'Band Played On' is a good one. Barbara Orbison, who was Roy's wife, was involved in publishing in Nashville because she oversaw Roy's publishing, and she had a company in Nashville. She had a whole bunch of writers assembled, and they got together every day and wrote, and they write for everybody in Nashville.

I don't think tablets are where we should be focused. But I do think they could end up being an efficient way of delivering textbooks. They're just not really that, yet. There's all sorts of poisons and mined minerals and carnage that goes on to make a tablet. Way more than to print a book. Or a bunch of books.

Paris Hilton and Kim Kardashian would have left little more than lipstick stains in their passing had it not been for the sex videos that lofted them into reality-TV notoriety. Once notoriety has warmed into familiarity, celebrity itself becomes one big 'Brady Bunch' reunion, or a therapy session with Dr. Drew.

When I was writing the first few books, what I would do is write a bunch of sentences and then go back and expand and explode those sentences, pack as much into them as I could, so they'd kind of be like popcorn kernels popping... all this stuff in there to make the writing dense, and beautiful for its density.

As a Fox News Channel contributor, I've learned most of the tips over the years: look into the camera like it's a good friend; pull your suit jacket down and sit on it so it doesn't bunch up; and most importantly, never, ever say anything while sitting in that studio that you wouldn't want someone else to hear.

Of course I've had a bunch of broken bones, sprains and I've had five or six concussions, with three serious ones. I also got a real heavy duty blood clot and internal bleeding from where I was shot in the stomach with a beanbag bullet that the police use for crowd control. I've also had six stitches in my head.

In high school, I went to a place called the Mountain School. It's on a farm in Vermont, and I read Emerson and Thoreau and ran around the woods. Now I go hiking with a bunch of my comedy buddies. We talk about our emotions. I also do a lot of writing on hikes, just to get the blood flowing and the ideas moving.

The best meal I've had was in Tavarua, an island in Fiji. It was just before sunset. A bunch of guys had just caught all this yellow fin tuna; they literally brought this huge wooden table down to the sand, pulled the tuna from the boat, dropped it on top of the table, pulled the skin off and sliced the tuna up.

If you're in your early 20s and you're hanging out with a bunch of other people in their early 20s, nobody has a sense of the kinds of problems that real 'workers' run into every day. They're running into a completely different set of problems like 'What's the party going on right now that I should be going to?'

My main inspirations come from early '90s Trance, the French electro movement round '06, then a bunch of artists like Flying Lotus, J Dilla, Moby, The Prodigy. So I'd say it's some kind of experimental electronica with a strong hip hop influence. It's chilled, but people can still get super crazy and dance to it.

Songwriters always reminded me of that kid at school who would go around with his guitar, like, 'Yeah, songwritin' man,' looking wistful. That wasn't me - those kinds of people put me off. In the early days, I'd write a bunch of lyrics and almost look at them as a sort of joke, to make the rest of the boys laugh.

One gets the impression that Elvis Presley does what his business advisors think will be most profitable. My advice to them: Put Elvis Presley in the studio with a bunch of good, contemporary rockers, lock the studio up, and tell him he can't come out until he's done made an album that rocks from beginning to end.

Back in '98 or so when I was in film school I was working on lighting for a movie in Georgia, out in the middle of nowhere at a gas station. Inside the gas station they had a bunch of old home remedies like castor oil, and one of them was a protein supplement called Beef, Iron & Wine. I just dropped the Beef part.

It's like that Simpsons joke - they're filming a cow in a movie and they go, 'OK, we'll tape a bunch of cats together to make a cow', and it's like, 'Why don't you just use a cow?'. For some reason that is novel - like, 'Oh, my guitar sounds like a piano and now if I can just get my piano to sound like my guitar'.

A lot of things I have turned down ended up being a big embarrassment. Like that script, 'The Beaver.' I thought that was one of the worst scripts I had ever read. But everyone said, 'Ooh it's on the Black List.' Yeah, well, good for it. They're a bunch of idiots. I saw the final film, and there were no surprises.

I once threw myself a surprise party on Twitter because I was lonely. It was awesome. Thousands of people showed up and then Wil Wheaton and I made a bunch of monkey-ponies. It was the most successful surprise party I've ever thrown in my life. It was also the only surprise party I've ever thrown in my whole life.

