There are similarities between being an editor and a tailor. Tailors have a vast supply of fabrics, buttons and thread at their disposal and put it together to make a whole. That's what an editor does - looks at society at a given time and pulls together the interesting aspects into a single issue each month.

The question I have is out of all these commencement speeches that are happening, what`s the really worthwhile advice that a 21, 22 year old person will walk away from the speech and say, I can apply this maybe five years, 10 years later. How many speeches actually push the button like that, other than yours?

Long ago in China, knot-makers tied string into buttons and frogs, and rope into bell pulls. There was one knot so complicated that it blinded the knot-maker. Finally an emperor outlawed this cruel knot, and the nobles could not order it anymore. If I had lived in China, I would have been an outlaw knot-maker.

After a few days with the iPhone X, I can begin to make out its themes. It's a step towards fading the actual physical manifestation of technology into a mist where it's just there - a phone that's 'all screen,' one that turns on simply by seeing you, one that removes the mechanics of buttons and charging cables.

We all press buttons in relationships, in our dealings with people, without thinking what it really means. We all knock along without questioning what kind of situation we're in. We may often be in a very good one, but we don't even appreciate the good situations. We're lazy. Or we're scared. Or we just don't notice.

We go through the whole season working on next season's car and developing the car and making sure we fit in the car and all that sort of stuff. And we obviously give ideas of what we would hope next year's car would have even if it's small things like buttons on the steering wheel and different positions and whatever.

What else does a manager do but push buttons? He doesn't hit, he doesn't run, he doesn't throw, and he doesn't catch the ball. A manager has twenty-five players, or twenty-five buttons, and he selects which one he'll use, or push, that day. The manager who presses the right buttons most often is the one who wins the most games.

Sometimes I'm not even really quite sure why I do what I do - do I do it because I like to show that I'm an educated person to exploit these certain things artistically and, in my opinion, in a very smart way - or am I just a punk rock brat that likes pushing people's buttons and relishing in the negative reaction? I can't tell.

On 'Rogue One,' we had these sets with tiny little buttons that would light up when you pressed them, and screens full of graphics, and it really felt like you were driving a spaceship. The level of detail; you'll be two meters away from where the action is, but there'll be a little detail there just in case the camera catches it.

My Cop Stopper was a Pokémon ball that you push the button and then Tesla's coils go in and the chemical compound reactions go, so it's an electrical ball so once you throw it out the window usually, in my idea of robbing a bank, I'd go through an alley way, and what this Pokémon ball would do, is it hits the metal of the cop car .

I could see no reason why used tram tickets, bits of driftwood, buttons and old junk from attics and rubbish heaps should not serve well as materials for paintings; they suited the purpose just as well as factory-made paints It is possible to cry out using bits of old rubbish, and that's what I did, gluing and nailing them together.

Hillary Clinton has gotten every foreign policy challenge wrong. Hitting the reset button with Vladimir Putin - recall that she called Bashar Al-Assad a positive reformer and then she opened an embassy and then later she said, over, and over, and over again, "Bashar Al-Assad must go." Although she wasn't prepared to do anything about it.

There are 30,000 days in your life. When I was 24, I realized I'm almost 9,000 days down. There are no warm-ups, no practice rounds, no reset buttons. Your biggest risk isn't failing, it's getting too comfortable. Every day, we're writing a few more words of a story. I wanted my story to be an adventure and that's made all the difference.

I think the reason that swearing is both so offensive and so attractive is that it is a way to push people's emotional buttons, and especially their negative emotional buttons. Because words soak up emotional connotations and are processed involuntarily by the listener, you can't will yourself not to treat the word in terms of what it means.

Belly buttons were a big battle of mine. Down at the syndicate, they would clip them out with a razor blade. I began putting so many of them in, in the margins and everywhere, that they had a little box down there called 'Beetle Bailey''s Belly-Button Box. The editors finally gave up after I did one strip showing a delivery of navel oranges.

I remember how difficult it was to perform certain operations on gelatine prints. A few weeks ago I asked my gelatine printer at Picto, "Can you make just the shadows a little bit brighter?" He gave me a very strange look because in Photoshop you just turn a button, and we're used to that now, but it is totally impossible in gelatine silver printing.

If we were controlling the performance, we never would have had someone push a button to make the pellet stove come on during a climatic moment. And after the loud pellet stove moment, which is like a Todd Haynes's Safe interruption into the home and into the narrative - as if the home is a like a ghost surrounding the characters - her performance changes entirely.

You start to realize connections between experiences and things that push your buttons, and things that have touched you in those vulnerable areas and what-have-you. And they form a little collection over time - at least I do - and as time progresses and new things are learned, you kind of sift through those things until they're air or danceable, you know? But they start as this thing that's either too hard or too soft to dance to.

What, or who, led you to take up photography, and about what date ? George Bernard Shaw – I always wanted to draw and paint. I had no literary ambition. I aspired to be a Michelangelo, not a Shakespeare. But I could not draw well enough to satisfy myself; and the instruction I could get was worse than useless. So when dry plates and push buttons came into the market I bought a box camera and began pushing the button. It was in 1898.

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