I've always been more of a camera hog than anything, and it's just another way to get it all out!

I used to fly around the stage without strings or camera tricks. That took seven years to create.

This thing called the camera, that takes everything in equally, taught me a lot about how to see.

You can't name the inventor of the camera. The 19th-century invention was chemical: the fixative.

I don't like to work with assistants. I'm already one too many; the camera alone would be enough.

My acting technique is to look up at God just before the camera rolls and say, 'Give me a break.'

A good browser, apps, good camera, and fast networking in your smartphone is just expected today.

If we put the camera on ourselves, our friends and neighbors, we'll come up with some scary stuff.

Whereas if you have a camera in the courtroom, there's no filtering. What you see is what's there.

The camera is interested in what you are thinking as opposed to just what you are doing or saying.

I got five kids, and my oldest is a documentary film maker and camera man, and still photographer.

What makes people successful in this business is to be yourself on camera. Sounds simple. It's not.

I know every actor says this, but the people behind the camera are great. They always have answers.

It never occurred to me that I was going to have to talk to a camera. I don't know if I can do this.

When you're in front of the camera, for a small budget or a big budget movie, there's no difference.

When you work with kids, especially, you want to be ready to turn the camera on at a moment's notice.

It's the first film that I made where the director was not present under the camera, and it threw me.

It's taken me 15 years to step behind a camera and make something everyone agrees looks like a movie.

I bought my first camera in Seattle, Washington. Only paid about seven dollars and fifty cents for it.

It occured to me the other day that I've made out with more people on camera than I have in real life!

I noticed that, on 'Spooks,' there were a lot of women behind the camera and in different departments.

If you're shooting a really serious, dramatic scene, personally I wouldn't want to look at the camera.

You'll never see a good performance out of me, in terms of a character, when the camera isn't rolling.

I have been taking classes and I'm familiar with stage, but I'm not as familiar with acting on camera.

It is part of my life, being in front of the camera all the time. It's not something that's new to me.

I always thought acting was all lights, camera, action. It's a job; you have to do your job correctly.

I didn't like the way I looked in pictures - when I saw myself on a digital camera, I was like, 'Eesh.'

I love Bollywood as a viewer, but going in front of the camera and singing and dancing is not my thing.

If the thrill of hunting were in the hunt, or even in the marksmanship, a camera would do just as well.

When you're so used to operating the camera, it's an extension of your eye and your heart and your head.

I know I have the ability to do so much more than just stand in front of the camera the rest of my life.

I was always interested - I mean, it's kind of part of your job - I was always interested in the camera.

I look at the camera as sort of a missing link between motion picture photography and still photography.

Never look directly into the camera, stare off. Nobody wants to see those eyes, they want to see the bod.

I think I was afraid of what I might say when I got onto someone's stage or in front of someone's camera.

Modeling teaches you to be completely conscious of the camera. Acting is being totally unconscious of it.

I really learned how to act on camera through 'Power Rangers' because I hadn't done a lot of film and TV.

It took me a long time to get comfortable with the idea of being photographed by a moving or still camera.

If you focus your energy on the camera, it takes away from the time you have to focus on the performances.

People bring camera phones into comedy shows and clubs and concerts, and sound bites never come out right.

You can understand the integrity of the filmmaker from his camera angles. You can't hide anything from it.

I'm quite uncomfortable in front of the still camera. I find it very constrictive, all that posing around.

When I got cast in 'Rocky IV,' I had never seen a film camera before. And here I was in this boxing movie.

I won't do reality. That is done. And I don't want people following me around with a camera 24 hours a day.

I would love to work with Adam Sandler. Because then all I'd have to do is just turn the camera on and off.

The camera can be the most deadly weapon since the assassin's bullet. Or it can be the lotion of the heart.

Karl Malden was quite a mentor. He taught me things he had learned from being in front of a camera so long.

I'm always that annoying person that pulls out the camera in the middle of dinner and starts taking candids.

I rarely joke unless I'm in front of a camera. It's not what I am in real life. It's what I do for a living.

I also know what looks good before the camera, how to move the camera, and how to get a story on the screen.

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