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In the '60s when I was a student, there was this campaign to destroy 75 percent of the old buildings in Paris, replacing them with modern architecture. I realized this as a dangerous utopia. This modern vision did not understand the richness of the city. Thankfully, such destruction did not happen.
I don't like apartments - the idea of other people living, copulating and defecating above me - they make me feel as trapped as a slice of ham in a sandwich. When I was a student in Paris, I always rented attics right at the top of buildings, and as soon as I was making enough money, I bought houses.
On Sept. 11, 2001, thousands of first responders heroically rushed to the scene and saved tens of thousands of lives. More than 400 of those first responders did not make it out alive. In rushing into those burning buildings, not one of them asked, 'What God do you pray to?' What beliefs do you hold?'
At some point during my travels, I had a slight change of focus which would end up defining the rest of my career. I began taking pictures of people. In addition to all the buildings, street signs and fire hydrants, I started photographing some of the interesting humans that passed by me on the street.
Many of the original New Deal programs required heavy manual labor. WPA workers built hundreds of schools, health clinics, roads, park facilities, and community centers. Much of what we now call our 'infrastructure' - highways, buildings, power plants, etc. - is here thanks to thousands of WPA workers.
I think that in a weird way, as technology gets more sophisticated, people have become less aware of it. It's become part of our day to day life. We're seeing large-scale projection mapping, like on buildings. There's video everywhere. It's much less noticeable that we're actually looking at technology.
I was inspired to see leaders from Paris, New York City, San Francisco and Vancouver, B.C. rolling up their sleeves to create clean and safe transportation systems; make homes and buildings efficient, comfortable and affordable; and ensure more of our energy comes from clean sources like wind and solar.
A Land Valuation Tax is a levy on the value of the land unimproved by buildings or other enhancement. The method is already used by insurance companies each year when they calculate your home insurance premium - they separate the cost of a total rebuild of the property from the value of the land itself.
It was when '21' came out. I was in Los Angeles and my face was everywhere: on buses, on posters, on the side of buildings. I didn't feel that blown away by it. I was still hungry to prove myself. I realised that quite quickly, that I had to find something that challenged me from an acting point of view.
My first book, 'To Engineer Is Human,' was prompted by nonengineer friends asking me why so many technological accidents and failures were occurring. If engineers knew what they were doing, why did bridges and buildings fall down? It was a question that I had often asked myself, and I had no easy answer.
When I started studying architecture, people would say, you know, 'Can you tell me why are all modern buildings so boring?' Because, like, people had this idea that in the good old days, architecture had, like, ornament and little towers and spires and gargoyles, and today, it just becomes very practical.
I don't want to make light of the importance of my musical upbringing, as you cannot avoid being influenced by the area you grow up, but I will say that Reykjavik's geography is very different from, say, New York, Paris, or Copenhagen. There's big skies. The buildings are low. The landscape is spread out.
The Crystal Cathedral Ministries, the assets and the buildings, would still be in the hands of the ministries if my father would have simply walked away. When I accepted the role as the next senior pastor, he had agreed to be an ambassador-at-large and raise funds for the endowment fund. He didn't do that.
When I was in high school, my friends and I would drive out into the country to abandoned houses and structures... haha... to ghost hunt. We would scare each other so bad! We would sometimes camp out by the abandoned buildings just to scare ourselves! Such good times. The adrenaline of real fear is so cool!
Failures are much more dramatic than successes, and people like drama. I think this is why automobile races draw such crowds. People expect spectacular crashes, which we tend to find more interesting than cars just racing around the track. The same is true of bridges, buildings, or any structure or machine.
I spent the majority of time at school trying to break the rules. I would climb to the top of buildings; I even burned a building down once - not intentionally, just because I was interested in fire. I remember going through the rule book, ticking off the ones I had broken and looking for the ones I hadn't.
The 'International Style of Modernism' came with the advent of building services. In the end, the architecture became like a container space, essentially like a boring box with a basement full of machinery to make it inhabitable. As a result, buildings literally started to look identical all over the planet.
