Bob Quotes - Page 10

Grid View List View
Quote of the DayPicture QuotesTop 100 Inspirational QuotesTop 100 Love QuotesTop 100 Happiness Quotes
Carl SaganSteve JobsEpictetusGeorge OrwellPeter DruckerJohn LewisBilly GrahamTyler, The CreatorKobe BryantRuth Bader Ginsburg
ChangeDadAloneOrchidsZeroPowerIndependenceGardeningHeartbreakMoney

People like Howlin' Wolf, Bob Dylan, The Rolling Stones, John Lee Hooker, Nina Simone, Captain Beefheart - all of these artists were what I grew up listening to every day of my life. And there's a very healthy music scene in the west country of England, where I grew up.

[Bob Dylan] builds his lyrics, of course, from personal experience, but it's also a literary work. He draws heavily on his knowledge of American lyric tradition as well as European modernism. But he should let the Nobel Prize Committee know if he is accepting it or not.

I was pretty strict in high school about who I would listen to. Musicians like Neil Young, Cat Stevens, Bob Dylan, Joni Mitchell... who were, in my opinion, great writers. The music mattered, but it held hands with the lyrics, and the personality was, overall, unsullied.

I can assure you that during my tenure as his employee, Bob Ney was the hardest working man in Ohio and Washington. I can further assure you the work that he did and the decisions he made were done with integrity and the highest regard for his office and those he served.

'Let's Get Harry' was where I met Bob Singer and worked with him for the first time, and then 'Reasonable Doubts' was the second time, and there was a thing after that called 'Charlie Grace' that was the third time. I liked working with Bob. A nice man and a good partner.

But, in the end, even a song that's as politically bland as Blowin in the Wind, you probably wouldn't get up and sing that now, whereas some of Bob Dylan's love songs that were contemporary with that, like say Girl from the North Country, you can still get up an play now.

Well, I met Frank Sinatra and Bob Dylan in the space of 15 minutes. Frank Sinatra kissed me on the lips. He kissed me on the lips. And then he gave me a filterless cigarette. And then I met Bob Dylan. I came off all lightheaded and had to go sit on his dressing-room steps.

I was on 'Murder She Wrote' with Angela Lansbury. She was fantastic... she was lovely to everyone, she was always on time, prepared. Whereas when I worked with Bob Hope, he didn't know his lines. He had to have these huge big cards... he hardly said two words to me all day.

If I ever go to West Africa, it would probably be for a free concert. I would want to do something for the people there. Maybe we can make a whole event, the way Bob Marley would have done it. Just for the people. And if they climb over the gate, let them climb over the gate.

I'm so much more at ease now than when I was flying as Bob. Then, I was OCD about everything, always checking and looking for things. But flying as a female is effortless. I'm still checking traffic, instruments, and the radios, but it's easier to multitask, and flying is fun.

That's very important to me as well: presentation and how people perceive you, the visual of how things look, your posture. I learned that from [Bob] Fosse and Jerome Robbins, from all the great theater directors and the Busby Berkeleys. You overdeliver: visually, emotionally.

If people want to talk about Bob Dylan, I can talk about that. But my dad belongs to me and four other people exclusively. I'm very protective of that. And telling people whether he was affectionate is telling people a lot. It has so little to do with me. I come up against a wall.

The new book is a result of my well-documented... absorption in Samurai movie culture. It's called 'The 47th Samurai: A Bob Lee Swagger novel,' and it takes Bob to Japan in search of the sword his father recovered on Iwo that has gone missing under extremely violent circumstances.

Music was so important to the culture when I was growing up in the Sixties and Seventies. We just expected that Bob Dylan was going to make a great record, and it was normal. It was like, 'Okay, here's another great record by Bob Dylan; here's another great record by Led Zeppelin.'

Bob Rock taught me a lot. His friendship has taught me a lot about what you should expect from a recording session and, more importantly, how you shouldn't expect anything less than absolute joyousness. You should feel great. You should feel 14 to be doing it. It's true and it's rare.

We don't sign an artist to fill a void, ever. I'll never find a Taylor Swift. You can't find a new Madonna, you cannot find a Prince, a Bob Marley, a John Lennon. You won't find another Kanye West. We simply deal with people as they walk in, and we say we either love them or we don't.

If Rudy Giuliani`s offense was that "Wallstreet Journal" did a round table where he openly campaigned for it, and said he didn`t want to be attorney general and that he was better qualified for it, then certainly Senator [Bob] Corker would seem to be, you know, among the best choices.

