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I believe that there's good content or bad content. You see interviews when somebody interviews a director of a movie that didn't perform well in the box office, and he says, 'The audience didn't understand my movie.' If people didn't go to buy the ticket, then you did the wrong movie.
When we first started in Huntington Recreation with John Capobianco, we put four kids in the Golden Gloves finals. We didn't even have a ring. We trained at Stimson Junior High School. They give us the gym three nights a week. We used to box in the gym - no ring, just on the gym floor.
After we'd filmed one series of 'Kiss Me Kate,' everyone was saying: 'The guy's got great comic timing,' - that was the first I'd heard of it. I'm not a comedian, I don't want to depend on a singular box of tricks. I like story and characters, to take on world views that are not my own.
Box office is one of the strongest tools we have toward preserving our ability to make our movies. We really can make a difference by purchasing a ticket each opening weekend to a movie made by a woman, even if you don't like the movie or the filmmaker and even if you don't see the film.
I really love the EMS Vocoder 2000, which is a pretty nice little box. You put one thing in one end and another in the other end, and you're able to change vocals by the sound and do a lot - it's just got a great sound. But the thing is, it's a bit clunky, so it's kind of hard to use it.
When I'm not working, I would kill to have some sort of creative outlet other than, say, a coloring book. And when I'm working, I want to do all those things I was griping about - you know, make a turkey-and-cheese sandwich, put it in a zip-top bag, and stick it in a lunch box right now!
I wrote most of 'Hello in There' in a relay box, which looks like a mail box, only bigger. Sometimes, it was so cold and windy on my mail route that I'd go inside the relay box and eat a sandwich, just to get away from the wind. I remember working on 'Hello in There' inside the relay box.
I loved every second of Catholic church. I loved the sickly sweet rotting-pomegranate smells of the incense. I loved the overwrought altar, the birdbath of holy water, the votive candles; I loved that there was a poor box, the stations of the cross rendered in stained glass on the windows.
Something like 'Without a Paddle' does really well at the box office and I'm like, 'Oh, here we go.' In 'Without a Paddle' I'm the romantic lead - great! A comedy and that's what America wants. Then it did nothing for me and I went into kind-of a work abyss. I just didn't get another shot.
At the end of each year, I sit on the floor and go page by page through the old calendar, inking annual events into the new one, all the while watching my year in 'dinner withs' skate by. When I'm done, I save the old calendar in the box of the new one and put it with the others on a shelf.
There was a week where I was depressed with the rain, and people were telling me to get a light box. But I live on the 14th floor of an apartment complex, and I see the Broadway Bridge and Mount Hood, and it keeps me such company. And like true Oregonians, I don't carry an umbrella anymore.
I had always been told that you shouldn't clean the litter box when you're pregnant, because of your cat. And I think that is overblown - unless you have, like, three kittens in your house that are living outside and eating raw meat, this shouldn't really be a significant source of concern.
I had a boom box with a dual cassette deck and a mic, so I used to make pause tapes. I think a lot of people started like that because it was all I had. I would just take rap records that I liked and just loop the beat by pressing pause and record and make, like, five minutes of these beats.
The problem with State of the Union speeches is that they are, by their nature and design, alphabet soup. It's hard to know what a president really cares about when they run down a laundry list and check every issue box under the sun for fear they will offend some constituency if they don't.
I grew up in Westlake Villiage, a suburb of L.A. There was a guy there who was a fighter and was like, 'I'll teach you to box.' I started a little bit of boxing, then it crossed over into jiu-jitsu. I was into it for a little while, but then I started doing basketball, baseball, team sports.
I did a business in a box called College Pro Painters. They taught you how to paint houses, how to hire and fire, how to sell, how to deal with customers. You got a one-year franchise. It was the hardest year of my life in terms of hard work. I won manager of the year. It was very successful.
American liberals have become addicted to the courtroom, relying on judges and lawyers rather than elected leaders and the ballot box, as the primary means of effecting their social agenda on everything from gay marriage to assisted suicide to the use of vouchers for private-school education.
