Quotes of All Topics . Occasions . Authors
I've always wanted to do a cabaret.
Life isn't a cabaret. It's a dive bar.
I didn't think I was right for 'Cabaret'.
A one woman cabaret of emotional impressionism
Life is a cabaret, old chum! Come to the Cabaret.
It's so easy in these cabaret venues to get earnest.
But what I like to sing mostly is blues and cabaret style.
I would like to record. I would like to do some cabaret acts.
I am the last of the Mohicans, the creme de la creme of cabaret.
I used to do cabaret as a kid and always wanted to pick it up again.
'Cabaret' was the most commercial success that I've been involved in.
I was born with 'Aashiqui.' I am reborn on my birthday with 'Cabaret.'
I now do my own cabaret act, singing and telling stories about my life.
I have notebooks all over the place. I write little stories for my cabaret.
I love deep cleavage on the foot. It reminds me of Berlin in 1930s, 'Cabaret.'
Cabaret is a great format. All you have to do is sing and be funny sporadically.
I love 'Cabaret' and 'George M!' They're both incredible as far as I'm concerned.
If I could live in a cabaret, I would. If I could live in 'Moulin Rouge,' I would.
'Cabaret' was launched with fanfare, and the songs organically created quite a buzz.
The spirit of punk-cabaret is that you feel that you can truly be all of who you are.
Don't know about a cabaret act right now, would actually prefer a role in a broadway musical.
I grew up listening to cabaret. At 7 and 8 years old, I was already singing like a club performer.
I don't think I was considered to be a cabaret singer because I didn't have patter that was written.
I'm one of the most popular cabaret performers, and I don't sing a note. And nobody expects me to sing.
You don't know that you're not a solo artist or standup comedian or drag cabaret artist until you try it.
I am inspired by show girls and Vegas. I was a cabaret performer, so that's where all that influence comes from.
I've never done a musical, and I don't think I could do one, but I would love to play Sally Bowles in 'Cabaret.'
My own cabaret is constantly evolving with what is occurring in my own life, so motherhood is a natural addition to it.
If you start adapting to audiences, you're really second-guessing the situation, and it becomes a bit more like cabaret.
'Cabaret' was one of the first pieces of musical theater I saw that showed the possibilities of what musical theater can do.
I hate singing. I hate dancing. I enjoyed doing 'Cabaret' and 'Assassins,' but I would wither up and die in 'The Music Man.'
I would totally, if Alan Cumming is tired of doing Cabaret, I'd be like, 'I'll do it tonight.' I would have such a good time doing that.
I've always been a cabaret-vaudeville artist - an hourlong cabaret and a floor show in a hotel - somebody like that. That's my main forte.
In Hindi cinema, the cabaret dancers were eased out when the heroines imbibed their mannerisms. This could happen in Malayalam cinema too.
I was once part of a Christmas cabaret. I sang 'I Saw Mommy Kissing Santa Claus.' I tap-danced. I had a ten-gallon hat. It was quite absurd.
My mom was a singer in Chicago and still is a cabaret singer, and she was very theatrical. And my dad's such a character at the dinner table.
I always loved fish for the colors and birds for the plumage. In the same way, I loved those women of the cabaret. They were birds of paradise.
To me I grew up watching 'All That Jazz' and 'Cabaret,' and when I was younger 'Mary Poppins',' The Sound Of Music,' and 'Singin' In The Rain.'
I remember, when I saw the movie of 'Cabaret,' I was amazed by Liza Minnelli: like, 'Wow, that kind of looks like someone I could be similar to.'
The most rewarding thing is being on Broadway. I went into Cabaret as a replacement and was really challenged beyond anything I could have imagined.
I want to do good films. It is not that I have any problem doing commercial roles, with all the glitter. I am doing 'Cabaret.' It is very glamourous.
I've been an actor since I was 12 and my dream role is Sally Bowles in 'Cabaret.' What's crazy is that I'm not a great singer or dancer but I'll commit.
For me, the most effective cabaret evenings have been some of the most personal ones, where the performer is comfortable enough to simply be themselves.
Look at the darkest hit musicals - Cabaret, West Side Story, Carousel - they are exuberant experiences. They send you out of the theater filled with music.
I don't do so much acting work now, as there aren't the parts except for 'Tango'. So if I didn't have the cabaret work, I don't know what I would be doing.
Satisfying as that 'Cabaret' role was, it is not the only thing I do. But Hollywood is somewhat limited in its perspective about what it is you do or don't do.
I do like musicals, but I'm not so well-versed in them. I would rather tell stories that just so happen to have a song in them, like someone has a cabaret number.
I've been in a New York City-based cabaret for the past seven years called The Citizens Band. It's possibly one of the most brilliant things I've ever been involved with.
The wonderful thing about cabaret is, you can do a lot of things you can't do in a concert. You can't do smoky ballads for 50 minutes in a concert. It's a different animal.
I have an amazing 1930s dress I picked up in Toronto at Cabaret on Queen West. It's a red knee-length tea dress, and it's absolutely beautiful. It makes me happy every time I put it on.