I would never know how good I was if I didn't have Bob Arum. Bob Arum is white, Jewish; He was working for prosecutor's office. I'm black, an ex-convict, ex-number runner. Who would be most likely to succeed? It would be Bob 100-1. Yet I beat Bob on everything we ever done, with love.

When I was a kid, I wanted a Chanel bob and bangs. My mom said no. I went to the salon anyway, and they said, 'No way - we are not going to do that to your hair.' So I did it myself. Big mistake. Instead of my bangs going down straight, they were sticking up like a cat. It was horrible.

Everything that I am and everything that I have, I owe to Arsenal, Arsene Wenger, Liam Brady, David Court, Bob Arber, Steve Bould, Neil Banfield, Mike Salmon, Tony Roberts, Gerry Peyton, Pat Rice, and many others. Words can't describe my gratitude to these people and love for this club.

I arrived at Princeton as a graduate student from the University of Manitoba in 1958. To my great good fortune, I fell into work with Bob Dicke, a truly great physicist who decided a few years before that that gravity is too important to ignore, as it had been in recent years in physics.

I've never bought a Dylan record. A singing poet? It just bores me to tears. I've got to tell you, if I had 10 Dylans in the final of 'American Idol,' we would not be getting 30 million viewers a week. I don't believe the Bob Dylans of this world would make 'American Idol 'a better show.

At the 'L.A. Times,' I always wanted to write about artists I thought were meaningful. So I interviewed Bob Dylan, John Lennon, Bruce Springsteen, U2, Stevie Wonder, Michael Jackson, Eminem, White Stripes. And I could understand how almost everybody I interviewed had a sense of artistry.

My secret heroes were Joe Morello, Ray Charles - who is, in my opinion, the most dominant figure in musical history in the 21st century - and Frank Sinatra. Those are my heroes. And as a writer, when Bob Dylan came along, it was a miracle because he gave us all permission to say anything!

I rang Brian [Mulroney] up. I said, "What's this bloody nonsense. You've got a wheat trade with Iraq and you won't come aboard?" I said, "We've got a bloody big wheat trade too, so get your priorities right." And he said, "Okay, Bob. I'll come." I rang George and he was very appreciative.

I've always looked at famous actors and hope that once they get a part that they have success in, they would reprise it every few years in the way a pop singer will reprise their hits. Like Bob Dylan singing 'Blowin' in the Wind' until he's fed up with it, finding different ways of doing it.

In 2008, Barack Obama did get Democrats hyperventilating, whipped up to a creamy froth, while John McCain creaked ahead like a cranky granddad whom Republicans let move to the front of the buffet line, deferring to seniority, as they had in 1996, when Bob Dole turtled to the top of the ticket.

Bob Marley performed the 'One Love Peace' concert in Jamaica with the two different warring political sides. There's always been that in black music and culture in general. It's no surprise because black music is such a reflection of what's going on in black life. It's not unusual for hip-hop.

My brothers used to call me Bob. They'd laugh at me, and I didn't get it. I'm 13 years old at the time, and then one day my brother's friend says, 'You know what Bob stands for? 'Booty on back.' You're fat.' Like my butt was so big I could reach for my wallet over my shoulder. And I broke down.

Sometimes, when the neighborhood is silent and the sky is aswarm with the stars and the mind is swirling like a flushed toilet, a person gets to doubting himself. In the hardest times, the stand-at-the-kitchen-sink-and-stare-into-the blackness times, I put on Bob Dylan's 'Tomorrow Is a Long Time.'

Today, I'd like to talk to Bob Marley. I'd just like to ask him what was his method. Bob is one of the greatest songwriters ever. I don't know if people understand how powerful his songs are and the simplicity and genius behind them, from 'Redemption Song' to 'Is This Love?' and 'I Shot the Sheriff.'

I think Alison Krauss is one of the most amazing singers ever. As a songwriter - this is gonna sound cheesy - I love Randy Newman. And my mom passed on a love of Bob Dylan and Joni Mitchell. At one point I was so into the Indigo Girls, just like I was so into the Dixie Chicks, those female harmonies.

The Goons were always one of our favourites; we always felt we were in that tradition - Goons, Monty Python, Peter Cook, Vic and Bob, Spike Milligan. We felt we were part of that lineage, but in England, it wasn't happening like that. There was a brand of comedy like 'The Office,' which was very real.