I'm always in a hotel room, and I spend a good portion of my day setting it up so it's comfortable for me. Whether that means making paths out of towels so I don't touch the carpet or removing the comforters or just not touching things. Even sitting on a plane with a bunch of other people - it's really hard for me.

As a child growing up in a grey-skied Yorkshire village, I would occasionally happen upon a Bollywood movie on the television. After a few minutes watching a bunch of sari-clad dancers cavorting on a Swiss mountain to tuneless music, I would switch over to some proper drama about housing estates and single mothers.

Our adversaries - our Democratic adversaries - like to be able to portray the Republican Party as a bunch of wingnuts - narrow based, always have some agenda that's not attractive to the public... That's easier for them, and more fun, than dealing with their own problems. And I think their problems are significant.

I did an episode on the TV show 'Awake,' and I thought, 'Wow, that's really hard.' To do that so fast and to do that, if it's very successful, for nine months out of the year, for a bunch of good years, that's challenging. But, it was interesting. It's a good show. You'd have to have a very good character, I guess.

Prior to working for Fox, I worked for ABC and NBC, spent a lot of time at CNN, and almost ended up at CBS. I worked for a bunch of local stations in Los Angeles and had a talk-radio show at KABC for six years. In other words, I'm fortunate enough to have been around, and Fox News is the best place I've ever worked.

I had danced with Janet Jackson and P. Diddy so I had done a bunch of hip hop. Really and truly my roots are in modern and ballet but, professionally, that's not really out there any more, unfortunately, so these artists aren't really having a lot of ballet dancers behind them so I had to learn hip hop really quick.

God doesn't just miraculously and physically intervene in the whole process, so if I just go and drop a bunch of chemicals and herbicides that leach into the groundwater, I can pray all day to keep my child healthy, but if the herbicides gone into the groundwater come up my well, my child's going to drink that water.

Unprecedented in modern British history and outside all normal civil service rules, a bunch of MPs, some of them working with foreign governments, wrote primary legislation - 'the Surrender Act' also known as the Benn Act - without any of the scrutiny of who influenced and who funded it that is normal for legislation.

I think our slow, humble beginnings in surf shops, ski shops, bike shops, and motorcycle shops have been extremely important for our success. GoPro is all about celebrating an active lifestyle and sharing that with other people. It's authentic. It's not a brand that we went out and bought a bunch of ads for to create.

Not too many people know it, but when I was in junior high, I was a pretty tough kid and was the leader of a street gang. Well, OK, it was less a street gang than an Ecology Club. We were pretty intimidating, though, and had our own meeting room until we got run out of there by a bunch of thugs from the Poetry Society.

A friend of mine told me a bunch of stuff on Buddhism and about Avicii being the lowest level of Buddhist hell, and it just sort of got stuck in my head. Later on when I went to setup a MySpace, I tried a bunch of names and they were all taken so I just kind of ended up with Avicii and then I got really attached to it.

It used to be that you needed a $500-million-a-year company in order to reach a worldwide audience of consumers. Now, all you need is a Steam account. That changes a whole bunch of stuff. It's kind of a boring 'gee, information processing changes a stuff' story, but it's going to have an impact on every single company.

The first 'Polly and the Pirates' is about a prim and proper girl who gets kidnapped out of her comfy boarding school by a bunch of pirates that think she's the daughter of their long lost queen. In the course of the adventure, she discovers she has a natural penchant for swashbuckling, despite her sheltered childhood.

I make a playlist for every character I portray. Music plays a huge part in helping me understand a character. Every time I get a new role, I will take a chunk of time to just sit and listen to a bunch of songs and select the ones that make sense in my mind for that character. I can't even explain how much it helps me.

Sometimes Christians live in a terror of universal obligation: AIDS over here, people to be saved over here, a crushing sense of low-level guilt every day of our lives. Question to ask: Where has God put me right now? I need to say no to a whole bunch of other things because if I don't say no I can't say yes to others.

I don't really reach out, it has to be organic. If we're in a studio setting and we're feeling the vibe, that's cool, we can make something. Like, I've been in a bunch of sessions with people I haven't made music with. Like, I just chill. I'm not forcing it. I don't DM people like, 'Yooo, I'm trying to get on a track.'

We're trying to get as many people to become interested in seeing it, but if you like the theater and you're interested in seeing what live theater looks like in New York, you probably already set your DVR. It's gonna be a hard ask to get a bunch of college-basketball fans to tune in for three hours to watch the Tonys.

