, in the music business, it's all about being cool or being the newest thing or being the 'It' person, and I've tried really hard to be what is expected of me or what would be advantageous to my career, and I just reached the point where I said, 'No, I'm an emotional loser. I can't pretend to not care.'
You know there are so many people that have touched your life both on the ice and within your career in the NHL whether it be owners, GM's, coaches, players, trainers, all the way down. And that doesn't even account for all of the people that you encountered outside of the game that you met along this trip, too.
My thing about looking good is that it should be the character. If I'm playing a character who's concerned about his body - an athlete, say - I'll get in shape. If I'm playing a character who doesn't or wouldn't, I don't. I almost never get in shape for a movie, even though I know it would be a good career move.
I love Carpenter, I love Craven - these are all the classics - the Romeros of the world, but I think the biggest influence on me as a storyteller and as a filmmaker is actually Steven Spielberg. I love that even though Steven isn't known for being a horror director, he started out his career making scary movies.
My husband has an outstanding record in promoting opportunity for women and the women that he surrounds himself in his staff and the women that he has promoted throughout his career. He's the father of three daughters. He's obviously a husband who's been very supportive of a very active wife with her own career.
Throughout my career I have developed a thick skin against verbal abuse, justifying it as just 'part of the game' but the time has come for Twitter, Instagram and Facebook to consider regulating their channels, taking responsibility for protecting the mental health of users regardless of age, race, sex or income.
I want that longevity in the career, so if you don't know how to get it, you trying to chase that high, you trying to continue to chase your dreams and conquer things you never thought you could get. And you just want to get there too soon, so you taking the wrong moves to try and compensate what's not happening.
It's just the risk that I take and the sacrifice that I make: Putting myself, my career, my family's peace of mind on the line just to do right by my fans. It ain't no gray area: You're either with that and willing to go out of your way to make people who contribute to your dreams coming true happy or you aren't.
Donald intends to represent all the people, not just some of the people. That includes Christians and Jews and Muslims; it includes Hispanics and African Americans and Asians, and the poor and the middle-class. Throughout his career, Donald has successfully worked with people of many faiths and with many nations.
Depending on what happens with my directing career, I don't think I'll stop writing, even if I crash and burn in movies and TV. I'll go back to plays. Even if I crash and burn there, I'll write a novel. That's the great thing about writing is that you don't have to wait for people to give you permission to do it.
I'd love to become like Bill Murray, who was so funny on 'Saturday Night Live' and has gone on to do some of the landmark comedies people like. And then to add this whole other phase to his career with 'Lost in Translation' and 'Rushmore.' I always felt to be able to have something similar to that would be great.
Throughout my career I've played a lot of parts that might've been played by a man. They're human roles rather than specifically men or women. I've never been as hooked into that as a lot of women are, you know, like, 'There aren't enough roles for women.' There aren't necessarily a lot of good roles for anybody.
There's an old hymn called 'How Can I Keep from Singing?' That's what writing feels like to me. I have to write. It's intrinsic to who I am. So it was a natural choice for me to try to pursue writing as a career. Truthfully, though, I still daydream about how fun it would be to ride on the back of a garbage truck.
When I first came to L.A., I was plotting out my career choices as if I actually had a choice. Unless you're Brad Pitt, Johnny Depp, impossibly good-looking, or look like a freak, you have to be malleable and open to everything that comes your way because that's what makes it possible to pay your mortgage and eat.
It was an easy decision for me which books to self-publish as ebooks. I got the rights back to two Avon books that I wrote at the start of my career. I paid to have these two books, 'Bold Conquest' and 'Wild Hearts,' scanned. When I got them back as documents, I had to clean them up and correct all the typos, etc.
Working with Adrien Brody was like going to Julliard, but instead of four years, I went for four weeks. He was like the Albert Einstein of professors, it was just the best experience of my life. Adrien was the most influential mentor in my acting career thus far, and even after the movie he continues to mentor me.
