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I think for hundreds of years or for a much longer time, people have been fighting, professional athletes have been fighting in a ring. So it's just the way it should be. There's no sense in making it a cage.
I really liked the snake that breaks out of the cage in the beginning of the movie. I saw it in real life, and it was really cool. Really big and fat. The owls are cool as well, but you can't really pet them.
I don't think Luke Cage as a superhero is something that has changed dramatically from the '70s to now. He's a black man going through the same thing as other people of colour - it's just that he has superpowers.
The truth is that the performative nature of social media can turn even the simplest conversations into a WWE style cage match with emojis and Internet slang taking the place of pratfalls and over the top costumes.
Cage Warriors is a brilliant organisation. They're doing great things for European MMA, and they're giving the platform for guys like me who came through. They're vital. I'm forever grateful for the opportunities I got.
I wanted Season 2 of Luke Cage to be Ice Cube's 'Death Certificate,' or Fugees' 'The Score,' or Public Enemy's 'It Takes a Nation of Millions to Hold Us Back,' or my favorite, 'The Low End Theory' by A Tribe Called Quest.
'Luke Cage' came out in 1972 at the height of the blaxploitation era. It was a literary response to this notion of blaxploitation movies. It was the first time in American culture that Hollywood was embracing black movies.
I get asked to do panel shows, and reality stuff, like getting in a cage with a shark. I got asked to do a 'Strictly' special, but it's not my bag. If I'm being interviewed, that's OK, but anything else fills me with dread.
I go to the Natural History Museum and look at the cage of stuffed starlings there. But my favourite thing is the big blue whale. The scale of it is unbelievable, and makes you feel how insignificant you are as a human being.
Hands down, 'The Family Man' is one of my favorite movies with Nicolas Cage and Tea Leoni. I've always loved that movie... it's pretty special. I also love 'It's a Wonderful Life,' and 'Home Alone' - I think it's really funny.
Cage's Music of Changes was a further indication that the arts in general were beginning to consciously deal with the 'given' material and, to varying degrees, liberating them from the inherited, functional concepts of control.
It makes everything worth it; every weight that you lifted in the offseason, every swing that you took in the cage. When you feel like you came through for your team, and you see the joy on their faces, there's nothing like it.
I remember the first time I climbed the cage - it was almost like a challenge from Snuka. I said, 'This is crazy. This is absolutely crazy!' I went ahead and did it but I only did it a couple of times. It scared me half to death.
It's great that mixed martial arts allows people to still be in touch with their animal side and duke it out in a cage, but I think it's important: we're still nurturing beings, and we should still have compassion for each other.
I can picture it now, where I grew and me playing in the cage where I used to play. To see what I've achieved and where I've been, the countries I've seen, tournaments I've played in, players I've played against, it's incredible.
Put on a camera and put on some whatever, and you're an actor. Put me in a cage, I'm a fighter. Put me somewhere else - I'm in an ocean, I'm a surfer. I don't know what I am, I just do it all. And I want to be good at everything.
I can't say I'm not guilty of age discrimination when it comes to animals. Like most people I've walked into a shelter more than a few times and a magnetic force has pulled me toward those fluffy little puppies in the corner cage.
The police are paid by the public and carry a public trust, and they take an oath to protect us as citizens. The police have lost sight of that and must be reminded that we pay them to protect us, not to simply engage and cage us.
The truth is I love being alive. And I love feeling free. So if I can't have those things then I feel like a caged animal and I'd rather not be in a cage. I'd rather be dead. And it's real simple. And I think it's not that uncommon.
An ideal day starts with putting on a good, smart, fun show where I learn something and ends with me fending off atomic knee drops from my two kids in our no-holds-barred pillow fight/steel cage matches. They are a ruthless tag team.
Travelling to make television programmes means I have some unusual food memories. In Pasto, Colombia, I was taken to a restaurant where I chose my meat for the evening from a cage of white rats. It tasted perfectly good - like rabbit.
The point at which we worked with some of these actors, they weren't really stars yet. Nicolas Cage was not a big star when we did Raising Arizona. A lot of these people were also virtually unknown, too, when we worked with them first.
In the grand scheme of things, fighting people in the cage is not that big of a deal, I know. It's not a hero profession even though its treated as one. It's not being a soldier or police officer or paramedic of firefighter or anything.
The thing about Luke Cage that makes him different is - on the surface is he's a hero for hire; Luke Cage wants to get paid. Luke Cage in the comic books is like, 'I'm doing this stuff. It's all well and good, but I gotta make a dollar.'
Clipping is a very specific, concept-y thing. We have all these rules: we don't sample drums. We create all our own sounds. I don't speak in the first person. We come from a background of experimental music like John Cage... Philip Glass.
I didn't sit around thinking, 'I'd love to play Luke Cage,' but when the character was presented, I did my research, and I was just like, 'This is a real gift. He's a great character, and I'm happy to have a chance to take a crack at him.'
