Don't be jealous of my boogie.

I love the nightlife. I like to boogie.

I do have the roller skates from 'Boogie Nights.'

I don't want to be Boogie. I just wanna be DeMarcus.

I still love to see the ballet. And I love to boogie.

'Boogie Chillen',' by John Lee Hooker - that is a riff.

You can learn steps, but you cannot learn how to boogie.

I’m not trying to hurt you; I’m trying to make you better.

Let the children use it, let the children lose it, let all the children boogie.

When the world is on your shoulder, got to straighten up your act and boogie down.

I loved 'Boogie Nights.' That was a great movie, and I had a lot of fun doing that.

I saw 'Boogie Nights' more times before the movie came out than any other movie I had ever seen.

'A' comes from Artist. And 'Boogie' from the Bronx. 'The Hoodie' part came from just having a hoodie on a lot.

I certainly love a boogie and once the music starts I'm usually one of the first out there on the dance floor.

The Ramones are not an oldies group; they are not a glitter group. They don't play boogie music, and they don't play the blues.

I just went and saw 'Crazy, Stupid, Love.' Julianne Moore - I've been in love with her since 'Boogie Nights.' But also, 'The Big Lebowski.'

We used to play the Savoy Ballroom, and we always had a boogie tune in the set. Bands like Tommy Dorsey used to do a little boogie woogie. The big bands.

Give me a strapless gown and a rhinestone-studded guitar and some 55-year-olds in my audience, along with their kids and grandkids. Don't give me 'boogie'!

For 'Death Magnetic,' I used what I always use, which is my standard touring rack, which is filled with some Boogie stuff and a Marshall that I've had forever.

When I started, black people were either victims or they were the perpetrators; they were the boogie men who jumped out of the bushes and did terrible things to you.

I belong to an improv group, I play cello, I have these phases - fencing, tae kwon do, baseball, ice hockey, boogie boarding in the summer, snowboarding in the winter.

In a lot of ways knowledge kills fear. Once you know who the boogie man is, once you know what's under the bed, it can still be frightening but that fear of the unknown is gone.

Every time me and A Boogie connect in the studio, it's just always good vibes. It's like me being with one of my brothers or me being with one of my cousins or my family members.

I am only satisfied insofar as I feel 'Broadway Boogie Woogie' is a definite progress, but even about this picture I am not quite satisfied. There is still too much of the old in it.

I went through the whole number, you know. The swing era, the boogie woogie era, the bebop era. Thelonious Monk is still one of my favorites. So a lot of these people had their effect on me.

I think Phillip Schofield would be great on 'Strictly.' He got up on 'This Morning' once with Holly and did a bit of a boogie and he can dance, and he is entertaining, and he is such a nice guy.

I feel like one of the things that I watched that I felt was really helpful in some way but, more than anything, is worth mentioning was this film 'Boogie Man.' It's a documentary about Lee Atwater.

I think it's too easy often to find a villain out of the headlines and to then repeat that villainy again and again and again. You know, traditionally, America has always looked to scapegoat someone as the boogie man.

I grew up listening to a lot of hiphop music and R'n'B. Bands like A Tribe Called Quest, De La Soul, Big Daddy Kane, Boogie Down Productions, Cypress Hill, New Edition, Bob Marley, Prince, Stevie Wonder, and a lot of Spanish music.

Well, PT Anderson sent me a script of Boogie Nights which I let lay around my house for about three months, then one day I'm cleaning my office and decided that I'd better read this before the guy calls me back. I never put it down, bro.

My approach in 1999 was basically to play what I had, that was all I could do. At the time I was broke. I think I only had one guitar, a flametop green Jackson and I had these DC-10 Mesa Boogie heads. I think I had a cheap Shure wireless.

My week is full-tilt boogie. I wake up every morning, and the singular thought in my head is that maybe today is the day that I'm going to find an artist who is so amazing, an artist who will change pop culture. I'm in hot pursuit, always.

If you watch home videos, at 4 years old, I was doing nothing but being the entertainer. Singing 'Boot Scootin' Boogie' in the living room. Then, I guess, just by the grace of God I started writing songs, and somebody happened to like them.

The first thing I learned was the 'St Louis Blues' when I was eight. Both my grandmothers, my mother and uncle played the piano. This was post-war Britain, and they played boogie woogie and blues, which was the underground music of the time.

When I listen to hip-hop, I listen to Just Ice, Boogie Down Productions, Ultramagnetic MCs. I grew up in that age, and it was memorable. But I'm down with all of it. Chuck D or Danny Brown? I feel comfortable with all of them. Word up, kid! Word up, man!

Brand New Wayo: Funk, Fast Times and Nigerian Boogie Badness 1979-1983' covers a short chunk of time in Nigeria's musical culture - one that might have lasted longer had the label spearheading the movement at the time, Phonodisk, not been so financially mismanaged.

For the 'Load' album, I was experimenting so much with tone that I had to keep journals on what equipment I was using. For 'Hero of the Day,' I know I used a 1958 Les Paul Standard with a Matchless Chieftain, some Boogie amps and a Vox amp - again, they're all blended.

One of the reasons 'Boogie Nights' is one of my favorite movies is because it's about people in this gross industry, but they actually treat each other kind of like family. And at the end of the day, they're really kind to each other, and I feel like that is what we have.

I come from a school of people, folk singers, and the tradition there is troubadours, and you're carrying a message. Now admittedly, our job is partly just to make you boogie, just make you want to dance. Part of our job is to take you on a little voyage, tell you a story.

Like with 'Starlet,' we intentionally did not look at 'Boogie Nights' before making 'Starlet,' and I should have. Because there are one or two scenes that come too close and it looks almost like - because it's about the same industry, and you're going to be covering certain subjects.

I remember when we were shooting 'Boogie Nights,' all of my stand-ins were wiping out all the time. I'd practice before I got to the set, but they'd just show up and put on the roller-skates, and they'd be skating over these wires and cables, so they would all fall over. It was totally dangerous.

Many appreciate in my former work just what I did not want to express, but which was produced by an incapacity to express what I wanted to express - dynamic movement in equilibrium. But a continuous struggle for this statement brought me nearer. This is what I am attempting in 'Victory Boogie Woogie.'

The first memory I have was my sisters dancing to the radio when they played records by Benny Goodman and Harry James and of the sort. But the record that got me was a record by Derek Sampson, who was a young guy, called 'Boogie Express,' and it was boogie-woogie. Really, it was on fire, and that got me.

I think it's too easy often to find a villain out of the headlines and to then repeat that villainy again and again and again. You know, traditionally, America has always looked to scapegoat someone as the boogie man... there is a tradition in the most simplistic of action movies for there to be some horrible villain.

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