My connection with Brazil is so abstract. My blood and my way of thinking is Brazilian, but that's it. I don't tend to go back to the past, and although I have an apartment there, I rarely visit. When I move, I really move.

I definitely see myself as an international musician. When I play, I respect the source of the music, whether it's Cuban, Brazilian or Israeli. I try to bring that to all of the music I play. Music has no borders and no flags.

I advise everyone with plans to visit Brazil for the Olympics in Rio - to stay home. You'll be putting your life at risk here. This is without even speaking about the state of public hospitals and all the Brazilian political mess.

I have suggested that Brazilian enterprises invest in Uruguay and Paraguay. These are small economies, so some things can be produced in these countries that will give them greater and more equitable involvement in the Mercosur game.

From alternative to Brazilian to hip-hop to old R&B, that's what we listen to. And we don't just listen to it only if somebody plays it. We actually go out and buy these types of things and support different forms of music because we love them.

Scoring from a dead-ball brings me massive satisfaction. It sets me up as an example for other players to follow, copy, and perhaps even emulate over the course of time. For them, I'm a Juninho Pernambucano 2.0, a Brazilian with a Brescia accent.

When I'm in Brazil, I'm not Brazilian at all; I am a gringo. And then when I'm in England, I'm not really English, but when I lived in Canada, I was considered too English. So I never really felt like I clicked somewhere or that I belonged to one place.

We expect 'Narcos' will be an enormous success throughout everywhere in the world and maybe out-index in Latin America, given the Brazilian star and Brazilian director and heavy Latin American cast and that we shot the show entirely on location in Colombia.

Vegas is a testing ground for the human soul. What are our values, especially in a time of crisis? Work with Cirque du Soleil, and you learn that quickly. The former socialist street performers who now throw parties by the pool with Brazilian models, oh yes!

Usually, a Brazilian doesn't like to work hard in training, doesn't like to stay focused. I trained a lot of Brazilian players. I had a problem with Ronaldo at Milan. It was not easy to get him fit! Ronaldo was 100kg but was the quickest in the 10 metre test!

I am very proud of being Brazilian, but I am also thankful for having the chance to play in Germany for four and a half years. I have completely changed the way I play football because Germany is a tougher, faster game which is more tactical with tighter marking.

That was always the top martial artist - the Brazilian jiu jitsu black belt. Once I started beating them, I knew I had what it takes to form a new martial art. That's when I came up with Joe Jitsu, my namesake, so my legacy lives forever through the martial arts.

What most surprises me about Brazil is the extent of the difficulties that we create for ourselves. We create a lot of legislation to control the Brazilian state itself, that this ends up meaning that things don't go with the speed any head of government would like.

When I was an undergrad at Stanford, there was a girl named Jennie Kim who worked for the school newspaper. Sometimes people would come up to me and talk to me about articles she had written. 'That one on getting a Brazilian was hilarious', some guy said, high-fiving me.

I grew up loving Brazilian soccer. What made me think soccer was cool was these guys making soccer look like fun and easy, and they would just destroy people. It was an art. I loved that. And that's the way I learned the game and mimicked a style. It's just so beautiful.

When I was a young teenager, it was all about The Clash for me and that sort of English punk stuff. Then the Clash led me to all these other kinds of music: classic rock, Stevie Wonder, world music, and Brazilian music. I got serious about jazz when I was probably about 14 or 15.

I've been touching instruments since the day I was born. My mother is Brazilian, and she listens to Brazilian music. My father was a musician, and I've seen pictures of him when he was in a band playing guitar and piano. He loved country music, Frank Sinatra, and stuff like that.

Thierry Henry is one of my heroes; he is one of the players I watched when I was younger. When I was 17, I changed position to be a forward, and he, along with the Brazilian Ronaldo, were the two players I tried to mirror my performance on, so I would watch how they scored goals.

Just competing in the Brazilian GP is a dream for all Brazilian racing drivers. I remember sitting in the grandstands when I was a kid, watching Ayrton Senna, Nelson Piquet and even Rubens Barrichello. After that, to race there in Formula One is a feeling that is hard to explain.

My father always told me I like the ball more than I like playing soccer: since I was a young kid, I was always skilled with it, dribbling furniture around the house. That's how I see football - fun and dynamic - and this goes beyond me; it's a characteristic of Brazilian football.

Where the costs of entry are minimal, there is a wide avenue of opportunity for those with little or nothing, which is why football is just about the most democratic sport of all: African and Brazilian footballers compete on a level playing field with their rich white European counterparts.

