Quotes of All Topics . Occasions . Authors
Art is not the application of a canon of beauty but what the instinct and the brain can conceive beyond any canon. When we love a woman we don't start measuring her limbs.
During the engagement I tried to throw a strong force through the canon, but I was obliged to use it elsewhere before it had gotten to the supposed location of the village.
Often, when art from the canon is brought in to fine art classes, it is used as a prop to inspire art-making projects but more rarely as something to study in-depth for itself.
I kind of love that there's not really a feminist canon; or maybe there is, but it's being changed, that it's a constantly moving canon in the feminist blogosphere. I love that.
I got my interest in Lotte Lenya and the Brecht-Weill canon from my parents. And I love classical music - I got that from my parents. I love Cole Porter - that I got from my dad.
A love song must respect the canons of music beauty, entering the fibers of those who are listening. It must make them dream and pleasantly introduce them to the universe of love.
In aesthetic theory it might be extremely difficult, if not quite impracticable, to draw a line between the canon of classicism, or regard for the archaic, and the canon of beauty.
I have many influences and poets whose work I love. My personal canon includes Blake, Keats, Dickinson, Baudelaire, Stevens, Duncan and Barbara Guest - and many living poets as well.
There are no black women geniuses that are being named in canons. I could name a bunch, but it's not part of common knowledge. It's not how the world is taught to think about black women.
A canon is antithetical to everything the New York art world has been about for the past 40 years, during which we went from being the center of the art world to being one of many centers.
I'm a big fan of silent cinema and I think that before I got into the canon of European arthouse cinema, the first interesting films I liked as a kid were German expressionist silent films.
Of the birth of subgenres, there is no end. They arise like bubbles full of miraculous hopes and potentials from the Planckian foam of the canon, inspiring writers new and established alike.
'Black Watch' has taken its place in the canon of Scottish theatre, and that's fantastic. It's a very particular kind of theatre. It's about the music, the movement, the whole 'event' of it.
Nevertheless there are certain peaks, canons, and clear meadow spaces which are above all compassing of words, and have a certain fame as of the nobly great to whom we give no familiar names.
The Western musical canon came about not merely by accumulation, but by opposition and subversion, both to the ruling powers on whom composers depended for their livelihoods and to other musics.
Edward Curtis was a photographer in the late 19th century who tried to document the rapidly disappearing Native Americans. He assembled a canon of work which, today, is exemplary and invaluable.
I haven't studied theology in any systematic way. I don't think I'd find certain subjects - canon law, for instance - terribly interesting. But I'm always picking around and finding different things.
Inaudible prayers, particularly of the Canon, which at first don't seem to have anything to do with music, end up being a very important part of the aesthetic of the traditional structure of the Mass.
Now, occultism is not like mystic faculty, and it very seldom works in harmony either with business aptitude in the things of ordinary life or with a knowledge of the canons of evidence in its own sphere.
I have a chip on my shoulder I pet every morning, a constant feeling like I have something to prove. Hearing that the canon can't be diversified, there's no room for more brown faces - that fueled my fire.
'Midnight's Children' falls under the genre of post-colonial writing, and there is a range of writers like V.S. Naipaul and Salman who popularised it. 'Midnight's Children' was incredibly important in this canon.
I didn't come up through the ranks of the conservative movement... I came to these revelations about my own personal politics in a realm in which those books, those ideas, the canon of conservatism, is nonexistent.
As both a local resident and a parent with a CF-afflicted child, I'm thankful for companies like Canon, Chase and Outback who believe that giving back to the community is critical to their role as corporate citizens.
Being a wannabe auteur and my favorite filmmakers being part of the dead canon of European, Japanese art-house masters, I want to say that I don't want to care about genre and how it's limiting and all of that stuff.
So too, in forming a constitution, or in enacting rules of procedure, or making canons, the people do not merely passively assent, but actively cooperate. They have, in all these matters, the same authority as the clergy.
The support of organizations including the NY Jets, Canon USA, USA Football, and Outback Steakhouse is a great example of how corporate America can make an impact in bettering the communities where employees work and live.
What the canons of beauty transmit is an idea of taking care of yourself. Eating well, living healthily, doing sports. It's a way to highlight the natural beauty in each of us. The natural body that all of us are born with.
I'm a classic Church of England member, but part of its strength is the fact that it doesn't ask us to sign up to too much of a canon... but I've always found the teachings of Jesus and the Bible quite useful as a sort of handy guide.
