Quotes of All Topics . Occasions . Authors
I was born in Manhattan, raised in Queens, went to high school and college in Brooklyn. My father was a city cop for over 30 years. To me, New York values are being patriotic, being strong, not panicking when there's a crisis, and trying to help each other out.
Able Danger was a top-secret military planning operation, established in '99 by the Chairman of the Joint Chiefs of Staff to identify cells of al-Qaida worldwide and to take out al Qaida terrorists. They identified five cells worldwide, one of them in Brooklyn.
And," Amber said, practically drooling as she ogled him, "it's tradition for new arrivals to help with the pep rally." Brooklyn quirked her lips in doubt. "Tradition?" "It's a new tradition," Amber shot back. "Clearly the deeper meaning of the word has escaped you.
I was a Yankee fan in Brooklyn because my father was a Yankee fan. And my father was required to live in Brooklyn with my mother's family, who were all Dodger fans. So he was surrounded by Dodger fans. He was a Yankee fan. So his revenge was to make me a Yankee fan.
The only thing I would tell my younger self is, 'Don't pay a lot of money for head shots.' There's always some dude in Brooklyn that's like, 'Dude, this is gonna get you the job.' And he convinces you you've got to pay $700. You don't! Your head shot doesn't matter!
I love to walk around New York. Honestly, that's like the best thing, to walk over to Park Slope and go visit my friend Betty and take her dog out in the park or go walk across the Brooklyn Bridge. I really dig being outside and getting to see everybody in the street.
I live in Brooklyn, and I love all the hipsters and all the artisanal bacon you can get here now. I consider New York my home, and L.A. a place that I go. I always say I go with an empty sack and try to fill it with as much money as possible to bring back to New York.
I'm not the first to admit that raising a child in Park Slope, Brooklyn, can bear an embarrassing resemblance to the TV show 'Portlandia.' My wife and I try to have some ironic distance from the culture of organic, chemical-free parenting, but we're often participants.
A team like Brooklyn has seen everything, they've experienced everything, they've had every atmosphere you can have in the playoffs and some of them have won championships. That's the advantage you have as an experienced team and the disadvantage you have as a young team.
My brother and I have never been that close. We have different mothers and never lived in the same house. As kids, my sister, Samantha, and I lived in San Diego and Brad in Brooklyn. The only time I saw him was in the summer when our visitations with our father overlapped.
I never consider myself a minority. I see people who look like me in Barbados, in Trinidad, in Haiti, in London, and in Brooklyn. So I don't know what the heck anyone means when they call me a 'minority.' There's something about that word to me. It just minimalizes people.
My life is fair game for anybody. I spent an unhappy, penniless childhood in Brooklyn. I had to slug my way up in a town called Hollywood where people love to trample you to death. I don't relax because I don't know how. I don't want to know how. Life is too short to relax.
The fellows that I played with encouraged me to bunt and beat the ball out. I was anxious to make good and did as I was told. When I came to Brooklyn, I adopted an altogether different style of hitting. I stood flat-footed at the plate and slugged. That was my natural style.
I was always singing but didn't plan on pursuing it seriously. When I got to New York City when I was 18, I started playing in clubs in Brooklyn - I have good friends and devoted fans on the underground scene, but we were playing for each other at that point - and that was it.
I was a middle child. I grew up in Brooklyn with three sisters and a brother. You know what that means: everybody is constantly fighting with everybody and you are in the middle of the storm trying to make peace. That is your life. Making everybody work and play well together.
School work and intellectual interests such as music and the arts were not especially important to me while I was growing up, although mathematics, my favorite subject, was fun. Baseball was my first passion: I played sand lot and Little League and rooted for the Brooklyn Dodgers.
It's been quite the experience for two brothers who were Orthodox Jews in Brooklyn, who had no idea that they were going to end up in the entertainment industry. To be where we are now, making features, TV shows and getting a hundred million views online is kind of an amazing thing.
My part of Brooklyn has always been a very warm neighbourhood, even before I had anything going on in the music industry. When I step out of my house to go for coffee on Saturday mornings, I might say hi to 20 people before I get to the cafe. I think they feel they own me, in a way.
