Quotes of All Topics . Occasions . Authors
Women drive box office.
I win my awards at the box office.
Today it's not culture; it's box office.
Box office does matter. One cannot ignore it.
Virtue has its own reward, but no sale at the box office.
You can't do anything about a film's fate at the box office.
I reckon this could mean another 10 million at the box office.
Martial arts just normally would not draw me to the box office.
I am not a fool. I know where I stand in terms of box office returns.
The box office is a black money laundry shop. No business is straight.
You never know what clicks at the box office. It's very unpredictable.
'Election' made zero money at the box office, but it started my career.
The box office isn't something I consider. If I do, I can't really work.
I don't think a film has ever worked at the box office because of a star.
People will say a movie bombed at the box office but I couldn't care less.
If you look at who drives the box office numbers at these films, it's men.
When I was young I didn't care about education, just money and box office.
I don't really think about the box office, but I want my films to do well.
You don't leave behind box office scores or how many dollars changed hands.
Film is not just about the art form but also how it fares at the box office.
Every movie I do, regardless of how they fare at the box office, excites me.
I don't think much about how my past films have performed at the box office.
I want a certificate that allows me to make as big a box office as possible.
There are films which are good, but sometimes it doesn't work at the box office.
Box office success definitely matters. I will be lying if say it does not matter.
If the film succeeds at the box office it is a commercial film. Otherwise it isn't.
I had once decided to quit acting when Chattakari' didn't do well at the box office.
I don't think it is about talent or looks, it is primarily about box office success.
I would never want to do a content-driven film with a box office life of Rs 20 crore.
If you ask my opinion, I don't look at a film according to its box office collection.
Box office success is pertinent but the story has to have a life beyond the two hours.
You have to have box office success because only then will people show interest in you.
If my films did better at the box office in Japan, it would be easier to get them made.
The success of Chandni Bar' at the box office was a huge boost at that time of my career.
I don't care where I sit in terms of hierarchy, box office takings, or any of that stuff.
It's fantastic to see 'Les Miserables' become the top-grossing film at the U.K. box office.
I've never had a career of that kind of box office power. I've always learned the hard way.
They thought in terms of: whatever you had that started you at the box office, this was it.
Actors are greedy. They can never be satisfied. I want praise as well as box office returns.
I have no illusions of being the big box office draw. But I would like to have some choices.
The box office performance of a film is instrumental in an actor being perceived as saleable.
Any film, whether it worked at the box office or not, I'll have my favourite moments from it.
It's a hugely popular franchise, and every 'Housefull' film has worked well at the box office.
I ran spotlight. Swept up. Did box office. Ran the lighting board. But acting was the most fun.
I want to do exactly what I want to do. I'd rather gamble on the box office than beg for a grant.
I think everybody involved in a movie thinks about the box office. It's the 'biz' part of showbiz.
My degree was in theater administration. So I can sell the hell out of a ticket at the box office.
My issue in the past with nudity was that these scenes had been written solely for box office draw.
It's about balance. Do a movie that's good for your career, then do a one that gets good box office.
I am happy that most of my films did good business and either set or broke records at the box office.