I felt like the luckiest kid in the world. And I was. I was growing up middle-class in a time when growing up middle-class in America meant there would be jobs for my parents, good schools for me to prepare myself for a career, and, if I worked hard and played by the rules, a chance for me to do anything I wanted.
The song that's mostly changing my career or made the biggest impact on my career would be 'Catch Me Outside.' Mainly because it hit YouTube, and that was, like, my first-ever video, so people never really seen what I looked like or knew exactly what I was about, so that was, like, the first taste of what they got.
At this stage in my career, I don't have to take any big risks. You want to take a calculated risk, not one that leads to people saying 'yes, but there was that one time when she made that big mistake.' It's always a shame when that happens, especially if you've gotten by for decades without anything hugely tragic.
I don't think I'm misunderstood, but there is definitely a certain side of me that the press focuses on - my body, my hair, or who I'm dating - which has never really served me as an actor. It's served me in the commercial world, making money as a model, but the media perception has really hindered my acting career.
I will never say never, but I can tell you right now - I am perfectly happy with being who I am. I just - I really - I'm an entertainer, and the thing that I'd decided to work on was my career, and I decided the energy that I was putting in certain relationships - I was really kind of wasting my time, and I knew it.
I wasn't even born when dad swam in the Olympics. I've seen videos of some of his swims, although I don't think I've ever seen him in the Olympics. He's been a massive support right through my career, and it's good to have someone so close to talk to who knows all about what it's like to compete in an Olympic Games.
My career was always about working with people, and understanding issues and problems and helping them to solve those issues and problems. How you deal with people - that's what diplomacy is all about. So while I'm not a career diplomat, many of the skills I had seemed to directly translate into the diplomatic arena.
The thing about a music career is that it ain't over until the fat lady sings. Look at all the times people threw in the towel on Dylan - or Neil Young. Remember when Young was doing things in the '80s like 'Trans' and the rockabilly album and being completely lambasted by critics who now think he is wonderful again?
Harvard's Kennedy School of Government asked me to serve as a fellow at its Shorenstein Center on the Press, Politics, and Public Policy. After my varied and celebrated career in television, movies, publishing, and the lucrative world of corporate speaking, being a fellow at Harvard seemed, frankly, like a step down.
I did have a nice career in print, but traditional publishers don't always have the resources to create individualized marketing for their authors. Mine never figured out how to package books as hot as mine so that they found their full audience. Finally, I got frustrated enough over my lack of traction to walk away.
Every inch of my writing career has been influenced by my screenwriting education. I was lucky enough to go to film school at USC, and I got a crash course in how to tell a story efficiently. I learned structure, pace, my style, how to know your audience, and most importantly, how to take criticism and edits properly.
An inevitable question asked of a performer who has made a modest success of his career is, 'How has success changed you?' It's a loaded question because it automatically assumes that there has been a change. And, in a sense, the assumption is a correct one. Basically, however, most people remain pretty much the same.
Years ago, when my attempts at a writing career came to a complete stand-still, I applied to the Los Angeles Police Department. This might seem odd for a liberal woman who once went to UC Santa Cruz, but I've always had a powerful fascination with crime and serious interest in finding different ways to contend with it.
I always wanted to be a chef. Flavors and food were always of interest to me, but it was how those things brought friends and family together to celebrate not only the special occasions but everyday life. It has been a blessing that I have been able to pursue a career that creates a product that brings people together.
A lot of people say I tried to emulate Tupac, but when I look back at my career, we're very different artists. I took pages out of Pac's book, of course, and lots of other rappers - Biggie, Nas - of course you take pages out of those books, but you eventually make it your own thing. And I think I did a good job of that.
I would say that nobody is going to work harder for your career than yourself - the one with the vision. No matter how many people you hire, nobody is going to get is as much as yourself does. So it's really important to be your own leader at all times and not hand it all off, otherwise the whole empire will fall apart.
It just tickles me still when you see Roger Clemens, as great as he is, throw a split-finger and the hitter just swings and misses. They don't see that ball that well. Jack Morris threw an awful good one and Mike Scott. There's a lot of great pitchers over the years that I think that pitch definitely helped their career.