I grew up in Brooklyn, in what I now know was poverty. Sharing a tiny bedroom with my two brothers, eating government cheese and passing down sneakers until they were unpassable... I simply thought the whole world lived as such, especially in pre-gentrified Williamsburg of the 1980s.
My family originally lived in Brooklyn. Our first apartment was a little place above my father and uncle's hardware store in Coney Island. Now, don't get the impression that we were surrounded by merry-go-rounds, roller coasters and Ferris wheels. Nope, this was a little side street.
In Brooklyn, it was as though you were in your own little bubble. You were all part of one big, but very close family, and the Dodgers were the main topic of everybody's conversations and you could sense the affection people had for you. I don't know that such a thing exists anymore.
I decided on a chocolate business. I love the history of chocolate and making it and the fact that people of any gender, age, and race enjoy it. I found a space in Brooklyn that had not been used in 30 years. Then I talked to an investor who wanted more than 50 percent of the business.
With my friends in Brooklyn, many of them started out as artists. I saw many of these friends move into late middle age, still struggling without health insurance or a cushion. I saw people who had given up being artists. Being an artist necessitates a compromise or living on the edge.
'The Good Guy' is a totally differently-looking New York than 'How To Make It' portrays. 'The Good Guy' is all about Wall Street and that culture, which 'How To Make It' touches on, but 'How To Make It' also is downtown, Lower East Side loft parties, cool clubs, Brooklyn and that world.
We left my birthplace, Brooklyn, New York, in 1939 when I was 13. I enjoyed the ethnic variety and the interesting students in my public school, P.S. 134. The kids in my neighborhood were only competitive in games, although unfriendly gangs tended to define the limits of our neighborhood.
I moved to L.A. after my landlord in Brooklyn tripled my rent. I spent months looking for other places to move to in New York, then one day I was in California eating a grapefruit, and I was like, 'This is what they taste like?' So I decided to move to L.A. and build a studio in my house.
I was never a 'bad' kid, but I did get into minor juvenile trouble. Look, I grew up in Brooklyn. This was the '60s, and the neighborhood was rapidly changing and not without its problems. All the kids of the neighborhood 'did their thing,' breaking windows and the like. I was no different.
I thought I was a pretty good physical specimen. But there was a teenager from Brooklyn, who basically wiped the floor with me on the street. He gave me a punch that I didn't even feel. All I knew I was looking up at the sky. I tried to fight him, and I got a number of injuries after that.
Perhaps it's because a writer lives in Brooklyn that he'd want to get away from it. It can be very sustaining, this community of writers - sometimes it's the feeling of many hands giving you a boost. But all that identical ambition can be choking, too. The many hands slide up to your throat.
I knew I wasn't going back to Brooklyn... I never knew exactly. I just kinda - you work with these guys every day. You see the same players, you see the same coaching staff, you see the same trainers every day. So when they start to act a little different, you recognize it... I could feel it.
'Brooklyn Nine-Nine' is an idealized, fun comedy world in which feminism is an underlying value that all the characters have. Equality is a value all the characters have. I mean, I want to live in that world. I'd like to make the world feel more like that, but I understand that it's a fantasy.
Everything that went on in my life... it was super important for me to have Camden first. And by that I mean my son and to have that relationship with my son to give me that quiet confidence that I needed as a mother and as a woman. Now with Brooklyn, I am just so at ease; I am so comfortable.
I actually want to hold on to where I came from, and also I want to be at this bar in Brooklyn, even if I'm not drinking at all. What does that tension look like? It's less an attack on the parents and more an interrogation of personal guilt, personal responsibility. That's my internal dialogue.
I loved 'A Tree Grows in Brooklyn.' I read it later as an adult, but I loved 'We Have Always Lived in a Castle.' And that brings you around to 'The Lottery.' You can't pretend - it's a lottery in which you draw a name and people die. That's a short story, but it's such an incredible short story.