Sometimes these challenges naturally select more chefs that can think on their feet very quickly. There are chefs I know who won't put things on the menu unless they've tried it four or five times. So you just naturally select a certain kind of chef, people who maybe don't win a bunch of challenges but they hang around.

I took theatre and stuff in college, then I took a bunch of different acting classes here in L.A. Sometimes when I have a hard audition, I'll call my acting coach and he'll come help me. I actually get more nervous in acting class than I do at an actual audition. It's actually a really great way to get over your nerves.

My father left us when I was 10, so I had to make enough money for us to be able to live in a house because my brother went in the service during Vietnam and I was sole support of my mother. And she had no skills, really, except to clean other people's houses. So I had to have a bunch of jobs, you know, as well as music.

In the NBA, you're taking a bunch of different talents, and you're managing them. You have to give them a system; you have to give them a belief. That's why coaches like Phil Jackson and Gregg Popovich are so great: because they gave the team confidence in the system and in their ability to execute night in and night out.

War reporters are often seen as a wild bunch of thrill-seekers who wade into danger zones simply for the sake of the adrenalin high the settings inevitably provide. But this one-dimensional explanation leaves out the core of the story, which is that reporters go to these places because they feel the tug of responsibility.

We are concerned with that curious bunch of nonconformists who explain their participation in negative terms: that bunch of do-gooders that goes under all sorts of names - liberals, leftists, etc. These are the people who argue that they are not responsible for white racism and the country's 'inhumanity to the black man.'

There's something undeniably oxymoronic about a 'successful' rock n' roll band. Who wants to hear a bunch of success stories whining about their success? More importantly, what can be the drive behind a band, what can they have to rage against when they are successes? That's a dichotomy every successful band wrestles with.

I know that everyone has their own ideas about what the good life is, and hip hop has especially strong ideas about it. It's been the same old thing for years and years: a bunch of females around you, nice cars and money. I wanted people to know what the good life actually is and challenge a lot of the lies that we're told.

I've played in bands with A-team players around. But unless they can play together, it doesn't do any good. And you can take guys who may not stand on their own up against a bunch of individuals they might be compared to, but you put 'em together, man, and they are unique unto themselves in a way that no one else can touch.

A visit to the Rennes market, one of the finest I have seen in France, alone will convince you of the virtues of Breton gastronomy. It's a testament to the fact that Brittany is Frances' most agriculturally active region, with the producers themselves peddling their products, a vocal bunch, full of recipe ideas and passion.

After you do a joke a few times, you have material that you know works. Although sometimes I have a joke that has worked a bunch of times and then one night it'll flop. And that's when I really take a hard look at myself and say: 'Well, that crowd is obviously wrong. That crowd has absolutely no idea what it's talking about.'

I went to squat with a bunch of friends - creative, intelligent, political people. We got involved in a community project funded by the Arts Council and we made this video. I sang a poem and somebody, I think it was Richard Coles, who was later my partner in the Communards, said I had a very strange sound and I should use it.

My thing is, when you put a bunch of rules on a tour, you have to hire three more people to enforce all the rules. So, with me, I want everyone to feel comfortable. It's a lot of little moving parts out here, and little hiccups will come. At the end of the day, the show's going to go on, and I want everybody to truly enjoy it.

One of the most important times in my life was the first time that I remember seeing my daddy get onstage and play music with a bunch of guys. All of them playing something different at the same time and all becoming one, and me soaking that in at 5 years old and going, 'That's my daddy up there, and he's a part of something.'

All identity labels are umbrella terms to some degree, but this term 'bisexual' is not only serviceable, but it is sufficient. And yes, it brings together a bunch of people who are maybe shades different from one another. And maybe that's the beauty of labels: that they force you to be with other people and see the difference.

The way you build trust with your team is around super-clear communication in that instant when they say, 'I will be sad if you don't do X.' You have to say, 'We're not going to do X, and here's why, and believe me, you'll be much sadder later if I let you go do it and you spend a bunch of time on it and nothing ever happens.'

Everyone likes to have fun. But when I look back on my life, I'm not going to say, 'Oh, we're the crazy party animals.' I'll look back and say, 'Wow, we did take this seriously.' We had fun while we were out doing it, but it's just the only thing you read about: 'They're a bunch of party animals.' To be honest, that's not true.

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