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Sonali Cable' is not a low budget film, it's a normal budget film.
My dad was a low budget film director. I grew up as a kid making movies, based on the love of seeing what my dad was doing.
The only difference from one $100 million budget film to another is which of the 12 box stars are getting $20 million to be in it.
I've been lucky enough to work with some great directors, and I don't want to throw that away by doing one big horrible big budget film.
Three years after starting, by physically doing everything from raising the finance to special effects, we'd finally cobbled together our low budget film.
'Haraamkhor' is a low budget film. We are not worried about the box office because our film is already in profit. It's got a strong content that will reach people's heart.
'Tangerine' was less than half the budget of 'Starlet,' and 'Starlet' was already a microbudget film. A director always wants more time, and we had a limited amount of resources.
The size of the budget doesn't make that much of a difference because the kind of issues I have on a low budget film I have on a big budget film as well, but they're just much bigger.
The size of the budget doesn't make that much of a difference because the kind of issues I have on a low budget film I I have on a big budget film as well, but they're just much bigger.
I've always said from starting off, 'I don't mind if I'm in a big budget film or a huge play or something small in London playing for 50 people, as long as I'm doing what I love doing for a living.'
Tender Mercies is a very low-budget film, but it was a huge budget compared to anything I had done in Australia. My fee for Tender Mercies was something like five times all of my Australian films combined.
Growing up in Texas and Oklahoma, Ben Johnson was more famous than John Wayne to some of us. I knew him. I worked with him on a low budget film years ago, and we'd sit around at night while waiting for a shot.
The biggest difference for me is momentum. On a smaller film you get to shoot sometimes four or five scenes a day and you've got to do the tight schedule. I think I really feel the luxuries of a big budget film.
We love making movies. We got into the business to make movies. At the end of the day, whether you're doing a low budget film or a big budget film, you want it to do well and you want people to see it. That's the whole point. You want to put some kind of message in it.