There are the people who read my horror novels - the first two of them - and they found them scary or whatever, and then there are some people who are maybe not entirely stable who think that they're real, who think that they're being stalked by the same demons or ghosts that are mentioned in the books.

I wrote 'Yellow Submarine' for the Beatles. I wrote the screenplay for 'The Games,' about the Olympic Games. I wrote 'Love Story,' both the novel and the screenplay. I wrote 'RPM' for Stanley Kramer. Plus, I wrote two scholarly books and a 400-page translation from the Latin, and I dated June Wilkinson!

When you realize my best selling books are 'Owl Moon,' the 'How Do Dinosaur' books, and 'Devil's Arithmetic,' how can the public make sense of that! I have fans who think I only write picture books or only write SF and fantasy. I have fanatics of my poetry and are stunned to find out I write prose, too!

I did an audiobook for 'Rough Crossings,' which I thought was one of the best books I had published. But it was an absolute embarrassment to read it. All these horrible mucked-up bits of syntax, over-the-top adjectives. I found myself editing it while reading. Alert listeners will notice the difference.

Although he moved away from the Midwest for good at the age of thirteen, Ray Bradbury is a prairie writer. The prairie is in his voice, and it is his moral compass. It is his years spent in Waukegan, Illinois - later rechristened by Ray as 'Green Town' in many books and stories - that forever shaped him.

I didn't do it for the money. I know a lot of people say that, but if I'd wanted to be rich, I'd have stayed working as a city lawyer. I gave that up eight years ago and took a massive drop in salary, and I didn't mind because I was doing what I loved. There's plenty of material for the other five books.

I think that school just isn't for everyone. A lot of people don't learn well when they're - have to sit in a place for eight hours. A lot of people learn best lying in their own bed, teaching themselves from books. And I was a bad student. I was a brat. If I was a teacher, I would not have liked myself.

I got the idea for 'Throne of Glass' when I was sixteen. Music always inspires my books, and when I was listening to the 'Cinderella' soundtrack, I thought, 'What if Cinderella was actually an assassin who liked getting dressed up all pretty and going to the ball, but then she wouldn't mind kicking butt?'

Thomas Young was born in 1731 in upstate New York. The child of impoverished Irish immigrants, he grew up in a log cabin without the benefit of a formal education. But he was an avid reader who began collecting books at a young age and eventually amassed one of the finest personal libraries in New England.

There are two worldviews in thriller writing: the paranoid view, like Chuck Logan's, that everything is inside a large clockwork. I like those books; they're intricate and thought out, but my view is that everything is chaotic and stupid. Chaos reigns, and civilized people do what they can to hold it back.

Of John Le Carre's books, I've only read 'The Spy Who Came In From The Cold,' and I haven't read anything by Graham Greene, but I've heard a great deal about how 'Your Republic Is Calling You' reminded English readers of those two writers. I don't really have any particular interest in Cold War spy novels.

On the whole, books are indeed less finite than ourselves. Even the worst among them outlast their authors - mainly because they occupy a smaller amount of physical space than those who penned them. Often they sit on the shelves absorbing dust long after the writer himself has turned into a handful of dust.

Philosophy is not just about talking or lecturing or even reading long, dense books. In fact, it is something men and women of action use - and have used throughout history - to solve their problems and achieve their greatest triumphs. Not in the classroom but on the battlefield, in the forum, and at court.

I was so inspired by Dr. King that in 1956, with some of my brothers and sisters and first cousins - I was only 16 years old - we went down to the public library trying to check out some books, and we were told by the librarian that the library was for whites only and not for colors. It was a public library.

Certainly, light fiction exists and encompasses mysteries or second-class romance novels, books that are read on the beach, whose only aim is to entertain. These books are not concerned with style or creativity - instead they are successful because they are repetitive and follow a template that readers enjoy.

Occasionally, I hear grumbles about everything being a series or a trilogy, but apart from the question of them maybe selling more books, I think that there's a real problem in trying to introduce a new world or a new concept while also getting your reader to pay close attention to your characters and themes.

Dolls, perhaps more than any other object, demonstrate just how thin the line between love and fear, comfort and horror, can be. They are objects of love and sources of reassurance for children, coveted prizes for collectors, sources of terror and horror in numerous movies, television shows, books, and stories.

