I'm definitely not the caliber player that LeBron is, but I find it funny how people can criticize him and the way he plays the game. So it's pretty easy to criticize me if they are still able to criticize LeBron.

I always like surprising people and doing things at a young age and, I don't know, trying to do them at a higher caliber than what you'd normally think. I'm not saying I'm a virtuoso, but I always challenge myself.

Well I grew up in a small town in Iowa and there weren't a lot of imaginative and fun outlets for kids of my caliber, so pretty much my mom's closet and any large pieces of fabric in the Halloween box were my favorite toys.

I did a film which was considered an independent movie with Dustin Hoffman and Andy Garcia called Confidence, and that's the type of film I was willing to take a chance on that because of the caliber of people involved with the film.

I've been to a number of places and seen for myself the caliber of people who are in the Navy today - in all the services for that matter. This is an altogether different bunch. These people of today are really bright, young, good people.

The British were keen for 30 caliber guns, did not believe in daylight bombing. American experts said 30 caliber was not enough; we had to have 50 caliber, also said daylight bombing was right provided the planes attacked in formation, with 50 caliber guns.

Variety shows didn't disappear; it was the caliber of the artists, the classic vaudevillians that have passed on. They are gone, so there's a different caliber performer that's come along that hasn't had the time to work in the small clubs and get the experience.

Sometimes I don't go into the studio for quite a while because I haven't found enough good songs. They have to have a certain caliber and connect with me because I'm going to be playing them for the rest of my life. I start off with a circle of friends whose songs I love anyway.

'Wet Hot American Summer' was sort of lowbrow genius, you know? But smart in its cultish silliness. It wasn't considered something of great cultural caliber. But like many cult pieces, it sort of became something culturally relevant, which I think is what's so wonderful about it.

That's a problem. I mean, like any sort of growing startup organization, we are sort of overwhelmed by our growth. And that means we're getting enormous quantity of whistleblower disclosures of a very high caliber, but don't have enough people to actually process and vet this information.

For artists of my caliber, we're not played on the radio, so we don't really get a chance to get involved in that debate at all. We don't get a chance, because this weird kind of ageism exists in pop music. If you're past a certain age, you're not relevant. That's the kind of cliched term.

In my position, I can make changes. I can make changes across the entire organization. If John Ireland doesn't do his job, in his radio broadcast play-by-play, then we would make that change. If the Laker Girls drop down in caliber and couldn't do a dance number, then we'd make changes there.

There's this certain caliber of dancing I was striving for when I was younger, and it's very hard for me to go back and just do it for fun. But I take all other kinds of classes: I take jazz classes, modern classes, and I love doing that instead of going to the gym. The gym is not very much fun.

I was in this public high school in Princeton, and it had this topnotch jazz program - if you were a musician of any kind of caliber, your holy grail was to be in that orchestra. It was that claim to fame of the school, of the town, other than the university. But it was better than the university band.

The dream would be to work with my two favorite actors, Daniel Day Lewis and Cate Blanchett. Or playing Joaquin Phoenix's brother in a film. Basically anything where I get to act opposite actors like these; ones who bring a certain caliber to their work and literally morph into the character they are playing.

In the history of photography, we have many masterpieces in terms of black and white books. You have Bresson's 'Decisive Moment,' Frank's 'The Americans'... many masterpieces. But there is nothing to this caliber in color. Well, I think I'll waltz with my muse and hope that I might be able to produce something on this order in color.

Share This Page