Quotes of All Topics . Occasions . Authors
A couple of weeks after the Olympics, I thought I'd pop down to my local supermarket and do some grocery shopping. One person came up to me in the frozen food aisle, and that was it. I was mobbed, and I had to leave my shopping. Now, I either shop online or go very late at night when the supermarket's nearly empty.
I think the poetry that came out of Belfast, and especially the Queen's University set, in the 1970s and '80s - you know, Paul Muldoon and Seamus Heaney, Derek Mahon and Ciaran Carson - that was probably the finest body of work since the Gaelic renaissance, up there with the work of Yeats and Synge and Lady Gregory.
My dad, Bob Blum, used to dash across Grand Central's main terminal catwalk several times daily as a young CBS correspondent, running copy from newsroom to studio and back - because CBS' first broadcasts were from Grand Central Terminal. The pictures on people's television sets used to shake when the trains came in!
We'll have four different gravitational wave windows open within the next 20 years, and each of them will see something different. We'll be probing the birth of the universe with this. The so-called 'inflationary era' of the universe. We'll be probing the birth of the fundamental forces and how they came into being.
The man who buried Malcolm X - my Muslim imam, priest - he, after I got beat up by police... came to me, and he said, 'You don't need this American name.' And I was susceptible to it at the time because, God knows, I had just gotten whipped near to death. So he gave me an Arab name; he gave me the name Amir Barakat.
The system in which I came up in was that every territory had to have a black, a white... if you went to Texas you had to have somebody that was a cowboy or one that was from Mexico. There wasn't that many Afro Americans in the business at the time so I moved around a lot. But every time I moved around, I made money.
Because I became a refugee in Macau during 1941, we had this war in Hong Kong, I fought for the government as an air raid warden for 15 days. Our government surrendered, Hong Kong Government surrendered, so I took a junk and came to Macau in 16 hours and I was a refugee, so that's why I was so much indebted to Macau.
So I go to my first book signing, and these two girls came up and gave me a piece of paper: '10 reasons you should date our dad. He climbed Mount Kilimanjaro. He's a lawyer.' He didn't know what was going on. He didn't even know me. They called him, and he came down and asked me out that day. Now I'm dating their dad!
What is a fear of living? It's being preeminently afraid of dying. It is not doing what you came here to do, out of timidity and spinelessness. The antidote is to take full responsibility for yourself - for the time you take up and the space you occupy. If you don't know what you're here to do, then just do some good.
One of the most bitter complaints of craft brewers is that big beer wins consumers by introducing beers whose names resemble the names of actual independent beers. After New Belgium came out with a popular beer called Sunshine Wheat, MillerCoors, through its Leinenkugel brand, came out with a beer called Sunset Wheat.
I came in with Halley's Comet in 1835. It is coming again next year, and I expect to go out with it. It will be the greatest disappointment of my life if I don't go out with Halley's Comet. The Almighty has said, no doubt: 'Now here are these two unaccountable freaks; they came in together, they must go out together.'
The public/private partnerships are taking various forms in India. It is individuals who are socially oriented are setting up schools. They're setting up colleges. They're setting up universities. They're setting up primary-education schools in the villages, particularly the villages their original families came from.
Years ago, when my attempts at a writing career came to a complete stand-still, I applied to the Los Angeles Police Department. This might seem odd for a liberal woman who once went to UC Santa Cruz, but I've always had a powerful fascination with crime and serious interest in finding different ways to contend with it.
Just because of the #MeToo movement in Hollywood, after Oscar-winning actresses including Angelina Jolie came out and spoke against Harvey Weinstein, we also want to talk about something that has been happening in Bollywood for long; like several years ago, Mamta Kulkarni had spoken against filmmaker Rajkumar Santoshi.
I needed to take a break from acting, because I really idolized it. So I came off from it, and I went on a journey to discover my relationship with God, and I became a Christian. It really just gave me so much love and light within myself. I felt secure, like I didn't need validation from anyone else, or getting a part.
What I see in the Bible, especially in the book of Psalms, which is a book of gratitude for the created world, is a recognition that all good things on Earth are God's, every good gift is from above. They are good if we recognize where they came from and if we treat them the way the Designer intended them to be treated.
