Quotes of All Topics . Occasions . Authors
Digital held no romance for me at all. I hated it. I miss my big cameras. The working process, I miss it.
I like seeing the cameras because it helps visualize how the music people and the movie people teamed up.
I think you can say a lot with the movement of your camera but you can also say a lot by keeping it still.
If youve got five cameras, youre making sure that youre in the right position for each one of the cameras.
Modeling's terrifying to a lot of people. Standing in front of a camera is terrifying. I like a challenge.
In a strict sense photography can never be abstract, for the camera is incapable of synthetic integration.
I love the quality, feel and history of film. I love the pictures of the giant cameras and the way it was.
When I got cast in 'Rocky IV,' I had never seen a film camera before. And here I was in this boxing movie.
The whole thing about working in front of the camera is to make people laugh when they're not supposed to.
Everyone started to have a camera. That's when I started to travel outside of New York and go into nature.
As the lead of a movie, you really set the tone off-camera as well, and that's a really big responsibility.
I won't do reality. That is done. And I don't want people following me around with a camera 24 hours a day.
If the FBI parks a van bristling with cameras outside your house, you are justified in closing your blinds.
I have produced all my music videos. Love to get behind the camera and get involved in the editing process.
I would love to work with Adam Sandler. Because then all I'd have to do is just turn the camera on and off.
When I made my IPL debut, I was nervous because there were people around me, and the cameras focused on me.
The camera can be the most deadly weapon since the assassin's bullet. Or it can be the lotion of the heart.
Karl Malden was quite a mentor. He taught me things he had learned from being in front of a camera so long.
Most of the time you spend filming a show is time you spend without the cameras on, when you're not acting.
It's definitely more nerve-wracking being in front of the cameras, although I'm trying to get better at it.
He [Viggo Mortensen] was standing behind the camera throwing the apples … And I’ve never seen him so happy.
The camera adds a certain sheen to things. Something about being frozen in time really makes things sparkle.
I don't think about what camera I should use that much. I just pick up the one that looks nicest on the day.
I'm always that annoying person that pulls out the camera in the middle of dinner and starts taking candids.
I'm not going to shout at the cameras. I just work hard and fight and that is all I can do and all I can be.
The camera seems to me, next to unassisted and weaponless consciousness, the central instrument of our time.
I was very shy, and it was a lot easier for me to communicate if I had a camera between me and other people.
Similar thing until today, with digital cameras you look after something like that as robust as they can be.
The camera eye is the one in the middle of our forehead, combining how we see with what there is to be seen.
I also know what looks good before the camera, how to move the camera, and how to get a story on the screen.
People like Chris Nolan are shooting isolated sequences in IMAX. Those cameras are the size of a Volkswagen.
I treat the camera like a person—I gaze into it. Photos are a flat thing, and you need to put life into them.
At least when you're acting you can be someone. In front of the camera you have to be yourself. And who am I?
There are only two hard things in photography; which way to point the camera and when to release the shutter.
The candid camera is the greatest liar in the photographic family.... It is anarchic, naïve, and superficial.
If you've got five cameras, you're making sure that you're in the right position for each one of the cameras.
When police are shutting down cameras, it is a sign that they know the truth is not going to be kind to them.
It was a hobby I got into a long time ago, hacking cameras. I was able to make my own using different lenses.
A movie camera is like having someone you have a crush on watching you from afar - you pretend it's not there.
I know what to do with the camera because I see the giant in the camera when I'm operating it live on the set.
I had to learn how to modulate my performances and interpretations of these roles in auditions for the camera.
I got a Super 8 camera when I was eight years old, and I just wanted to tell stories - I love telling stories.
I just do me, honestly, I do me. It don't matter if the cameras are there or not, I'd be doing the same thing.
I design my shots. I walk the rehearsal as the camera and say 'this is where I want to be... I want this look.
Knowing what I know now, any photographer worth his salt could make some beautiful things with pinhole cameras.
With this kind of camera-phone madness we have got, moments are diluted into self-contained edited experiences.
I'm not a big fan of 'Jersey Shore' and those kinds of shows where people are really playing up to the cameras.
I generally prefer to stay quiet before a performance. I don't like television cameras, but an interview is OK.
I've always been involved with all aspects of my careers. Being behind the camera seems as natural as in front.
I feel like an artist often turns the camera on themselves and on their own families to understand who they are.