I listen more to music when I'm on my computer. I'm into the latest YouTube thing. I'm a nanosecond kind of listener, but if I'm driving I would be listening to a Merle Haggard box set. It's a weird experience listening to 'Working Man Blues' by Merle Haggard and cruising around in a Porsche.
I just don't know when we all decided that if it doesn't fit in a Happy Meal box, it's not for kids. I remember flying monkeys in the Wizard of Oz, and I grew up watching Monty Python. I think that kids can handle a lot more than we give them credit for, especially when it comes to the absurd.
The performances that I love are ones like Gena Rowlands in 'A Woman Under the Influence,' where women are allowed to be messy and imperfect. It's that kind of woman that has always inspired me to seek roles that are a little out of the box. I just haven't always had the opportunity to do them.
If a musician dares to get out of the box he's been put in, people get confused. They want people where they can find them! I am fortunate in some respects as I've always been known as someone who 'moves around' and tries different things. But generally, we are supposed to stay where we're put.
My dad always told me you have to be as quick as you can straight away out of the box. Some people say, 'Feel your way into it; build it up.' No. My dad would say, 'Straight away, you have to be there.' And I think that helps to warm up your tyres and brakes to be on it a bit more from lap one.
When I was a child, I was always nicking my mum's jewellery to wear, and I loved to drape a massive Chinese shawl around me from our fancy-dress box. I was obsessed with a feather and rabbit-fur collar from the age of three and attempted to make one with my friend, whose father was a gamekeeper.
Success has nothing to do with box office as far as I'm concerned. Success has to do with achieving your goals, your internal goals, and growing as a person. It would have been nice to have been connected with a couple more box office hits, but in the long run, I don't think it makes you happier.
I am much more wired to be an athlete than anything else. I understand the 'hard work = payoff' equation in sports. I run marathons and I box. And that's my Puerto Rican flag hanging in Freddie Roach's Wild Card Boxing gym. I gave it to him. My last N.Y.C. marathon time I ran in three hours flat.
You show people playing poker or hacking into a computer; it feels so significant in the script, and then when you see it on the screen, it loses something. But there's something about cooking - food being prepared is incredibly captivating. It became just a fun box of tools to use as a director.
Everybody owned stock in the Capone mob; in a way, he was a public benefactor. I remember one time when he arrived at his box seat in Dyche Stadium for a Northwestern football game on Boy Scout Day, and 8,000 scouts got up in the stands and screamed in cadence, 'Yea, yea, Big Al. Yea, yea, Big Al.'
My first time performing was in the black box theater of my high school's basement as a member of 'Clownaz,' the school's improv team. We charged money for tickets, saying the proceeds went to our school's recycling program. Then, immediately after the show, we divided up all the money and kept it.
I think people sometimes have a hard time placing me because I don't fit into a box. When they ask what I do at a cocktail party, I either say I'm a Renaissance woman or I'm a high-level madam. Lately I've been more comfortable saying I'm an artist, because that can cover a lot of different things.
When you get to the end of a TV series, you feel totally out of sorts as an actor. You feel unfit; your voice box has collapsed on you because you've spent all day muttering into a microphone that's two inches from your head, and you feel desperate to spread your wings and do a bit of real thesping.
My own view of this, by the way, is, if the war on terrorism is successful over time, in its own way it's going to box Saddam in in a way that's going to make it much more difficult for him to maintain his power, and that he's going to become increasingly isolated. I think that's going to take time.
I essentially started out with a Western series for WildStorm/DC but didn't want to be perceived as a 'Western artist.' I did a couple of super-hero things at Marvel but didn't want to be one of those guys, either. I loved all these genres and wanted to play in a very big toy box. Enter 'Planetary.'
I've really taken time to dive into my heart and my emotions a little more. I think, before, I was a little nervous to open up that box and go, 'What's in there,' you know? Now, that's what's made the best music, and that's what I've been able to pull out of parts of myself that I never knew existed.
