Quotes of All Topics . Occasions . Authors
May I share with you my earliest memory of a political row? It was with my mother, about the Queen - classic Freudian stuff, shrinks would say. I was eight, and refusing to watch the Queen's Christmas Day broadcast.
When CNN does a story and then says, 'Tweet us what you think' - why? Why does it matter what I think? Why should my thoughts be broadcast on a national news program? It's enough for me to just sit and listen and learn.
Back in the late 1980s I was programme editor of Channel Four's Business Daily. Day after day we broadcast the latest news, views and analysis for the City in a period when its visibility was as high as it has ever been.
I own a copy of the original 'Talking Heads' by Alan Bennett, which I purchased many years ago shortly after they were first broadcast. It's been lovingly well-thumbed over the years. They are magnificent. A masterpiece.
It was very hard to get any records, so the only source for us to really hear what was happening was listening to the Voice of America. We would be taping all the broadcast and then sharing the tapes and talking about it.
Half of a broadcast show, in my experience, is things happening, and the other half is people talking about how they feel about the things that happened. And so there's this sense of everyone saying their subtext out loud.
I got a degree in broadcast journalism at Northwestern but was running a sketch-comedy group and then went to Second City. When the writers' strike happened in 2007-2008, I went to work at E! because I had that background.
I went into broadcast journalism. I loved every class I took, I just got anxious because I came to the realization that you're groomed in high school to get good SAT scores to get into a good college or else you're done for.
Unlike the on-air talents in the NFL where they have producers figuratively joined at their hip, providing them with info and tidbits of data, we WWE announcers are responsible for getting ourselves ready for every broadcast.
Hollywood has known this for quite a while: Cable is the place to go because they truly have a supportive network and they want to do things that cannot be seen on broadcast. That stimulates the writer-producer. Cable is king.
Today, fashion shows are now blogged and broadcast all over the world via social media. By the time the merchandise ships many months later, the newness and excitement has worn off, and in many cases, the customer has moved on.
Soon, the viewer won't even know if he's watching on broadcast or the Internet. He'll just be eating his cereal and see an image on the spoon. That's how we'll be watching soon, on spoons. The commercials will be on the knives.
Being in this position enables myself and others to deliver messages of positivity - we can broadcast to everyone just how beautiful this world is, and all the ways we can keep it beautiful by treating one another with kindness.
With 'Broadcast News,' it became a non-issue, and with 'The Piano,' it became a non-issue. Both parts were written for more statuesque women. It was nice to change people's minds about that, because that's neither here nor there.
I don't have any personal memories of the broadcast of 'Civilisation'. I was born the year afterwards. But the many personal stories I have heard from the people it touched do resonate as I had my own television-induced epiphany.
At one of the games I broadcast at Florida State a few years back, the mercury soared to 105 degrees, and you try attempting to look composed and professional, providing insight from the benches, while sweat pours into your eyes.
By April 1998, the fortunes of Lazio were on the rise as they won their first trophy in 24 years. Meanwhile, my salary of around £400,000 basically tripled overnight when TV companies started paying for rights to broadcast games.
I think my broadcast partner Mike Gorman said it best. He said there's a generation of fans who know me as a player and there's a generation of fans who know me as a coach and now there's a generation of fans who think I'm Shrek!
I'm excited about my own network, BounceTV. It's the first African-American-owned broadcast network. It's myself, my partner Rob Hardy, and some other African-American businessmen, including Andrew Young and Martin Luther King III.
After directing broadcast media coverage for seven House committees, I know the signs of a sideshow - and delivering demand letters to reporters before they go to the person being asked to produce documents is one of the chief signs.
Moveon is not a one-way broadcast media. The Internet, when used best, is a two-way media. We have a forum in which people can post comments and those comments can be rated. We get a sense of what people feel most passionately about.
What has been adjudicated and established in the wake of Vietnam and the Civil Rights movement is the ability of the press to basically write or broadcast almost anything about the government. There's very few restrictions in that way.
Every time a new technology comes along, we feel we're about to break through to a place where we will not be able to recover. The advent of broadcast radio confused people. It delighted people, of course, but it also changed the world.
When we say, 'We're here for you,' we mean it to this point - everything we do, everything we preach, every broadcast we come on, everywhere we minister, everything we say and do is prayed, engineered, designed to minister to the people.
If speech always wins, even if it's an atomic secret that's going to be broadcast to our enemies, it's easy to make a decision. Speech always wins. But it doesn't... Liberty doesn't always trump equality or equality always trump liberty.
The words we use have weight. Whether it's in a conversation with a friend or something said publicly on stage or broadcast. And as performers, we know that because that's why we choose the words we use - that's the whole point of comedy.