A lot of people talk about what the 1982 team did on the pitch but that side was so dear to Brazilian fans also because it featured players that supporters would see in flesh and bone on a regular basis, either at games or even on the streets. Now they basically only see the Selecao on the TV.

Lula aimed to both internationalize big Brazilian capital and improve the domestic market and the condition of the poorest in Brazil. In the gaze of a lot of people, this was a big contradiction, but for Lula, this was the most natural thing in the world, to think about these two things together.

I was focusing on sax while at Berklee, but then I started to play Brazilian choro and Colombian music. I was doing more folkloric stuff on the clarinet because it works better. Finally, I realized I was working more on the clarinet than the saxophone, and I started to feel more comfortable on it.

It's good for Brazilian football to have idols, stars, big stars coming back to Brazilian clubs. The tournaments become much better, more interesting. Ze Roberto, Juninho Pernambucano, Ronaldinho Gaucho, and other players who have returned to Brazil strengthen the league and improve the tournaments.

My feeling is that my body and all my things inside me - when I move, when I do everything - are Brazilian because my family is Brazilian, and my mother language is Brazilian Portuguese. But all the thinking in my life, all the treatment with people, I think I'm more from Spain. That's how I grew up.

It's true that when I started out, I was more a fan of attacking players and one in particular: the Brazilian Ronaldo, Ronaldo Luis Nazario de Lima. Another of my idols was Claudio Caniggia, an Argentinian forward with long hair, who I liked a lot. It's because of him that I started to grow my hair long!

I connect with my culture through my family. I speak Portuguese to my parents so that I can practice. I stay engaged with my extended family through a lively group chat on WhatsApp. That sense of community and family is the heart of Brazilian culture, and staying engaged with my family is what keeps me connected.

Because my hair is curly, I used to do all the straighteners, the Japanese this and the Brazilian that. And at the end of the day, your hair ends up not having a texture, not having the body - no shine. You're pretty much frying your hair. So understand the type of hair you have and do the best with what you have.

It was totally different. I am living in Sao Paulo and then I'm in Ukraine living in a small city called Donetsk. There's the weather, the language. I went there with my family. That helped a little bit and I ended up staying there for five-and-a-half years. It was important there that I had so many Brazilian players.

When I first heard Thundercat's stuff, I thought, 'Man, this is so original.' A lot of his ballads, to me, had such a beautiful harmonic, almost classically Hispanic, feel or, like, Brazilian kind of feeling. I don't think he does that intentionally or anything. It's just I think those are his influences on some level.

I would love to make a Brazilian film, but it would have to be something very close to my heart. It's such a personal thing, so I'd want to do my family proud. I'd want to do justice to Brazilian cinema. I think Brazilian cinema is brilliant. I would really love to do something, but I'm just waiting for the right thing.

I was born into a Turkish family that had acquired Italian citizenship. Many members of the family subsequently became British, French, Brazilian, and German, so there was a bit of everything. It was not uncommon for people in the family to speak seven languages: English, French, Ladino, Italian, Turkish, Arabic, and even Greek.

It is a coup because while the Brazilian Constitution allows for impeachment, it's necessary for the person to have committed what we call high crimes and misdemeanors. And President Dilma did not commit a high crime nor misdemeanor. Therefore, what is happening is an attempt by some to take power by disrespecting the popular vote.

Brazilian music has always been a part of us, but it's even more valuable now because of the sentiment or the theme of the actual song. So I feel like 'Street Livin'' is paying homage to what we started and it's touching on a lot of serious themes to DACA, immigration reform, prison control... all the things we address in the video.

When I came home my parents were listening to Pakistani Qawwali music, like Nusrat Fateh Ali Khan, they're listening to music from Mali, like Ali Farka Toure, they're listening to Brazilian songwriters, like Gilberto Gil, to opera, to Neil Young even, things you don't hear as a kid in Caracas. I love all the music they turned me onto.

I'd like to be remembered for being the one responsible for adapting Brazilian jiu-jitsu for modern MMA. For what I've learned from fence work and some ground positions. Lots of details I developed after years and years studying them, testing what worked on the mat, against the fence, what kept opponents on the ground, control situations.

When I was at Shanghai SIPG, I had the Brazilian player Hulk, who had joined for over £50 million from Zenit St Petersburg. He had no problems with life in China - his only problem was that he got injured on his debut and was out for two months after that. But I never heard him complain about life in China at all - everything else was good.

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