A true servant of God will never teach a false doctrine. He will never deny new revelation. He never will tell you that the canon of scripture is full, or that the New Testament is the last revelation ever intended to be given to man.
I do not regret the years I spent reading the traditional canon of white male writers in school. I do regret reading so little else there: Austen, George Eliot and occasionally Woolf, likewise Wright, Ellison, Hughes and Gwendolyn Brooks.
'Catholic writer' seems like you have an agenda of evangelization, as if you were somehow influenced in your choice of perspective by dogma or canon law. That has nothing to do with me. I don't have a lot in common with other 'Catholic' writers.
I think that when you've only lived 17 years, you don't have, you haven't had a full canon of experiences, so every moment that you have here feels like the last moment in the world, because you've only had a handful of whatever those moments are.
The Rock and Roll Hall of Fame is a canonizing institution. Jann Wenner has worked to make Rolling Stone the keeper of the canon since 1970. I don't like that, because he uses institutional power and he uses economic power to enforce those standards.
My history teacher could make us feel like he was imparting rare gossip to us when he was talking about Maria Theresa and the Habsburgs. I just loved that sense of - the Western canon is here, and it's gossipy and tawdry, and everyone is sort of goofy.
The challenge is, in terms of a canon like 'X-Men,' it's more like 'Harry Potter' and Hogwarts, or 'Game of Thrones.' It needs time and space to evolve and to bring the reader or viewer in and give them a result that's worth the investment of that time.
What I love is a good role. In the theatre, there is just a canon of extraordinary roles, the quality of character is amazing, but I also love working in front of a camera. It was the first one for me; as a kid I was in front of a camera. I feel at home.
One of the interesting things about the 'Decameron' itself was it was written in the Florentine dialect as opposed to the Latin vernacular - and that was mainly to have it be a piece of literature for the people as supposed to some kind of highfalutin' canon.
Japanese tend to put sales and market share first. They make many products with the aim of raising sales. But then profits decline, and companies find themselves falling into debt... I changed the mindset at Canon by getting people to realize that profits come first.
The truth is, I can't help the way people perceive anything, from the role of financial industry in the economic crisis, to the place of women's fiction in the canon of modern literature, to the rank of mint chocolate chip ice cream as a favorite Baskin-Robbins flavor.
The rules changed for art around 1989. We were all loosed upon the canon to clip and paste and borrow and update. Only thing is, unless you were in New York or in a cultural studies program, that new paradigm probably wasn't going to sink in until the Internet arrived.
People have a very proprietary relationship with Superman. It's important to respect the iconography and the canon, but at the same time, you have to tell a story. Once you land on who you think the character is and what his conflicts are, you have to let that lead you.
We tried to approach this as though there's never been a Superman movie before, but at the same time respecting the canon and mythology. There are the pillars that you have to respect, and I'm not about to break them. But it is fun for me to bend them and mess with them.
Iago is one of the most liked characters in Shakespeare's canon, and he's the most evil, most extraordinarily manipulative person in history. He says the worst, most politically incorrect things, even for the time the play is set in - and yet audiences adore that character.
When I was writing stories about Chinese American characters in my fiction classes, I'd get comments like, 'You should consider writing more universal stories.' But anything can happen to a Chinese American girl - just as much of the canon of English literature involves white men or women.
In terms of the 'X-Men: Days of Future Past' movie, Bryan Singer has been a part of the X-Men family from the first movie. He knows about the comics canon and how it relates to his work as a filmmaker. He's more well versed in the canon than most, as are the people that are working with him.
A lot of people of color in the music industry are still more interested in embracing things that are considered white canon, and looking radical. Like when people point to punk in the indie world: If you point to the history of punk as what you see as your legacy, that's more prized and praised.
We do not need a heavy theoretical thumb on the scales. What's important is how the traditional sources of law and legal interpretation - text, structure, history, canons of interpretation, precedent, and other well-established tools of the judicial craft - are prioritized, weighted, and applied.
My father was among the first of his generation to look into writers who've become part of the American lit. canon. When he wrote his master's thesis on William Faulkner in the Forties, he couldn't find anybody on the faculty at Columbia University to oversee it because they didn't read Faulkner.
Historically, the women who have been the great painters of the canon have very often have been the wives or daughters of supportive men. Like Artemisia, whose father was a very established painter. I will say that the two current contemporary artists I admire the most are women: Kara Walker and Swoon.
Many of Judy Blume's books - which I devoured when I was growing up and where I found characters that were believable because they were a lot like me - caused considerable consternation when they were first published, but now they're widely accepted as an essential part of the children's literary canon.