Most of us still haven't grasped the fact that everything we commit to the digital space - not just our public blogs and broadcast tweets, but every private text message, email, and voicemail is likely to be stored and accessible. Forever.
In making the jump from a local program to the showcase of a coast-to-coast broadcast, Ted Yates and I were determined to maintain the candid, sometimes combative style we'd introduced on 'Night Beat.' But that proved easier said than done.
I think I can go on the record and say this: I am the only player in the history of the NFL that has called an NFL game that was not a broadcast bootcamp graduate. And with that being said, that also means I have no clue what the hell to do.
Even a very brief tape-delay introduces a form of censorship into the broadcast - not direct governmental control, but it means that a network representative is in effect guessing at what a government might tolerate, which can be even worse.
Amy Rapp, my producing partner, and I are drawn to character-driven material. We're developing and producing movies and TV, fiction and non-fiction, studio and independent, broadcast and cable, theatre, and web so our slate is really diverse.
I don't think any of us are careful enough about emails. When you are writing an email, you should imagine yourself in an auditorium speaking to 5,000 people, with your mother and grandmother in the audience, and it is being broadcast on CNN.
Social media is just a platform. Twitter is a very simple and immediate broadcast platform. Facebook is a very personal, when it comes to friends and when it comes to fan pages, a little bit less but still somewhat personal way to communicate.
I know I'm not everyone's cup of tea, and not everyone is going to approve of me being in WWE, but I guarantee every Thursday on 'Smackdown' you're going to get the most prepared and the most passionate broadcast that I'm capable of giving you.
The Internet is far more engaging as an interactive medium than broadcast. Barriers to creating content are going away; they're almost gone. People are taking control of their entertainment. People are Tweeting, posting on Facebook and YouTube.
In college, I got an internship at my local station in Honolulu one summer, and I just fell in love with broadcast news, reporting, and storytelling. After college, I started out at NBC, and I worked behind the scenes at 'Today' and 'Dateline.'
For many decades - and this was reinforced by the broadcast networks' standards-and-practices department - bad guys on TV had to get their comeuppance, and good guys had to be brave and true and unconflicted. Those were the laws of the business.
The Broadcast Decency Enforcement Act of 2004 helps address the continuing degradation on the broadcast airwaves and helps send a clear message to the broadcast industry that Alabama families, like the rest of American families, have had enough.
Some days the competition would beat me and I'd go home thinking awful thoughts, want to hide under the bed, depressed. But of course, in the news business, when you're working a daily news broadcast, you get your victories and defeats every day.
'Rocking With Leroy' used to come on when I would come in from school. It was a very, very big R&B broadcast of the day when I was a young girl. And I would come in and put my books down, lie down on the floor, and listen to 'Rocking With Leroy.'
For the broadcast business to be successful, viewers need to be not merely interested in our political melodramas, they have to be in an absolute state about them - emotionally invested in the outcome and frightened not to watch what happens next.
The whole process of getting licenses to broadcast, which took place decades ago, was done behind closed doors by powerful lobbies, and wealthy commercial interests got all the licenses with no public input, no congressional input for that matter.
Freebird Michael Hayes was my first broadcast partner who was a pure, 100% antagonist. Hayes and I joined forces during Cowboy Bill Watts' attempt at expanding the Mid-South brand by renaming Mid-South Wrestling the Universal Wrestling Federation.
When you call a game, it's almost like you're doing a three-hour movie and the production of it all, living in the moment in real time, the replays, all the intricacies that go into putting a game in a broadcast. It's not just 100 percent football.
I remember when cable happened and everyone said broadcast was dead, and then satellite happened and everyone said cable was dead, and then DVDs happened and everyone said everything was over. Nothing was over. I'm very optimistic about the future.
When I tell people that I get interviewed five or six times more than I will interview players or coaches leading up to the game that comes as a surprise. That's part of it and it just goes with being part of a Super Bowl broadcast team. I enjoy it.
A gap in tone is opening up between podcasts and broadcast radio. The people who produce the former know their listeners have given them permission to go deep into their subject. The people who do the latter live in fear they've already gone too far.
I would love to see more swings in areas that we haven't explored. I can't necessarily tell you what that is - I think you know it when you see it - but I think we've had a lot of the same-themed shows in broadcast, but those shows are still performing.
Chris Wallace is probably the most of an exception because his program, 'Fox News Sunday,' also airs on Fox broadcast stations. So he doesn't feel as many of the same ratings pressures to please the right wing audience versus all the rest of the programs.
My job is the same if I'm making a new musical or making a play for sixty-five people or doing a live television broadcast. The job is to take care of the actor; the job is to create an environment where they can excel and try to access all their attributes.