Quotes of All Topics . Occasions . Authors
It sounds pretentious to say I 'divide' my time, but when I am home, that usually means my house in Atlanta or my cabin in the North Georgia Mountains. The latter is where I do the majority of my writing.
My dad just left high school in '69, went to Woodstock, and after half a year of college for architecture, just took off for Alaska. He bought a van and went straight into the mountains and built a cabin.
I always wanted to live alone for a month in a lakeside cabin. In my fantasy, I enter a state of perfect peace and grow my own kale and stuff, but in real life, I think I might be very bored after four days.
There has always been a tension in my life between the romantic and the practical. I can't hole myself up in a cabin and write down ideas for the rest of my life. I also need to be able to clean out a dog bite.
I think a lot of the fun of making records, for me, is making each one of them a situation. For example, with 'Ghost,' I found a group of people that had an energy together, and we kind of did it in a cabin somewhere.
I found the success of 'In a Dark, Dark Wood' really distracting when I was writing 'The Woman in Cabin 10,' but in a way, the fact that 'Cabin 10' was doing well felt quite freeing while I was writing 'The Lying Game.'
'Cabin Fever' was very much inspired by 'The Thing.' It's really a perfect guy's horror movie: There's no love story, it's just straight-up horror. And it's so well-done. It moves at a slow pace, but it's really terrific.
There's a cabin in Oregon I go to, which belonged to my parents. It's never been winterized. It's not a place you want to be after the first of October or before the first of June. I go for about three weeks every summer.
Sometimes the very best of all summer books is a blank notebook. Get one big enough, and you can practice sketching the lemon slice in your drink or the hot lifeguard on the beach or the vista down the hill from your cabin.
I've heard 'Uncle Tom's Cabin' read, and I tell you Mrs. Stowe's pen hasn't begun to paint what slavery is as I have seen it at the far South. I've seen de real thing, and I don't want to see it on no stage or in no theater.
I like that they call it an airplane cabin. A cabin is where you go to get away from stress. The cabin is a respite from the terminals on either end of the flight where noise bombards you as soon as you walk through the gate.
We have fans that circulate air in the cabin of the module of the space shuttle. They're running all the time. They're absolutely necessary because, otherwise, you will breathe your own CO2 and intoxicate yourself quite fast.
The only place I've felt was really my home is my cabin up north. There's something in the water there that connects me to that place. There's also this sense of isolation and loneliness about it that I've never been able to shake.
Fifteen years ago, my wife and I purchased an authentic log cabin in Maryland. Painstakingly restored since, the cabin sits on a forested bluff high above a wide river frequented by ospreys, eagles, geese, herons, and other water fowl.
When you work this intensely on something, the recording process becomes a bit like cabin fever. I shut everything out and, for a while, I totally lost perspective. To an outsider, I imagine the whole recording process sounds like torture.
The horror genre is not my favorite. I think it's fun, there's a great place for it and I get a kick out of it, but some stuff I'm too old for. You can't just take 10 guys and stick them in a cabin and off them one at a time - I'm not vested.
I had daydreams and fantasies when I was growing up. I always wanted to live in a log cabin at the foot of a mountain. I would ride my horse to town and pick up provisions. Then return to the cabin, with a big open fire, a record player and peace.
When you look at the history of slavery in the United States, and you see the impact that 'Uncle Tom's Cabin' had, culture sometimes is the only way that we can put people's eyes on an emotional truth and make them feel why something has to change.
There's just something wonderful about getting a small group of people together in an isolated location, and there's something about cabins themselves that imply both horror and fun. When you go to a cabin, you're usually going to have a good time.
But to the slave mother New Year's day comes laden with peculiar sorrows. She sits on her cold cabin floor, watching the children who may all be torn from her the next morning; and often does she wish that she and they might die before the day dawns.
If you are not used to the g-forces, it can really mess with you. There's this overwhelming power that sweeps through the cabin. Your senses get pegged out. You're looking for comfort or safety but you won't find any. All you can do is keep breathing.
Broke my femur on a cruise with my wife in Italy. I'd walked back to my cabin after dinner with half a plate of spaghetti when I leaned in to open the door. Turns out it was already open, so I fell flat on my face like something from the Keystone Kops.
Every major press organization works out of its own little space in the White House. Picture a mini cruise-ship cabin, or a row of four seats on an airplane: that's about all the space we have. You spend hundreds of hours inches away from your colleagues.
Check bags are fun. I just make sure there won't be anything illegal in my check bag which is forbidden at a cabin of a plane. Just leaving things like scissors and such out of my carry-on things in order to avoid troubles with some certain airline, y'know.
Sometimes I wonder if I'm just memorializing my youth when I spent all this time outdoors. I always envisioned my adult life like I'm going to run every day and live in the woods in a cabin if I can - and here I am living in San Francisco and working in a studio.
