Now, 75 years later in an abundant society where people have laptops, cell phones, iPods, and minds like empty rooms, I still plod along with books. Instant information is not for me. I prefer to search library stacks because when I work to learn something, I remember it. And, Oprah, can you imagine curling up in bed to read a computer? Weeping for Anna Karenina and being terrified by Hannibal Lecter, entering the heart of darkness with Mistah Kurtz, having Holden Caulfield ring you up — some things should happen on soft pages, not cold metal.
Now everything was changed. She walked about with cautious, anxious steps, staring constantly at the ground, on the lookout for things that crept and crawled. Bushes were dangerous, and so were sea grass and rain water. There were little animals everywhere. They could turn up between the covers of a book, flattened and dead, for the fact is that creeping animals, tattered animals, and dead animals are with us all our lives, from beginning to end. Grandmother tried to discuss this with her, to no avail. Irrational terror is so hard to deal with.
The slave labors, but with no cheer - it is not the road to respectability, it will honor him with no citizens' trust, it brings no bread to his family, no grain to his garner, no leisure in after-days, no books or papers to his children. It opens no school-house door, builds no church, rears for him no factory, lays no keel, fills no bank, earns no acres. With sweat and toil and ignorance he consumes his life, to pour the earnings into channels from which he does no drink, into hands that never honor him. But perpetually rob and often torment.
The common thread of the series is that these are the books that Elephant and Piggie like to read. Elephant and Piggie are retired, so this is what they do in their spare time. What will they end up wanting to read? Time will tell. We've got to let that evolution happen as the series goes on. Any return of a character would have to be organic, would have to be, for example, Laurie Keller saying, hey, I really want to do this, and me feeling that there's a story there, rather than just saying, yeah, we can get three books out of these characters.
Question four: What book would you give to every child? Answer: I wouldn't give them a book. Books are part of the problem: this strange belief that a tree has nothing to say until it is murdered, its flesh pulped, and then (human) people stain this flesh with words. I would take children outside and put them face to face with chipmunks, dragonflies, tadpoles, hummingbirds, stones, rivers, trees, crawdads. That said, if you're going to force me to give them a book, it would be The Wind In The Willows, which I hope would remind them to go outside.
You don't know about me without you have read a book by the name of The Adventures of Tom Sawyer; but that ain't no matter. That book was made by Mr. Mark Twain, and he told the truth, mainly. There was things which he stretched, but mainly he told the truth. That is nothing. I never seen anybody but lied one time or another, without it was Aunt Polly, or the widow, or maybe Mary. Aunt Polly—Tom's Aunt Polly, she is—and Mary, and the Widow Douglas is all told about in that book, which is mostly a true book, with some stretchers, as I said before.
Life is a book, and there are a thousand pages I have not read. I would read them together with you, as many as I can, before I die -" She put her hand against his chest, just over his heart, and felt its beat against her palm, a unique time signature that was all its own. "I only wish you would not speak of dying," she said. "But even for that, yes, I know how you are with your words, and, Will- I love all of them. Every word you say. The silly ones, the mad ones, the beautiful ones, and the ones that are only for me. I love them, and I love you.
There are houses in certain provincial towns whose aspect inspires melancholy, akin to that called forth by sombre cloisters, dreary moorlands, or the desolation of ruins. Within these houses there is, perhaps, the silence of the cloister, the barrenness of moors, the skeleton of ruins; life and movement are so stagnant there that a stranger might think them uninhabited, were it not that he encounters suddenly the pale, cold glance of a motionless person, whose half-monastic face peers beyond the window-casing at the sound of an unaccustomed step.
Money, after all, is an abstract artifact, like language - merely symbolized by the paper or coin or whatever. If you can fully grasp its abstractedness, especially in the computer age, it becomes quite clear that no group can monopolize this abstraction, except through a series of swindle. If the usurers had been bolder, they might have monopolized language as well as currency, and people would be saying we can't write more books because we don't have enough words, the way they now say we can't build starships, because we don't have enough money.