Quotes of All Topics . Occasions . Authors
I don't want to do only blockbusters.
Everybody's trying to make blockbusters.
Publishers are looking for blockbusters - all the world loves a megaseller.
I turned down the opportunity to be in some films that went on to be blockbusters.
The entertainment business remains a business of blockbusters, and increasingly so.
Movies are somewhat diminished by blockbusters, which are great, but there's not enough choice.
Everyone wants to work in America. Maybe not blockbusters or Terminator, but to have the choice.
It's wonderful to do these great blockbusters and bigger pictures, but my heart is always with true stories.
As publishers focus on blockbusters, they steadily lose interest in little-known authors from other countries.
I like serious films, the moneymaking blockbusters that don't make any kind of sense and John Carpenter films.
I love being part of huge mega blockbusters, and I love being a part of small independent films and small stage.
After about nine blockbusters, I had forgotten how to deal with a failure when 'Jaan-Emaan' released. I was shaken.
Without doing the big blockbusters, I wouldn't be able to find the money to go after little projects that I want to do.
One of the more noble things the Oscars can do is pay attention to movies no one knows about. Blockbusters don't need much help.
There's all these summer blockbusters out there, but nobody's talking about them... they're talking about 'Sharknado.' It's amazing!
It is important that alongside the blockbusters there are stories that can inspire and audiences can experience together in the cinema.
I'd like to do interesting indie films mixed with big, high-paying commercial blockbusters. 'One for you, one for me,' is what they say.
Blockbusters run the mainstream industry. We may never again have a decade like the 1970s, when directors were able to find such freedom.
While I'm a big fan of science fiction, especially as rendered in expensive Hollywood blockbusters, it's the real universe that calls to me.
Well, look at all of these summer blockbusters. You can't help but laugh a little, because you've already seen a lot of these movies 482 times.
The first film I ushered was Lynne Ramsay's 'Morvern Callar.' I started at 18. Best job in the world. Blockbusters, indie films, classic matinees.
Media companies' hit-focused marketing did not emerge in a vacuum. It reflects how consumers make choices. The truth is that consumers prefer blockbusters.
I've always wanted to be a very commercial director, or I had dreams of making these movies into blockbusters. And with each movie, they tell me it's not that way.
I'm of course disillusioned with what has happened to World cinema. Now cinemas in both Eastern and Western Europe are filled with the same blockbusters from Hollywood.
Your big movie stars who've been in blockbusters generating a lot of dollars are looking for the meatier, substantive roles that they think will make the awards season.
A company's commitment to searching out potential blockbusters and then investing in marketing to convert potential to reality attracts and retains top scientists and creatives.
The nature and the DNA of IMAX has been redefined in the past years to shoot these huge blockbusters. But I think that it's not the sole purpose of IMAX to capture cars exploding in your face.
I teach at USC. I have a big class of 360 kids, only about a fifth of whom are film majors. I don't just show the Hollywood blockbusters. I show independent films, foreign films, documentaries.
Some of the most interesting questions needing to be asked today can best be asked on television, or on stage, and they can be wonderful, great dramas, but they won't necessarily be blockbusters.
I've been influenced by a lot of films. And a lot of them are the typical interesting, artsy films. But I haven't talked enough about how there are those few big blockbusters that really rock your world.
My father loved 'Godard and Truffaut.' He was more artsy. My mom loved the 'Bourne' trilogy; she likes big blockbusters. She loved that I did 'I Am Legend.' My passion for acting came with my passion for movies.
Summer blockbusters are very expensive to make. They have things that have to be expensive, such as 600 effects shots or CG characters that have to go a certain way, or a film design that is different but expensive.
I would be lying if I said I did not feel bad when 'Shamitabh' failed, but I was proud to be associated with a film like this. If it were easy to know the pulse of the audience, then all movies would be blockbusters.
The distribution systems and the cinemas have adopted to the blockbusters, and they now get their main income from selling popcorn, and if you don't make a film that sells popcorn, it's very hard to get it out there.
Independent cinema is more thoughtful, delicate. While Western blockbusters can have their own kind of delicateness, it's not delicate enough. You have to be ready to compromise to enter that field. I will do so only if it's worth it.
I'm sure it's more difficult for women to make movies, especially because, in general, the kind of movies women want to make aren't necessarily going to be blockbusters. But you know, there are so few women in so many positions of power.
I think Paul Newman had an amazing career. I also love what Tom Hanks has done. He has always made very grounded movies that have something to say. He has found a way to make blockbusters that are about something and that is what I want to do.
I needed the time to go to college and spend years with people who aren't in the business and become a person on my own in order to be the person that I am and the performer that I am. I wouldn't give that up to be in blockbusters or have more money.
It seems like the studios are either making giant blockbusters, or really super-small indies. And the mid-level films I grew up on, like 'Back to the Future' and all those John Hughes movies, the studios aren't doing. It's hard to get them on their feet.
Everybody wants blockbusters. I like to see a few pictures now and then that have to do with people and have relationships, and that's what I want to do films about. I don't want to see these sci-fi movies, and I don't want to do one of those. I don't understand it.
As far as acting in films, there is not much out there that is very interesting to do. The ones that are interesting to me are independent films and they have trouble raising money. With people putting their money into blockbusters, there is not much left for the independents.
'The Kids Are All Right' is amazing. The performances are insanely good. Julianne Moore is going to wreck you. This is the best I've ever seen her, and I've seen everything she's ever done. I like the story, and I think it's a great alternative to the big summer popcorn blockbusters.
There are so many things I'd like to change in the industry. Everything from the reliance of style over substance to their reluctance to hire me for big budget blockbusters, but the thing I would love most would be if they understood people don't have to be Hollywood beautiful to be sexy or interesting.
Before sequels became the most reliable way to make a buck, Bond set the standard for lavish serial adventures. Before Hollywood found gold in multimillion-dollar adaptations of comic-book characters - in the Superman, Batman and Spider-Man blockbusters - Bond was the movies' first big-budget franchise superhero.
People look at stuff like 'Godzilla' and 'Avengers' and think I only do blockbusters, or however you wanna put it, but in reality, I can make double or triple what I got paid for 'Avengers' by doing other stuff - there are other options, but I don't want to work with this person or that person, and so I don't do it.
Often when you get a really good script, and you receive the new pages, you see that the entire thing has been dumbed down. Films in the '30s and '40s, that were huge blockbusters, were very sophisticated in their language, and the ideas they brought. There were no questions about whether the audience would get it or not.
For a while, all the studios had their art-house divisions, but that went by the by pretty quickly. Now, they're really focusing on these huge blockbusters, spending a fortune on cartoon pictures and comic-strip movies and superhero movies, and they aren't making pictures like 'How Green Was My Valley,' which was an Oscar winner in its day.