If there is any message in the 'Wimpy Kid' books, it is that reading can be and should be fun. As an adult reader, when I see an obvious moral lesson to be taught, I run in the other direction... Kids can sniff out an adult agenda from an early age. I'm writing for entertainment, not to impress literary judges.

When I was writing 'The Windup Girl' and 'Ship Breaker,' I was writing those simultaneously, so I was an unpublished writer, not really having that full sense that these books would go out in the world, that they would be successful, that there would be an audience and that there would be fans of those stories.

Books are up against TV and movies and video games and a multimedia society that is so busy that people don't have contemplative time any more. I worry deeply about this. In fact, I worry about everything all the time. I used to be a punk. All I wanted to do was tear everything down, and that was so much easier.

In my class - in all fifth-grade classes - we were required to read 'classics,' books like 'Shiloh,' which is about a white boy and the dog he rescues. And 'Old Yeller,' which is about a white boy and the dog that rescues him. And 'Where the Red Fern Grows,' which is about a white boy and the two dogs he trains.

Let's face it: Most of us don't realize it, but we are failing our kids as reading role models. The best role models are in the home: brothers, fathers, grandfathers; mothers, sisters, grandmothers. Moms and dads, it's important that your kids see you reading. Not just books - reading the newspaper is good, too.

How much energy is wasted in Italy in trying to write the novel that obeys all the rules. The energy might have been useful to provide us with more modest, more genuine things, that had less pretensions: short stories, memoirs, notes, testimonials, or at any rate, books that are open, without a preconceived plan.

The U.S. has a law on the books called the debt limit, but the name is misleading. The debt limit started in 1917 for the purpose of facilitating more national debt, not reducing it. It still serves that purpose. It's unconnected to spending, hurts our credit rating and has been an abject failure at limiting debt.

I'm so excited. I love Peeta so much. I think that over the course of the next couple of books, he has so many interesting places to go to, character-wise. I'm ready to dive full-force into it. When I saw the movie actually, it got me energized. 'Let's go get some cameras! Let's go shoot the second one right now!'

And when I was young, my family was perfectly nice. I write a lot about it, as you noticed. But it was rather limited. I think, I don't think anyone in my family would really feel I'd done them an injustice by saying that. We didn't see many people. There were many books. It was as if I wanted to get away from home.

The Taliban's acts of cultural vandalism - the most infamous being the destruction of the giant Bamiyan Buddhas - had a devastating effect on Afghan culture and the artistic scene. The Taliban burned countless films, VCRs, music tapes, books, and paintings. They jailed filmmakers, musicians, painters, and sculptors.

Harry Potter to me is a bore. His talent arrives as a gift; he's chosen. Who can identify with that? But Hermione - she's working harder than anyone, she's half outsider, right? Half Muggle. She shouldn't be there at all. It's so unfair that Harry's the star of the books, given how hard she worked to get her powers.

It's sad when you can't make everyone happy, though. It's impossible but, at the same time, you still hope. You think, 'Maybe I can do it,' but you know you can't. But gosh, if I had to rely on giving people what they wanted, I would have had to write 40 billion different books and even then, I wouldn't get it right.

I did have a nice career in print, but traditional publishers don't always have the resources to create individualized marketing for their authors. Mine never figured out how to package books as hot as mine so that they found their full audience. Finally, I got frustrated enough over my lack of traction to walk away.

I'm not terribly well read. My wife forces books into my hands and insists I read them, which I'm grateful to her for. She made me read 'War and Peace.' The whole thing. It was amazing, but I had to hide it. You can't walk round reading 'War and Peace' - it's like you're in a comedy sketch and you think you're smart.

I hate homework. I hate it more now than I did when I was the one lugging textbooks and binders back and forth from school. The hour my children are seated at the kitchen table, their books spread out before them, the crumbs of their after-school snack littering the table, is without a doubt the worst hour of my day.

Changes can be made. New decisions can be made. If people say, 'It's not like that in the comics!' Well, comic books reinvent their characters a lot. They do different things with them all the time. They're always changing, always keeping things fresh. So that shouldn't be an issue if the race changes for a character.

The last 200 years, we've had an incredible amount of automation. We have tractors that do the work that horses and people used to do on farms. We don't dig ditches by hand anymore. We don't pound tools out of wrought iron. We don't do bookkeeping with books! But this has not, in net, reduced the amount of employment.

