Quotes of All Topics . Occasions . Authors
I never had posters on my walls, and I didn't have any icons, either. I come from a small village in Wirral, and my family didn't watch TV. I wasn't exposed to people with icon status. David Bowie popped up, but I had already shaved my eyebrows off by the time I saw his.
Elvis Presley, The Rolling Stones, David Bowie and The Sex Pistols may come and go, but rebellion remains a key part of the rock n' roll experience. However, that rebellion - the outgrowth of a youthful search for independence and identity - doesn't always take the same form.
We've grown up on the Beach Boys and the Beatles and Blur and Bowie and the Clash. Also E.L.O. and Hall and Oates. Those are all artists who write songs that are accessible but still left of center. It's intelligent pop. There's still something different and complex about it.
Just as Bowie, Zeppelin, etc., became rock stars by remaking themselves in the image of the California girls, the Go-Gos became rock stars by pretending to be the Buzzcocks and the Sex Pistols. Jane Wiedlin always said her biggest influence was growing up in L.A. as a Bowie girl.
In 1979, I moved to England and photographed Joy Division and Bowie and Beefheart. At that time I got images that I felt had that special, well - power is a big word to say - more like intimacy and ambition that outlasted the photo shoot. I felt that they would have a longer life.
There are so many forms of soul: David Bowie was soulful as hell; Johnny Cash was soulful as hell; you also have a Prince, a Stevie Wonder. I want to bring my perception of that and not live inside the box of, 'This is the type of tracks you get,' 'This is the type of drums you get.'
I felt like I grew up with Bowie. I never dressed like him, even though I did love the music, but consistently throughout my career he has been a go-to reference point: The suit from 'Young Americans,' or the gold Missoni-type looks of Ziggy Stardust. 'The Berlin Years' still influences me.
Brian Eno is an iconic and omnipresent pioneer in the world of ambient music, but he's gained real staying power while working behind the boards. He's produced albums for some of modern music's most influential artists, including Devo, David Bowie, U2, Coldplay, Peter Gabriel and Talking Heads.
I would love to be looked at some day - and I'm not ever saying I'm at this level - but I'd love to be mentioned in the same breath as a Bowie or an Eno. Those are the people that I admire artistically, their career trajectory, the integrity throughout their career, the bravery of their career.
I've been a big believer in musicians turned actor, going back to Sinatra winning the Oscar for 'From Here To Eternity.' David Bowie in 'Man Who Fell to Earth,' Kris Kristofferson's been great in a bunch of films. Liza Minnelli, Barbra Streisand, Mariah Carey, I thought was great in 'Precious.'
My whole relationship with Bowie started when I was 13, and I bought a copy of 'Aladdin Sane' when I didn't have a record player. I had this record for a year before I could play it, and it was the image - not the sound - that I was attracted to. I just saw this image and thought he was my cousin.
It's fun to look at people that are so good at acting that aren't actors, like David Bowie creating a mystique about rock n' roll. I've listened to 'Ziggy Stardust' as much as any rock n' roll fan - I don't really know what it's about, but it sure is fun to think about David Bowie as this mad creation.
I grew up in a mixed-race family in Bristol. My cousin was this white guy who was interested in Parliament, Marc Bolan, Bowie. His friends were football thugs and while I was getting ready for bed, they'd be listening to all that music. When I was older, I'd go to a Jamaican sound system and there were no white people.
I was born in 1963. So the '70s were my teenage years. As a teenager, I was into rock and roll - Bowie, Rolling Stones, Pink Floyd, even more progressive music like Genesis, and I was into a lot of British rock and roll. But I loved also American rock and roll. CCR, Jimmie Hendrix, The Doors, Patty Smith, and Bob Dylan.
It's something I've recognized in the careers of those people who have been inspiring to me over the years - Neil Young, Kate Bush, David Bowie, Frank Zappa, and Prince. These are all people who constantly redefined themselves, and had to deal with the difficulty of trying to take their audience with them when they did that.
I grew up in Deptford in south London, and at that time I used to wear toppers, loon pants and tonic suits from shops like Take 6 and Topman. I was a bit of a soul boy, but I had a very eclectic taste in music - I was into James Brown and Bowie; and I was the only kid in the neighbourhood who would also be listening to Chopin.
I was talking recently with a friend of mine who's determined to never meet her heroes, and I have another friend who's been horribly disillusioned a couple of times. But I've had a wonderful ride with meeting people who have been my North Stars, and Bowie's definitely one of them. He feels like my cousin; like the cousin I never had.
Davy Jones was the grooviest of the Monkees, which makes him one of the grooviest pop stars who ever existed. He was the best dancer in the Monkees, the Cute One, the one with the coy English accent, the bowl-cut boy-child who shook those cherry-red maracas and always got the girl. He was also the guy who stole David Bowie's original name.