Hot Lips changed a lot in eleven years. Initially, Margaret Houlihan behaved as though a man were the only thing that could complete her life, and she didn't see what richness her life contained. She gained a lot of self-esteem through the years, and she came to realize that what she did, what she offered, was valuable.
Several times in Earth's history, rapid global warming occurred, apparently spurred by amplifying feedbacks. In each case, more than half of plant and animal species became extinct. New species came into being over tens and hundreds of thousands of years. But these are time scales and generations that we cannot imagine.
When I first came to New York City, what I was thrilled about was not the Empire State Building, or the Statue of Liberty; it was the fireplugs in the street. These things that Jack Kirby had drawn. Or these cylindrical water towers on top of buildings that Steve Ditko's 'Spider-Man' fights used to happen in and around.
I gathered as much reading material about Aung San Suu Kyi and about Burma as I could. And I read every article and every book she had written. I also had 200 hours of footage of her to watch. I tried to discover who were her heroes and where he desire and strength to pursue democracy in a non-violent fashion came from.
I always felt that with an Antoine Doinel film, Truffaut was taking a vacation, that Francois could relax when making a Doinel film. All of the language came to him very easily. 'The 400 Blows,' I felt, was a collage of all his childhood experiences. Every time he felt an Antoine Doinel film was necessary, he'd make one.
Maybe it's old-fashioned, but I've always preferred to see players with my own eyes than on a video or going on somebody else's recommendation. If that means getting up early and taking a flight, then so be it. Our success at Everton came from having a great recruitment team who I made sure were out watching the players.
I was the first one in my family to go away to college. I came from a small town where there was no guidance in the high school at all. It was a mill town, and I never knew anyone who made their living from the arts. When you did go away to college, you went away to be something - an engineer, or a teacher, or a chemist.
I was just doing bits and pieces of acting in the U.K. I'd been in the film 'Breaking and Entering' - Anthony Minghella gave me my start and I miss him dearly. Then I made the trip out to L.A., during one of their pilot seasons, which was when they were developing 'Gossip Girl,' and I auditioned, and things came together.
April Fool is widely considered one of the top yachts ever built by Feadship, the famed Dutch shipyard. Launched in 2006, April Fool has a huge master stateroom, a Jacuzzi on the fourth-level sun deck, a sauna, and sprawling outdoor dining lounge. The yacht first came onto the market in 2011 with a price of $69.5 million.
When I was 15 years old, I read an article about Ivan Boesky, the well-known takeover trader - turned out years later it was all on inside information! But before that came to light, he was very successful, very flamboyant. And I thought, 'This is what I want to do.' So I'm 15 years old, I decide I'm going to Wall Street.
If you look at previous generations, even where they didn't open up power, you look at an early Xbox 360 or early PlayStation 3 games and compare those to the ones that came at the end. The developers are just getting better. So time is far more important than opening up a little bit here or there, though it does all help.
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.
It's depression. You can't put it into words. You get stuck and time passes by. I'm stood there on the edge of a cliff, can't go back and can't go forward. Days go by. I'm still in the same place. Everyone else's life goes on, but you're stuck. You try and try and try and I don't know how, but you came out of it eventually.
Before the Berlin Wall came down, we played behind the Iron Curtain and sang, 'Born in the U.S.A.,' and I thought, 'We're all going to die. The man is going to get us all killed.' But then you saw all these kids with the American flag and German flags together and singing the song, and it was, wow, like 'We Shall Overcome.'
I got my story, my dream, from America. The hero I had is Forrest Gump... I like that guy. I've been watching that movie about 10 times. Every time I get frustrated, I watch the movie. I watched the movie before I came here again to New York. I watched the movie again telling me that no matter whatever changed, you are you.
I was honoured when they asked me to appear at the president's birthday rally in Madison Square Garden. There was like a hush over the whole place when I came on to sing 'Happy Birthday,' like if I had been wearing a slip, I would have thought it was showing or something. I thought, 'Oh, my gosh, what if no sound comes out!'
I feel like a lot of people in the hip hop world don't take me seriously as a rapper, and I feel that first-and-foremost I came up as a rapper before I started singing. All a lot of people know from me is 'Cupid's Chokehold,' and they don't scratch the surface and see beyond that dude who sings the song about his girlfriend.