The hero of the 'Peanuts' is Charlie Brown. I play the dog that sleeps on the top of his dog box who's a philosopher. I'm drawn to that. So I'm drawn to Barbossa as I'm drawn to Einstein, because they are outsiders, and I suppose, as a character actor, that's the turf that you're locked into, in a way.
A lot of people, especially Christians, want to put you in this box of being a Christian actor, and I don't believe in it. You do yourself and everyone else a big disservice when you start thinking about it as 'Christian art.' That's why most Christian art is bad. They don't put a premium on the 'art.'
In my new IFC comedy game show, 'Bunk,' we actually use our intern Patrick as a human timer - giving contestants the time it takes for him to wade through a bag of broken glass for a razor blade, to get gum out of his hair, to pick up every strand from a box of spaghetti I spill on the floor, etc, etc.
I started a youth center in Houston. The kids would come in and want to learn to box; they wanted to tear up the world, beat up the world. And I'd try to show them they didn't need anger. They didn't need all that killing instinct they'd read about. You can be a human being and pursue boxing as a sport.
Right after 'The Wackness' came out, it was a really exciting time, and then it was a bit disappointing when it came out. Even though not that many people saw it, I was still getting offered some movies. I was thinking that people would just stop calling me since it didn't do very well at the box office.
I got to make 'Trishakti' with Arshad Warsi, who was a newcomer at that time. The movie took three years to complete and became dated by the time it was released. The movie did not even get a proper release and bombed at the box office. It was a very bad patch of my life and a big disaster for my career.
I was nine, and I was shopping in a supermarket with my dad. There was this cereal, and it had a special promotion with a CD inside the box that had a really simple music-making program on it. I got it, and that opened my mind to being able to make music on a computer and seeing all the different layers.
'Mars Needs Moms' was motion capture, where you walk into a space that's essentially a black box with cameras everywhere. It was so technical. You have these mandibles with cameras on your face and a helmet, and you have to hit certain marks. You couldn't shoot this stuff without the green-screen aspect.
I absolutely loved working with Tim Burton because he is just a creative, outside of the box thinker. How he does things is fantastic. It is different - weird different - and he does things that are groundbreaking. They are courageous to do and once you do them you are like, 'Wow! That really does work!'
We should all feel confident in our intelligence. By the way, intelligence to me isn't just being book-smart or having a college degree; it's trusting your gut instincts, being intuitive, thinking outside the box, and sometimes just realizing that things need to change and being smart enough to change it.
I always like to have faith that an audience will suspend their disbelief, if you present it to them in the right way. I find it peculiar when people scoff at one bold idea, and yet they'll then turn over and watch a man travel through time in a police phone box. I think it's just how you present the idea.
We are in a bit of a policy box and it's going to require us being willing to give up one of the two, which is it's okay to take on more deficits but lets put in some massive spending. Alternatively to say, 'we're going to go through structural unemployment for a while because we want to address deficits.'
I first fell in love with music when I was a little boy. When I first heard music, I felt the beauty in it. Then, being able to tap along on a table top and box was great, but my favorite thing to do was to watch records spin. I would almost get hypnotized by it. These things are what drew me in initially.
It's fascinating that people, there's so many people now who will make judgments based on what you look like. I'm black. So I'm supposed to think a certain way. I'm supposed to have certain opinions. I don't do that. You don't create a box and put people in and then make a lot of generalizations about them.
To me, Dan Evans is an example of somebody that puts the clock back a little bit and tells everybody: 'Listen, tennis is not a freak sport where you need to have rich parents, who sit in your players' box for every single week of the whole year, and you need to talk to your coaches' box between every shot.'
My first job now is as a mother, everything else is secondary. My kids understand that I am an actress, and they are always so surprised to hear my voice on a cartoon character, or see my face on a video box. If it ever gets to be too much though, the career and the kids, I will simply set the career aside.
One phrase I would dearly like to consign to the can is 'Out of the Box.' The thinking that told us we should invade Iraq and that house prices never decline may have been out of the box, but it put us into the ditch. We have been badly misled by people who persuaded us that they understood things we didn't.