If a producer has 5 million bucks tied up in a picture, he's not about to let a guy like Burt Reynolds wreck a car when he can get a dummy like me to do it. But some stars would make good stuntmen. Reynolds is one of them. Bob Fuller and Doug McClure are strong, tough guys with plenty of courage, too.

I was one of those guys, you know, playing and singing, and there was no reason for me to write a song, because there were so many beautiful songs out. And Bob Dylan was always the ultimate songwriter, and nobody could ever write a song as good as him, and nobody ever has written a song as good as him.

I was inspired by many teachers when I started my channel, Bob Ross being one of them. His voice was so soothing, almost like hypnosis. He was that great of a teacher, even the casual viewer could learn how to paint from watching his show. Growing up, I just remember him being so mesmerizing on screen.

The beautiful despair is never fruitless. It keeps you going. Like when I first heard Bob Dylan do 'Things Have Changed,' or any time I see any work of art really beautifully done, like Michelangelo's 'The David' or that movie 'Lost in Translation' - it inspires me to try and find my own version of that.

For all his understanding of worldly concerns, when it came to fathoming the deeper meaning of his own furious activity, Sir Bob displayed the sort of laziness for which he himself had no patience in others. He appeared to have only a passing interest in the overall purpose of his financial accumulation.

When I met Bob Dylan, I was definitely impressed. This guy had come from the American folk world, but he was very schooled in poetry, too. He'd studied the Beat poets, of course. I grew up in the British bohemian scene. Dylan grew up in the American bohemian scene. So I was very pleased to meet such a guy.

Whether it's Al Michaels, when the earthquake happened in San Francisco and his ability to handle it like Walter Cronkite would have handled it, or Bob Costas with his overview of what's happening with worldly events at the Olympics and the perspective that he has there, you know these guys are so well read.

I climbed into Misery and called Uncle Bob. “We hooking up?” “Why does everything out of your mouth make me sound incestuous?” “Um, I wasn’t aware that it did. Perhaps you have a guilty conscience.” “Charley.” “Is there something you need to get off your chest? Besides that skank I saw you with the other day?

There's so many FM hits that I love. Bob Seger, there's two of his songs that I love. I would probably love more, but I don't sit around listening to Bob Seger records. It's the same thing with Tom Petty; he writes amazing hits, but it's not often that I sit around at home listening to a whole Tom Petty album.

My favorite Bob Dylan record is the very first one where he sings one Bob Dylan song and the rest of them are his interpretations of the Dust Bowl-era folk songs, or even going back as far as the mass influx of people coming into the U.S. during the gold rush. His interpretations of those songs are incredible.

After Pixar's 2006 merger with the Walt Disney Company, its CEO, Bob Iger, asked me, chief creative officer John Lasseter, and other Pixar senior managers to help him revive Disney Animation Studios. The success of our efforts prompted me to share my thinking on how to build a sustainable creative organization.

I was eight when independence happened. I remember my mum and dad getting dressed up to go to the independence concert to go listen to Bob Marley. Independence was such a wonderful time; we had so many expectations of the kind of country we would become. The vision of the government then was a wonderful vision.

The struggle for Zimbabwe lit up the imagination of people around the world. In London, New York, Accra and Lagos, bell-bottomed men and women with big hair and towering platform shoes sang the dream of Zimbabwe in the words of the eponymous song by Bob Marley: Every man has the right to decide his own destiny.

Bob Gates is really emblematic of the modern CIA. He joins it in 1968, just a day before the Soviets invaded Czechoslovakia. And, of course, he rises very quickly. In less than six years, he's on the National Security Council staff, at the closing weeks of Richard Nixon's presidency and then on into Gerald Ford.

My dad, Bob Blum, used to dash across Grand Central's main terminal catwalk several times daily as a young CBS correspondent, running copy from newsroom to studio and back - because CBS' first broadcasts were from Grand Central Terminal. The pictures on people's television sets used to shake when the trains came in!

You listen to Bob Dylan and you can't help but think of the 60s, it's very relational and if artists are true artists and not just mere musicians they need to be truthful because the music doesn't come from them it comes from the universe and it's to be shared. At best, we're skilled presenters, and I say that at best.

I was born in 1963. So the '70s were my teenage years. As a teenager, I was into rock and roll - Bowie, Rolling Stones, Pink Floyd, even more progressive music like Genesis, and I was into a lot of British rock and roll. But I loved also American rock and roll. CCR, Jimmie Hendrix, The Doors, Patty Smith, and Bob Dylan.

Share This Page