Quotes of All Topics . Occasions . Authors
The entire team of 'Race 3' is really happy because the film is doing good business at the box office.
The box office in an arthouse film is always going to be small. We have to face this and overcome this.
Films of stars as well non stars are working at the box office. People look out for content driven films.
I'll be working the rest of my life because I'm a character actor and don't have to worry about box office.
When it's the same team that's created magic at the box office in the past, you know you are in safe hands.
At the end of it, box office result matters. And the weird thing is that we do not know the formula of that.
I didn't follow big box office ideas. That eventually led me to witches. It's led me to find interesting roles.
Whenever we actors become part of a Bollywood film, there is a certain pressure of earning a box office success.
If the boy and girl walk off into the sunset hand-in-hand in the last scene, it adds 10 million to the box office.
I mean, obviously it's exciting for me to see what 'The Revenant' is doing in the box office. That's very exciting.
Failure at the box office of some of my earlier films led to a lack of opportunity to play main lead in good films.
I don't understand what A grade commercial cinema is. If you are talking about box office success, mine are A+ then!
The film is not a success until it makes money. It's only good when there's a dollar figure attached to the box office.
A friend of mine rang the box office to collect a ticket I'd reserved for her, and the girl said, 'Who's Lesley Manville?'
It is true that no matter how good your film is, you get judged purely on the basis of how well it does at the box office.
To make money, it may be important to win the Academy Award, for it might mean another ten million dollars at the box office.
It's so disappointing to put in your best, hard work and then find the film flopping at the box office for no fault of yours.
I believe in one thing, and that is content, because if your content is strong, the film will surely be hit at the box office.
Although 'Mockingjay 2' grew $650 million at the worldwide box office, its domestic performance fell short of our expectations.
The box office has become global. I think that factors in to the question of how to portray different ethnicities and cultures.
We shot many films in Delhi that turned out to be successful at the box office. So the attachment is definitely on the positive side.
I would do 'John Carter' again tomorrow. I'm very proud of 'John Carter.' Box office doesn't validate me as a person, or as an actor.
I have learnt to deal with the box office result. Whatever happened to any film, thankfully, people always appreciated my performance.
If I want to be a leading man in a film, box office numbers count because producers have invested money. I see no wrong in that process.
You know how many movies it took Tom Cruise before he was making 5, 6 million dollars? It probably took a billion dollars in box office.
When I want to support a film starring actors I like, I purchase several tickets at the box office - even if I can't stay for the movie.
'Srimanthudu' is a film very close to my heart. It's my first production, and I'm more than happy with its performance at the box office.
Content is now the most import factor that decides a film's success at the box office, so we as filmmakers are all trying different stories.
I don't think that 'Just Mohabbat' or 'Tarzan' were a hindrance. 'Tarzan' didn't do well at the box office but I would say the kids loved it.
For women, it is difficult because things are very male testosterone driven. Box office numbers are important and male stars tend to get them.
I think no one really knows for sure what will work at the box office. Even big production houses don't know what will do well and what won't.
What I think of as a mistake might be something that does really well at the box office, so I'm my own harshest critic - as we all are, really.
Are people like Tom Cruise in touch with their public? I doubt it. Footballers are more like the rock stars of yester-year: they are box office.
According to me, a film can talk for itself. Like, Aamir Khan does not promote his films on a large scale, but his films work on the box office.
Most producers who want you to dance are not looking at the long term. They see their evenings, the box office, whom they have to repay, whatever.
I have never had the problem of finding a producer for my films. I think I am just lucky because my first film didn't do great box office business.
I think the fun of following the movie box office and stocks is very similar to the fun of sports - all three combine passion and unpredictability.
Just because one of your films does well at the box office, that doesn't make you a good person. It doesn't make you strong, smart, or secure, either.
At some level, I feel it is nice to know that a film of yours is doing well at the box office and has also got great reviews. That feels like success.
In Quebec, we're less inhibited artistically, culturally, politically. We're less focused on box office and comparing our films to the American films.
I knew 'Hate Story' would work. I had expected a great opening but the fact that it has completed 50 days at the box office is an overwhelming feeling.
Of course it's difficult to top a box office success like Emmanuelle, so it will always be my most important work. But that's nothing to be ashamed of.
I was born in 1973, so I did not see 'Alien' when it was released theatrically. I saw 'Alien' when it was on Home Box Office. I think I was probably 10.
I'd love to make a sequel to 'The Rocketeer.' The film didn't do as well at the box office as we all hoped, but it has endured and generated a following.
'The Room' came out in 2003, really to crickets. Nobody showed up to see it. It made $1800 at the box office. Everyone assumed it was going to disappear.
I really don't consider myself to be a conventional Hollywood star. I've never really been marketed by the big studios to do mass market box office films.
Books on horse racing subjects have never done well, and I am told that publishers had come to think of them as the literary version of box office poison.
Films must all have the same structure. All of this to guarantee box office bonanza, which of course it never does, but that's another discussion entirely.
Women were real box office stars in the '40s, more so than men. People loved to see women's films. I think it was better then, except for the studio system.
Digitization has altered the nature of the film industry. Social media, especially, has become a decisive factor in determining a film's box office success.