Young men keep telling me they don't 'have it all' either. And they may have a point. But if you define 'having it all' as the opportunity to have a successful career and a family, I'd say this. When a man tells his coworkers he's going to have a child, no one asks him how he'll manage or if he'll be coming back to work.
I think a lot of people, when they start to become famous, they don't necessarily have the mental equipment to deal with it yet, so they try to keep it at arm's length and try to avoid it, which is fine for a while, but you can't keep pursuing a career in acting and that remain your attitude towards fame and recognition.
I think now that I'm in the autumn of my life, and I'm getting a chance of having an overview and looking at the shape of how things happen, when things happen, why things happen, I think it was fitting that I spent most of my early career doing mask work, because I just don't think I was that comfortable in my own skin.
The follow your dreams thing is really important because so many people are railroaded into taking other paths by their family, their friends, people who should be supportive going, 'What are you talking about?' Even just seemingly regular career paths, but if it's not what people expect for you they kind of react funny.
Nobody taught me to play bottleneck. I just saw it and taught myself. I got an old bottle and steamed the label off, put it on the wrong finger, I basically did everything wrong until I met some of the Blues legends early in my career who taught me another way. I didn't have anyone to tell me women didn't play bottleneck.
Over the years, I learned that in my career, unlike in life, sometimes my wheelchair is its own automatic door opener. I was able to win the OWN competition by applying one simple principle: be funny, and admit you suck before anyone else can call you out on it. In other words, make the narrative of your failure a comedy.
I feel blessed that I haven't seen or felt real pain to be immune to it. But I am dreading the time it comes. I feel blessed to have everything going fine. My parents' health is good, my brothers are well-settled, I have a great brother-in-law and my own career is doing fine. I hope and pray that I am fit and fine always.
Until 2005, I still thought of my surf lifesaving career as fulltime and kayaking as a pastime. I watched the 2004 Athens Olympics and saw people racing that I knew I could beat, and that was probably the turning point: I decided I should either do it properly or stop wasting time kayaking and concentrate fully on Ironman.
I have had a very physical acting career, but on 'Newsroom,' it's not about physicality, but it's about presence. I get to just be. Strong, sensitive, quiet strength can be much more intimidating than the screaming loud guy, and I'm so glad to get to show this side of me, which, to be honest, is a lot like who I really am.
Madonna, I think, is the greatest visual musical artist that we've ever had. If you look at her photo log, the photographers that she was able to work with throughout her career framed her in the proper way. It was the proper context. It was that visual that made sure that everything was gonna cut through in a certain way.
Growing up in a group home, and with an undiagnosed learning disability to boot, the odds of success were not on my side. But when I joined the high school football team, I learned the value of discipline, focus, persistence, and teamwork - all skills that have proven vital to my career as a C.E.O. and social entrepreneur.
I did a little bit of acting - some guest spots here and there. I got a job working as a therapist doing individual and group crisis intervention and family therapy. I did that for two years. I left to do 'Boston Legal.' So my psychology career has been interwoven into my acting career, and it's my safety net and fallback.
I went to college on a classical piano scholarship. My grandmother made me practice one full hour a day. Every day. Man. I thought all she wanted was for me not to have any fun. Next thing you know, you have a career in music. Now, not everybody's going to go on and be Mozart or Michael Jackson. But music makes you smarter.
I started on Vine because it was such an engaging platform that was the most popular at the time. It came natural to me, and I understood the type of content I needed to make on it so that people could enjoy it. I knew it was a great start, but I had to spread my wings and create something that would last forever - a career.
Lyrics came quite easy early on in my career. But I always wanted to push it further and stand out a bit more. We were coming from the garage era when lyrics were simplified, purposefully, to work in the club environment. They were about hyping up a crowd or bigging up a DJ. Moving into grime, our lyrics became more in-depth.
By the time my first solo record came out, I was making a handsome living as a record producer. I had worked with the Band, Janis Joplin and all of these other artists in the Albert Grossman organization. So as my so-called solo career evolved, I never felt pressure that I had to come back and top when I might've done before.