Gabriel Byrne is just an amazing fellow and an amazing actor.

That's the one for my tombstone... Here lies David Byrne. Why the big suit?

I would love a radio show, a bit like when Nicky Byrne sat in for Ryan Tubridy.

I like Dali and Magritte. I also like the Scottish artist John Byrne, another surrealist.

Byrne's Law: In any electrical circuit, appliances and wiring will burn out to protect fuses.

I worked as an artist, played in a band, met Andy Warhol, Christo, Lou Reed, and David Byrne. I had fun.

I accidentally saw David Byrne's last two songs in Prospect Park at a free concert because I came out of a movie late, and he was still playing.

I had this plan that David Byrne was going to come through the West Country one day, think, 'Who's that guy?' and ask me to go on tour with them.

A unique style comes from not being able to do things in a conventional manner. If David Byrne could have sung like Paul McCartney, he would have.

I was a huge fan of comics: not necessarily 'Luke Cage.' I was more of an 'X-Men' head. I was always more Chris Claremont, Frank Miller, John Byrne.

There were a number of people who helped me get there, and the one I always mention is Michael Byrne, the great master swordsman and brilliant stunt double.

In my home State of Minnesota, I have seen firsthand the importance of Byrne grants to local police in reducing crime and drugs and improving public safety.

I feel like David Byrne is a great example of someone who is always in the 'now' moment of music and finding reasons to be excited and always seeing what's special about it.

As me, I couldn't love my cohorts P.J. Byrne and David Faustino more. I just adore them, and any opportunity to be in a room with them is just a kick in the pants; I love it.

I wouldn't say I'm a friend of David Byrne, but I guess I'm an acquaintance. I'm obviously an admirer, and we've met, but we don't call and chat about 'Breaking Bad' or anything.

Talking Heads were a big influence on my comedy. For David Byrne, every album had to be different. With 'Portlandia,' every season has to be different. You gotta reinvent the look, all of it.

I binge-watched this show 'Damages.' Glenn Close and Rose Byrne are so good. Lily Tomlin is in it. You see all these great actors, and the writing is terrific. There are a lot of shows like that.

Gabriel Byrne is an extraordinary human being. We have two extraordinary kids and we work at it. We were always friends. He stuck by me through very hard times, and I hope he'd say the same about me.

I'm no Robert Christgau or Chuck Klosterman, but I would say that Landlady is like if Harry Nilsson was produced by Brian Eno. Or, if David Byrne fronted Wilco. Those are my two hoity-toity musical epigrams.

'Damages' was cool. It brought me back to New York for a little while, so that was a lot of fun, and I was obviously very excited about the opportunity to work with Rose Byrne and Glenn Close. I'd been a fan of that show before I started working on it.

Before I started on 'Borgen', people introduced me to some great American box-sets to convince me that TV could be good. I now watch them all the time. Amy Poehler is very funny in 'Parks and Recreation' and 'In Treatment,' with Gabriel Byrne, is also really good.

Patrick Wilson and Rose Byrne made very good money from both 'Insidious' movies. Word travels fast, so as soon as you have a success and do what you say you're going to do in a contract and pay out that money, we had a lot more established actors come to us and say they want to work with us.

Book sales and teens reading is always a fantastic thing, but we should also be celebrating and consuming the huge wealth of U.K. and U.K.-based writing and illustrating talent. Authors such as Charlie Higson, Darren Shan, Holly Smale, Tanya Byrne, Catherine Johnson, Sophie Mckenzie, to name but a few.

I was a student in London in the '70s, so CBGB really wasn't on my radar at all. Obviously, I was aware of the emergence of the Police in England and as an art student, I was very aware of David Byrne, but I suppose my musical taste at that time certainly didn't stretch towards the Dead Boys or the Ramones.

I was an enormous fan of Dan Slott's run, and John Byrne's run was a big deal for me. I found Slott's version of 'She-Hulk' first, and then I went back and looked up some of the older stuff because I liked it so much. And it was so good. It was perfect. It was my perfect comic book at the time that I found it.

As an adolescent I saw the Specials at the Glass House in Pomona, and that was life changing. I dressed the part - except not well, because it was a thrift suit. I looked more like David Byrne than a rudeboy; I still have a hard time finding suits that fit me. But I had my braces and I had my Docs. It was unbelievable.

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