On Gates Avenue, there's an amazing Italian restaurant: Locanda Vini e Olii. It's in an old pharmacy - the front of it still has the pharmacy's name on it - and they have all these little tchotchkes and knickknacks and things behind glass. Whenever my parents come to Brooklyn, I take them there.
I felt unhappy and trapped. If I left baseball, where could I go, what could I do to earn enough money to help my mother and to marry Rachel? The solution to my problem was only days away in the hands of a tough, shrewd, courageous man called Branch Rickey, the president of the Brooklyn Dodgers.
I saw a cardinal when I was in Brooklyn, and I was almost moved to tears. I was, like, 'I can't believe this thing is legal. I can't believe this thing is in the wild. How did this happen? How has someone not killed them all? They're so conspicuous. They're gorgeous. How can they still be alive?'
The thing that's different about 'Girls' and 'Sex and the City' isn't just that we live in Brooklyn; it's that these girls aren't trying to find their major career paths or life partners. They're just literally trying to get through the week and pay the rent. It's a really different time of life.
After Hurricane Sandy, we saw the hellish world that the gun prohibitionists see as their utopia. Looters ran wild in south Brooklyn. There was no food, water or electricity. And if you wanted to walk several miles to get supplies, you better get back before dark, or you might not get home at all.
I was 15 when I read the script for 'Earth to Echo.' I thought it was amazing, and I couldn't think of turning it down. It's awesome for a kid from Brooklyn to have an opportunity to be on the big screen. And I had a great experience learning what the movie business is like. So, I'm glad I did it.
I think it's our responsibility as artists to not only fight for our art but fight for the communities that are the reason we're able to continue making art, especially since, in Brooklyn's case, we as artists somehow made it 'cool' enough for the bigger money-making industries to start taking over.
I grew up in Brooklyn, N.Y., and I'm a great believer that you can't have too conservative a President nor too liberal a Supreme Court. So I'm a walking contradiction. I believe that you should try to really protect people's rights in every way, and also, people should be allowed to do what they do.
I like sports. I'm a big football fan. When I was a kid, I was a... I don't even know how to describe it... I was an obsessed Brooklyn Dodgers fan. And I think when they left Brooklyn, which was simultaneous with me starting college, everything changed, and I haven't had the same passion for sports.
I've always loved to paint - I was studying to do an art degree when I was approached to become a model - and I've being doing some design work as well. I also love just having a quiet time, sitting in my little library at home in Brooklyn and reading or watching documentaries or listening to music.
The idea of trust-fund guys who live in Brooklyn in their 30s is really interesting to me. There's a time and a place where that kind of bohemian lifestyle is appropriate, soon after college, in your 20s. But there are people still living that many years later; they haven't evolved to the next phase.
Ms. Sciorra is a member of a dwindling fleet of actors who actually sound like they come from somewhere. In her case, 'somewhere' is Brooklyn. In most movies, and perhaps especially in a handful of singeing 'Sopranos' episodes, 'somewhere' makes her vital. She's what you'd call an around-the-way girl.
Bob Smith from Brooklyn is a guy who sometimes gets hung with problems and fears. Wolfman Jack is a happy-go-lucky guy who knows how to party. The challenge of my life has been letting more and more of Bob Smith go, becoming the Wolfman on an almost full-time basis, while still taking care of business.
I think that my interpretation of Italian was a lot more southern than what my husband cooks. You know, I grew up in Queens and in Brooklyn, and we - really, it's more southern. It's Naples and Sicily. It's heavier. It's over-spiced. And like most Americans, I thought spaghetti and meatballs was genius.
I was born on the other side of the tracks, in public housing in Brooklyn, New York. My dad never made more than $20,000 a year, and I grew up in a family that lost health insurance. So I was scarred at a young age with understanding what it was like to watch my parents lose access to the American dream.
My greatest moment as a jock occurred when I was 14 and playing punch ball in front of my house on Albemarle Road near East 17th Street in Brooklyn. I ran back, back for a ball, and it fell in my hands. I didn't even see it. Everyone congratulated me on the catch, and I never told them how it really happened.