There are hundreds of Frank Lloyd Wright buildings around the United States and in other countries, too. Wright lived into his 90s, and one of his most famous buildings, the Guggenheim Museum in New York, was completed just before his death. Wright buildings look like Wright buildings - that is their paradox.
When I thought about Detroit, I would think big city, very urban - not a lot of places to walk around, not a lot of parks. I sort of pictured Manhattan almost, where, besides Central Park, it's all city and big buildings. But now that I'm here, you see people pushing strollers, people hanging out in the park.
Living in Barcelona, I have my own little ghetto utopia. There are 3,000 ghost towns in Spain, and I've used the images of them a lot in my backdrops for my solo spoken-word stuff. The ghost towns could be from two buildings to 40 - things died out, or there were plagues, the roads don't lead there, whatever.
I'm going to miss the wind tunnel between Buildings 3 and 4. The ways in which the parking situation forced me to get 'creative.' Bob Ley and his snide comments. Trey Wingo and his snarky comments. Meeting so many people who I respect the hell out of. And the bizarre if not dysfunctional 'SportsNation' family.
Many queer and trans people live - and lived - in our prison and jails, in our homeless shelters, in run-down houses and apartment buildings, and on the corners of every major city. Marriage equality doesn't help them; and the potential loss of momentum for trans/queer rights after this win could well hurt them.
Dubai was a property bubble. Plain and simple. Go to Dubai and see what happened. It was... what I call it the 'Edifice complex' - it's just, we can grow by putting up lots and lots of buildings and trying to attract people to come here, stay here, and put up offices here and sooner or later, you put up too many.
It took me some years to clear my head of what Paris wanted me to admire about it, and to notice what I preferred instead. Not power-ridden monuments, but individual buildings which tell a quieter story: the artist's studio, or the Belle Epoque house built by a forgotten financier for a just-remembered courtesan.
We have been developing an ever closer relationship with China on climate change for many years which has led to collaboration on carbon trading, offshore wind development, on low-carbon buildings, on nuclear energy, and on carbon capture and storage - to name just some of the ways in which we're working together.
You see these terrorists that are flying planes into buildings, right? You see our cities getting shot up in California. You see Paris getting shot up. And then somebody complains when a terrorist gets waterboarded, which quite frankly is no different than what happens on college campuses and frat houses every day.
Every time I imagine a garden in an architectural setting, it turns into a magical place. I think of gardens I have seen, that I believe I have seen, that I long to see, surrounded by simple walls, columns, arcades or the facades of buildings - sheltered places of great intimacy where I want to stay for a long time.
The public brings our buildings to life, and we try to choreograph a lot of things, but our most successful work functions in unanticipated ways. Like the Blur Building. When little kids got in there, they cried or laughed or ran around. And no matter how much theory we put on top of it, it didn't matter: it worked.
I have the same sense of discovery and exhilaration from objects of design and everyday use - I am inspired by the buildings in my city, by park greenery and dazzling store windows, by the jaunty strollers and umbrellas and billboards I walk past. Just strolling our streets, we encounter creativity every single day.
I was given this beautiful coffee table book of Soviet architecture for my birthday. It has a lot of holiday camps, swimming pools, theatres, and buildings that were built for leisure activities. Incredible architecture in the most obscure places. It's a little bit sad, because a lot of it has been left to fall apart.
I come from Canada, and maternity leave is six months to a year, and they also have paternity leave, and I think that there's something to that. There's also something to making a more comfortable environment for women to breast feed or to bring their kids into work and to have more nurseries in these office buildings.
Growing up in New York, there are a lot of tenement buildings and a lot of projects. You don't leave your projects too much. The laundry's there. The grocery store is there. Everything takes place right there. When I got knowledge of myself and thought about moving around the city, hip-hop was something that helped me.
I found that through my life, living in the city of Toronto, I look above the Pizza Pizza sign, and I look above the other signs and window dressing, and I see evidence of a city that no longer exists in the keystones and the decorations that line the tops of buildings. That presence of the old city has always moved me.
When I first came to New York City, what I was thrilled about was not the Empire State Building, or the Statue of Liberty; it was the fireplugs in the street. These things that Jack Kirby had drawn. Or these cylindrical water towers on top of buildings that Steve Ditko's 'Spider-Man' fights used to happen in and around.