The question of whether or not there is a God or truth or reality or whatever you like to call it, can never be answered by books, by priests, philosopher's or saviours. Nobody and nothing can answer the question but you yourself, and that is why you must know yourself - Immaturity lies only in total ignorance of self.

There's a tacit belief that actors shouldn't write books, they're sort of allowed to direct movies but there will be a lot of skepticism, and they shouldn't do artwork or music. There are these invisible roadblocks to gain entree to these areas for actors, and you kind of have to crash through those invisible barriers.

It's crazy enough to be the person crawling through the bushes in Northern Ireland with a telescopic lens taking pictures - there are crazy people out there. But the idea that people want to go to sites and find out those spoilers... it's like if there was a website called Last Pages of Great Books, would you read that?

Whatever hardships there have been in my life I still live in a very privileged position. Fear is not knowing where your next meal is coming from. Fear is seeing a child get hurt. Fear is watching someone you love waste away. Fear is knowing you are going to die yourself. But there's no fear in what I do. I write books.

Complex astronomical instruments like the Antikythera Mechanism and the Nebra Sky Disk were made by Pagans. Our Pagan intellectual heritage includes poets and scientists and literary intellectuals of every kind, especially including those who wrote some of the most important and influential books in all of Western history.

I dreamed about this as a kid, that I would write - and people would read - a whole series of books. I feel accomplished, giddy, and tired. Mostly, though, I feel thankful. A trilogy is a huge investment on the part of author, publisher, and reader, and I'm grateful that so many people were willing to invest along with me.

We never had books at home, but my dad, seeing how keen I was to read, took me to Islington Library when I was about eight and we pulled out two - a Biggles and a science fiction novel. I never got the ace fighter pilot but fell in love with all things to do with the future and space. Isaac Asimov soon became my guiding star.

There's a lot of material from my life in my books, but they're not really autobiographical, in the sense that they're not about my life. So, in 'A Feather on the Breath of God' I write about my parents, I write about this Russian immigrant, I write about the world of dance, but it isn't an autobiography; so much is left out.

I remember my fourth grade teacher reading 'Charlotte's Web' and 'Stuart Little' to us - both, of course, by E. B. White. His stories were genuinely funny, thought provoking and full of irony and charm. He didn't condescend to his readers, which was why I liked his books, and why I wasn't a big reader of other children's' books.

I do not write for this generation. I am writing for other ages. If this could read me, they would burn my books, the work of my whole life. On the other hand, the generation which interprets these writings will be an educated generation; they will understand me and say: 'Not all were asleep in the nighttime of our grandparents.'

John Barth, I think, was really a writer of my own age and somewhat of my own temperament, although his books are very different from mine, and he has been a spokesman for the very ambitious, long, rather academic novel. But I don't think that what he is saying, so far as I understand it, is so very different from what I'm saying.

When I climb into my car, I enter my destination into a GPS device, whose spatial memory supplants my own. I have photographs to store the images I want to remember, books to store knowledge and now, thanks to Google, I rarely have to remember anything more than the right set of search terms to access humankind's collective memory.

I can clearly trace my passion for reading back to the Jonesboro, Georgia, library, where for the first time in my life I had access to what seemed like an unlimited supply of books. This was where I discovered 'Encyclopedia Brown' and 'Nancy Drew,' 'Gone With the Wind' and 'Rebecca.' This was where I became inspired to be a writer.

I like to be surrounded by books. My wife Evelyn has a Ph.D. in comparative literature, so we have a lot of her Spanish and German literature books which are wasted on me, plus a lot of novels and books on art and architecture shared by us both. Evelyn used to edit an art magazine called 'FMR,' so we have a common interest in design.

My definition, a definition in the drill books from the time that General Von Steuben wrote the regulations for General George Washington, the definition of the object of military training is success in battle... It wouldn't be any sense to have a military organization on the backs of the American taxpayers with any other definition.

My last vivid boyhood fright from books came when I was 15; I was visiting my uncle and aunt in Greenwich, and, emboldened by my success with 'The Waste Land,' I opened their copy of 'Ulysses.' The whiff of death off those remorseless, closely written pages overpowered me. So: back to soluble mysteries, and jokes that were not cosmic.

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