In a poem, the words happen; they just come. I let them. Otherwise, I wouldn't write. To interfere with what is happening is to distort the poem. Just a very small degree of intelligence and supervision is necessary. Very tactful. Any revision later that violates the text as it came, that begins rewriting the words, is fake.
My thing was, I loved music. I played music: I played the saxophone. So the little bit of music knowhow I had, I tried to implement that in every thing I did, from my style, my cadence, the way I tried to pause and stagnate it; that all came from John Coltrane and listening to jazz albums. Trying to rhyme like a jazz player.
The first 10 years of my life, I lived as 'Matangi.' When I came to England in '86, my first week of school was terrible because I would put my hand up to answer things, and no one would choose me because they couldn't say my name. My auntie came from Europe to visit us, and she was like, 'Just call yourself something else.'
I didn't get a chance to see Bruno Sammartino regularly because I didn't grow up in the northeast, but he came into Indianapolis in his in-between time of being the champion between '71 and '73 when he worked for Dick The Bruiser because he liked The Bruiser. I got to see him and the The Bruiser against the Valiant Brothers.
I understood from a very young age that school was important and that my parents were making great sacrifices for me. Every morning I saw my father get up and go to a job that he didn't really like. They came to France for the same reasons all immigrants move to another country - so their kids could have a better way of life.
By the time my first solo record came out, I was making a handsome living as a record producer. I had worked with the Band, Janis Joplin and all of these other artists in the Albert Grossman organization. So as my so-called solo career evolved, I never felt pressure that I had to come back and top when I might've done before.
When the album 'Duke' came out, by Genesis, Phil Collins beat Dad in a drummers poll. My dad got me to learn 'Turn It On Again' by Genesis. I'd play it, and he'd go, 'Do it again,' until I got it right. I'd play it until I nailed it, and then he went, 'I don't see what the big deal is. My 12-year-old son could play that song.'
Experiences such as, 'I went; I came; I was; I did,' come naturally to everyone. From these experiences, does it not appear that the consciousness 'I' is the subject of those various acts? Enquiry into the true nature of that consciousness, and remaining as oneself, is the way to understand, through enquiry, one's true nature.
I will make up a crush, you hear me?! I will look at a guy and say, for two months at least, 'I think you're cute.' And then I can be psycho. I will go in my head and make a whole life with him, he don't even understand why I'm mad at him. I'm like... 'cause you came in late last night!' And he's like, 'I don't even know you.'
My parents both came to the United States from the Dominican Republic, and they were deeply grateful for the opportunities this country provided. They raised my siblings and me to want to make a difference and give back. They taught us to work hard and aim high, but to also make sure the ladder was down to help others climb up.
It took me a while to learn that certain people may have important skills that are not always blazingly apparent. Gradually I came to realize - slow as I may have been - that what mattered was performance, that sometimes people might have to be helped to develop, and that it takes all kinds to make an organization run properly.
I was born in 1952, so obviously the sixties were important. That's when I came of age. It was also a revolutionary period, a complete break with the generation before us in terms of culture, literature, music, and in politics, of course. 1968 was an important year; I was 16, and the world became clear to me, visible, so to say.
It's jarring to live in a world where every person feels his life will only get better when you came from a world where many rightfully believe that things have become worse. And I've suspected that this optimism blinds many in Silicon Valley to the real struggles in other parts of the country. So I decided to move home to Ohio.
My days in hostel were tough. I was ragged by my seniors. We were asked to wash their dirty clothes, do their odd jobs, etc. When it came to eating, we would be often given burnt rotis and milk that had awful odour. But, never once did I call home. I knew if I had to become a tough cricketer, I would have to handle the pressure.
I had more pressure when I competed in Moscow. I had no pressure in Montreal because I only went to do my routines and hoping I didn't mess it up when I was on the bar. When I came back, 10,000 people were at the airport and I thought, 'Why?' because, in my mind, I hadn't done anything different from what I used to do in my gym.
When I first came up in the wrestling business, there was a movie called 'The California Dolls' about a female tag team - girls who are struggling trying to make it in the wrestling world. I started out in a tag team, and my name was Britani Knight, and my dad named us after The California Dolls. We were called The Norfolk Dolls.
Most people are defined by their titles, their cars, their house, where they came from, their color, their race, their religion. And so it's up to you to take control of your own life and define you. As long as you understand who you are and you have a solid foundation of understanding what your talents are, what your skills are.