When I got into UFC, it was an unbelievable feeling. When I got inside the cage, 'Big' John McCarthy - a guy who I was watching back when Royce Gracie was fighting - was the referee. I was able to earn a quick submission win. It was perfect.
Cain's an animal, man. Cain's a competitor. I want to spar with Cain because I know if I'm able to hang with him here in the gym, once I get out there in the cage and fight, I mean, I've already gone toe-to-toe with Cain Velasquez, you know?
I've always been very competitive, and I've always had this desire to win my entire life. I guess when it comes to being in the cage, especially, I just hate losing more than I like to win. The idea of someone beating me just doesn't sit well.
I have a talent for coming up with an analogy about martial arts training for everything. It's because training to improve your martial arts skills and training to step into a cage and fight another person teaches you a lot about... everything.
We are domesticated animals, revolving in a cage which we have built for ourselves - with its contentions, wranglings, its impossible political leaders, its gurus who exploit our self-conceit and their own with great refinement or rather crudely.
I wanted Luke Cage to very much be an African American superhero rather than a superhero that happens to be black. I felt it was important to give him that cultural grounding but also show that it doesn't make him an obtuse or one-sided character.
For 'Luke Cage,' of course, I was familiar with Power Man and Iron Fist. I read the comics. That was really more stuff that you read for fun. It wasn't that you read either of those comics for profound moments, although they have profound moments.
I remember when I first came out, it was like half and half, half the female fighters were like, 'I understand why she did it, and I'll fight her,' and half said I shouldn't be in the cage and said horrible, horrific transphobic comments about me.
The Obamas, especially Michelle, have radiated the sense that Americans do not appreciate what they sacrifice by living in a gilded cage. They've forgotten Rule No. 1 of politics: No one sheds tears for anyone lucky enough to live at the White House.
So often animals come into shelters where their owners have passed away. And they've been perfect pets for most of their lives. So there's an adult animal sitting in a cage that's completely trained, sleeps through the night, is past that puppy stage.
I'm a white middle-class public schoolboy so I'm not particularly tough. But it turns out I don't mind going in the cage. I can dig in. And it's interesting watching people spar and train. There's no anger. It's all technique and delivered with venom.
I have taxidermy pets that are very close to me. I have a little lizard with a head that comes on and off that I call Nicolas Cage because his face is long. And I have a big diamondback rattlesnake called Rufus, and I have some rats in jars and stuff.
That's the thing about depression: A human being can survive almost anything, as long as she sees the end in sight. But depression is so insidious, and it compounds daily, that it's impossible to ever see the end. The fog is like a cage without a key.
You have to be a brat in order to carve out your parameters, and you have to be a monster to anyone who gets in your way. But sometimes it's difficult to know when that's necessary and when you're just being a baby, throwing your rattle from the cage.
I not only hope that YouTube channels compete with television shows for viewers and revenue, I hope they develop a bitter rivalry which could only be settled by an elaborate medieval tournament where the two entities fight to the death in a steel cage.
When I first started painting, I had an interesting nightmare about Cleveland - I dreamed the houses there were encased in this free-floating cage structure. I guess Cleveland was a confining place for me, even though my parents weren't too conservative.
I don't know if I would personally want to step in the cage and either have my face caved in or cave in somebody else's, but I've met some really beautiful and sensitive and morally pretty stout individuals who happen to be fighters. It's really awesome.
I'm excited about 'Luke Cage' with Michael Colter, who plays Luke Cage. I play the villain, Cottonmouth. It takes place in Harlem. It'll just be amazing for people to get to see an African-American superhero, which there weren't any when I was growing up.
Even though my approach is slightly different, the Luke Cage of 'Jessica Jones' is no stranger to the Luke Cage of Marvel's 'Luke Cage.' It's really a continuation to a certain extent. It's just got a little different flavor, but it's still the same suit.
There is danger involved in combat sports, but this is the purest form of competition. It's all about finding the truth. When you put someone in a cage or a ring, you're going to find out the truth - not only about your opponent but about yourself as well.
One of my aims was to be paid as well as a plumber. Plumber was better-paid than any performance artist who was always doing this for free. It is so important to make a good living from art. You know, John Cage, until he was 60, he couldn't pay electricity.
The hardest fights I've had have been in the gym, not in the cage. It keeps you motivated. One day, you'll go in and feel like you can beat anybody in the world. The next day, you kind of get humbled. That's what keeps us coming back to train more and more.
I operate under the theory that all publicity is good publicity, and then, if that theory doesn't work, you just say that any newspaper article ends up on the bottom of the parrot cage. But, of course, you can't line a parrot cage with Internet bloggers, can you?
Humans have a fraught relationship with beasts. They are our companions and our chattel, our family members and our laborers, our household pets and our household pests. We love them and cage them, admire them and abuse them. And, of course, we cook and eat them.