I have always been 'small town.' I was born outside of Philadelphia, so we lived on a 20-acre farm and then spent two years in a log cabin on the Appalachian Trail. We lived outside of York in Red Lion, which is an amazing town. It's perpetually 1982 in that town.
IT is mere coincidence that Cooper was born in the year which produced The Power of Sympathy and that when he died Uncle Tom's Cabin was passing through its serial stage, and yet the limits of his life mark almost exactly the first great period of American fiction.
You could look at people in India and say we are manufacturing the cabin that is going to be a part of the U.S. President's helicopter. That's a pretty big deal, right? There are 11 other heads of state who we support, but the fact is, to me, it's a very large deal.
My father liked doing carpentry work, construction work, in the summer vacation. And so my mother designed a cabin, a log cabin, like a - it was like a Swiss chalet. I was twelve years old, and my father and I built it on a rocky point peninsula out into Lake Superior.
I grew up in southwestern Virginia. I was born in South Carolina, but only because my parents had a vacation cabin or something there on the beach. I was like a summer baby. But I did grow up in the South. I grew up in serious, serious Appalachia, in a very small town.
We had a cabin in the mountains - and I remember, one year around this time, a moose came down the river, and one night he came to our cabin and hung out on the back porch for hours. They're really, really, really big animals. And dangerous, especially if they're a momma.
For the first five years of my life, I grew up in a log cabin in coastal British Columbia in a very small town, like 300 people, mostly hippies. No running water, no electricity. When I was 12, I changed my name from Dharma to Stewart. At that age, you just want to be normal.
I don't know if many people know that one of the first jobs that I wanted and I lined up for was cabin crew at Jet. I was rejected because I was told I don't have a good personality. Thank God for your rejection. After that, I got a job at McDonald's, and the rest is history.
Singing 'Family Tradition' with Hank Jr. was a pee-your-pants moment. Hank comes over while I'm singing and puts his arm around me, and my knees nearly buckled. You can put off the fact that this is reality, but when he came over, there was just no denying. I just lost cabin pressure.
Flying through a hurricane is the most fearsome shaking you will ever get. Everything has to be tied down in the airplane. And the IMAX camera has to be rock-steady through all this. We had to design special mounts on the left and right sides of the cabin and in the cockpit to hold the cameras.
Eliza was my first name for two reasons. My dad was reading 'Uncle Tom's Cabin,' which features the maid Eliza in it, when I was born. Then there was Eliza Doolittle from 'My Fair Lady' and 'Pygmalion.' My mum always loved the name, and I got called Eliza Doolittle a lot, so it stuck, basically.
There is so much to sailing a ship. There's about a thousand different lines on a brig ship, and knowing what each one of those does, it takes a long time, and that's why you have these cabin boys that start on the ship, and they learn throughout the years, and that's why it takes so long to captain one.
My first experiences of Colorado travel have been rather severe. At Greeley, I got a small upstairs room at first, but gave it up to a married couple with a child, and then had one downstairs no bigger than a cabin, with only a canvas partition. It was very hot, and every place was thick with black flies.
Thomas Young was born in 1731 in upstate New York. The child of impoverished Irish immigrants, he grew up in a log cabin without the benefit of a formal education. But he was an avid reader who began collecting books at a young age and eventually amassed one of the finest personal libraries in New England.
Historically, narratives of forgiveness were part of both the anti-slavery movement and the civil rights movement in America. 'Uncle Tom's Cabin,' for instance, was based loosely on the life of the Rev. Josiah Henson, who forgave his master that wanted to sell him and beat him after Henson begged him not to.
If you look at the Earth without architecture, it's sometimes a little bit unpleasant. So there is this basic human need to do shelter in the broadest sense of the word, whether it's a movie theater or a simple log cabin in the mountains. This is the core of architecture: To provide a space for human beings.
I've said that I would play anything to do with 'Star Wars.' But really, deep down, I would love to come back as Darth Maul - that's what I want to do. I would go crazy, go mental, lock myself in a cabin, you know. Do the whole 'method' for two or three months, spear-fishing and stuff, just to play the character again.
When 'Ice Ice Baby' was selling a million records a day, I bought several properties: a home next to Michael J. Fox in L.A., a palace in Miami and a mountain cabin in Utah. Then, a few years later, I took a break from touring, saw that my properties had cobwebs, so I sold them, and - to my surprise - I made a huge profit!
I was born in a little town called Lund in British Columbia. It's like a fishing village. My parents were hippies. They tried to live off the land, so I grew up in a log cabin, and we didn't get running water until I was 4. The next year, we got electricity. Then we moved to the city, Victoria, British Columbia, so I could go to school.
I wanted to make a movie once at Lake of the Woods, where my parents had a cabin, which I now have. We actually planned, we wrote a whole screenplay about a kind of Indian spiritual group that was at Lake of the Woods. We weren't calling it that but it was Lake of the Woods. We wrote a whole screenplay about it but we couldn't get funding for it.