As the world's 'most dynamic' cities seek to manage their own urban growth, American state and local officials have much to offer. Our mayors can share their experiences in urban design, clean energy projects, Smart Grids, codes for energy efficient buildings, transportation safety, and innovative environmental solutions.
From Brazil, Cuba and Venezuela to Equatorial Guinea and the Ivory Coast, China dangles lavish, low-interest loans and sophisticated weapons systems as bait. It then uses its 'weapons of mass construction,' a huge army of engineers and labourers, to build everything from roads and dams to parliament buildings and palaces.
Personally, what I would like the most is to work on a project that would aid the historic rehabilitation of Havana. It's a shame - and it gives me tremendous sadness - to see the precious buildings, to see a city, which could be the most beautiful in Latin America, falling apart and with very little money for renovations.
I believe very much in a dialogue between buildings - I believe it's always been there. I think buildings have different identities and live very well next to each other. We always have the shock of the new, and that's fine. The renaissance style is totally different from the medieval, and they have a dialogue across time.
I graduated from Wesleyan University with a B.A. in art. I was really headed toward an architecture degree, but when I did the requirements for the major, I realized I was more interested in how people live in buildings than in making buildings. I was more interested in the interactions that happened inside the structures.
There are roles I am never considered for. Meryl Streep roles, let's say. Why not? I really wanted to do 'Ironweed,' for example, because the depression era in this country was one of the best for multiracial people, because everybody was poor. Everybody lived in the tents, and under buildings, and under gratings, together.
It's easy to say why I love coming to Chicago for my signings, because I still remember the very first time I came to Chicago, right before 'Shiver' came out. I remember I was so struck by the feel of the city, how wide open it felt, even with these massive buildings all around me. The parks and green spaces are incredible.
For my first apartment, when I was first married, I went to the lumberyard and bought stuff and made couches. My then-wife made cushions. I was really very interested in furniture. I was in school for architecture, but I had to live, and making furniture was different from designing buildings, which I couldn't do for myself.
Public buildings, built from the rates and taxes paid by past generations, are being auctioned off by impoverished councils who need the money to pay the redundancies of workers they can no longer afford to employ. Many of these grand Victorian buildings will be turned into flats that most people will never be able to afford.
I usually don't throw around the word 'fabulous,' but how else to describe buildings decorated with mirrored water dragons, serpents tiled in colored glass, and hundreds - no, thousands, no, tens of thousands - of gold-leaf Buddhas? Luang Prabang has more than 47,000 residents, but its Buddha population must be ten times that.
You know, if you look back in the 1930s, the money went to infrastructure. The bridges, the municipal buildings, the roads, those were all built with stimulus money spent on infrastructure. This stimulus bill has fundamentally gone, started out with a $500 rebate check, remember. That went to buy flat-screen TVs made in China.
I know that New York is big - there are huge buildings - but, in fact, it's quite small and contained... I like it when cities are melancholic. When it started snowing, for example, I felt very lonely. I felt very comfortable and very relaxed. When that happens, I write. So I've been writing, not a lot, but I'm inspired every day.
Fartlek, or speed play, is variable-pace running that emphasizes creativity. During a 30-minute run, choose objects to run to - telephone poles, trees, buildings, other runners, whatever. Make choices that mark off different distances, so your pickups vary in length from 15 to 90 seconds, and modify your pace to match the distance.
Cost overruns are not uncommon in architecture, particularly for designs that depart from structural or technological norms, or demand a finer quality of execution than commercial schemes - conditions typical of buildings for cultural institutions. Budgets are exceeded for many reasons, not all of them within an architect's control.
I was 18 and had taken A-levels in Woking where I grew up. But I didn't want to go to university so left sixth-form college. My father was in the building industry and he found me a job stripping concrete panels off buildings. It was dangerous work on high scaffolds, sometimes 12 hours a day, Monday to Friday, and often weekends too.
Why does crime happen? Well, you might say that it's because youths don't have jobs. Or you might say that's because the doors of our buildings are not fortified enough. Given some limited funds to spend, you can either create yet another national employment program or you can equip houses with even better cameras, sensors, and locks.