Quotes of All Topics . Occasions . Authors
During my career I've come back to clubs after the summer break to see one of my team-mates not really at it because he's been denied a move to a bigger club for whatever reason, and you can see in his body language that he doesn't want to be there and that kind of thing is massively disruptive and negative.
I am an emotional and fragile person. I observe life, I am perceptive and can read a person's body language. I have a strong journalistic streak in me, and had I not been a filmmaker, I would have become a film journalist. I have combined my perceptive and journalistic traits to create my own brand of cinema.
We're losing social skills, the human interaction skills, how to read a person's mood, to read their body language, how to be patient until the moment is right to make or press a point. Too much exclusive use of electronic information dehumanises what is a very, very important part of community life and living together.
Intimidation is an unusual animal: it's a lot about body language and understanding the human psyche. Knowing that usually a direct stare will crush most human souls, and that's just the basic gist of it... The soul-crushing stare, the fatherly disappointment, mixed with a little bit of hate and rage - you're on your way.
What I try to get beyond is playing music at people and, instead, to play music with people because audience members are constantly part of the experience. What they say in their body language, what they say in their eyes, what they sing with me... it's an 'us,' and there's a communication that's like... it's like church, man.
When you're on set all day, and you don't look people in the eye, it's really relaxing. Normally when you talk to someone, a lot of the conversation is in the body language and in the eye contact and stuff. And if you don't do that, if you just listen to the words, it's quite relaxing, because there's just one thing to focus on.
The Argentinians provoke and are always whingeing to the referee to try and change his opinion. It starts before the match. You see their body language, how they gesticulate, how they try to influence the referee. That is not part of the game. That is a lack of respect. It's their mentality and character, and we'll have to adjust.
I know, for me, that I have always been very conscious of how I dress when I go to the studio, I'm very conscious of my body language when I'm working - a lot of times, I'm the only female in the room. It's a very male-dominated profession. I'm always around guys. Guys are going to try you all day, and they're going to flirt all day.
When you're actually talking over someone, it's as if you're just pontificating and they're not even there. And their body language - they're trying to get away from you. And if you're pontificating at an audience, and there's a break, the non-martyrs in the audience are not going to come back. I mean, they just want to get away from you.
If anything, I'm overacting in the ring because of the facials and the body language. I want the guy in the cheap seats to be able to see what I'm thinking, the expression on my face. But when you're filming a movie, it could be a two- or three-camera shot, and you're doing it over and over and over again. It's not live TV; it's a lot different.