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I look away at car crashes, and I know people who look away at car crashes, because it makes us uncomfortable to watch other people in pain.
I think one of the things about railways, if you get on a train you do find - as you come into Paddington, or wherever - you look into people's windows in a way that you just can't do in a car or any other way.
Okay, let's talk about cartoon labels for half a second - some people think anything with a dog or a car or a colorful alien is garbage, which is not true. Look at Big Moose Red. It's, like, a $6 wine with a cheesy label, and it's actually a solid wine.
You never want anything to distract from the message you're sharing with the audience. That means even after an all-nighter in the car or a live shot after two connecting flights, you have to sound and seem fresh. You want people focused on what you're saying, not how you look.