We called ourselves The Blanks because when we say who we are, everyone stares at us with a blank expression. But when we then say 'Ted's band from 'Scrubs' everyone goes, 'Oh yeah, you guys.'

No matter how many awards you've won or how many sales you've got, come the next book it's still a blank sheet of paper and you're still panicking like hell that you've got nothing new to say.

It's funny, because you want to make it different, but when I start building a character I do the same thing with each of them, which is start with a blank canvas. It's like painting a picture.

It would absolutely suck if you paid a few bucks for a book only to find that on the first page it said, 'Once upon a time they all lived happily ever after' and the rest of the book was blank.

I still get up every morning at 4 A.M. I write seven days a week, including Christmas. And I still face a blank page every morning, and my characters don't really care how many books I've sold.

The Almeida's artistic director, Rupert Goold, brought me Mike Bartlett's 'King Charles III' with the slightly apologetic warning that it was in blank verse, but, of course, that appealed to me.

I guess I was an early method actress. I would go to a quiet part of the sound stage with my mother. I wouldn't think of anything sad, I would just make my mind a blank. In a minute I could cry.

When I turned 40, subconsciously, life was a blank sheet. Before, it was disjointed, and I was very displaced and quite mad, but it was a brilliant time. Everyone thinks I must have been unhappy.

'I' is the word everyone uses to refer to themselves. On the one hand, it points to a specific person, but it's also this blank space that you can insert yourself into; it's a chute into empathy.

But it's like the horror of being in a studio with a blank canvas. I used to always run out of ideas because there are so many possibilities and I would just think, well what am I going to do now!

A blank wall of social and professional antagonism faces the woman physician that forms a situation of singular and painful loneliness, leaving her without support, respect or professional counsel.

As a composer, every project begins with either a blank sequence or a blank manuscript and for the first couple of days you cover and experience every emotion under the sun. Fear being the main one.

Perfect isn't normal, nor is it interesting. I have no features without makeup. I am pale. I have blond lashes. You could just paint my face - it's like a blank canvas. It can be great for what I do.

Listen to Your Heart' was a blank slate. Yeah, there was this outside idea of 'Bachelor in Paradise' meets 'A Star Is Born,' but what does that mean? You have to actually define that, make it happen.

To love shoes is to love problems. Every season, starting a new collection is my greatest challenge. The blank slate in front of me, starting the process all over again, there is no greater challenge.

Nothing in life prepared me for the way I felt about being a mother. Until then, I sort of felt like a blank sheet of paper. I was always trying to second-guess myself, to be what others wanted me to be.

I grew up in the suburbs outside of Newcastle, and there were blank walls, and there was a lot of space to imagine - the fields and the motorways - so I used to sit and talk to myself as different people.

I write in the afternoon, from about 12 until 6 or 7. I use an upstairs room as my office. Once I get going I keep at it, and it usually takes about six months from the first blank screen until 'The End.'

It's a marvellous life, a gregarious life that we've had. We're very lucky in that way. Unlike writers or painters, we don't sit down in front of a blank canvas and say, 'How do I start? Where do I start?'

Not intending to be funny: I sit at the keyboard, put my fingers on the keys and go. To me, it's the real secret of writing. Put yourself in front of the screen or the blank sheet of paper and get to work.

The worst thing is the blank page at the start. Then the horrible things written on the blank page. Then deciding whether or not to throw out those horrible things: lame scenes, lame characters, bad ideas.

Being a journalist is good if you want to write books: it teaches you to get beyond the blank screen. My books have been described as froth, but there's scope to be witty and ironic about everything in life.

The cinema is not a craft. It is an art. It does not mean teamwork. One is always alone on the set as before the blank page. And to be alone... means to ask questions. And to make films means to answer them.

I had a really, really hard time working with Aniston because I was so in love with her. I was infatuated. I was speechless - I'd get all bubbly and forget my lines and completely blank. It was so difficult.

A lot of people don't like to spend money on a journal because they're afraid to wreck it, which is understandable. I buy beautifully made leather-bound journals because I have lost my fear of the blank page.

I'm a visual person, so it always starts with a picture, and then I get obsessed with the idea, sometimes too much. I have these blank books in which I take notes, and I add postcards and other physical items.

The intensity of the story breaking on 'Vampire' has never been easy. Every week, you're starting with a blank board and trying to make a new movie. There's no formula; there's no franchise to hang your hat on.

Never sit staring at a blank page or screen. If you find yourself stuck, write. Write about the scene you're trying to write. Writing about is easier than writing, and chances are, it will give you your way in.

You ask me a question. I have a blank mind. You ask me a question, and the question is informed, and you're interested, and now my mind starts popping. That's what conversation is. That's what communicating is.

Just dash something down if you see a blank canvas staring at you with a certain imbecility. You do not know how paralyzing it is, that staring of a blank canvas which says to the painter: you don't know anything.

People who are successful should never forget that it's 90 per cent luck. You've got to be an eejit to be an egomaniac. I had my glory years - 'Blankety Blank,' the talk show, when I was winning every award going.

I was sending off my plays almost like an 8-year-old would send letters to Santa Claus. So it was a bit of a miracle when the Blank Theatre Company actually called and selected a terrible little play that I wrote.

I am a person who can't teach writing or make a living in any public way, as I get confused when interrupted or overstimulated. In a classroom or crowded room, I all but blank out. So my only income is from novels.

Well, no American wants to in any way hurt our capabilities to national defense, but that doesn't mean an unlimited amount of money, and a blank check for anything they want at any time, for any purpose. Not at all.

If at noon you sit down and there's just silence or blank tape, in an hour if you have a song, that didn't exist an hour ago. Now it exists and it might exist for a long time. There's something empowering about that.

I have a good visual memory. I'm good with faces, but names - I get in trouble a lot; I can't seem to remember people. People think I'm rude. As a side comment, you know, I'm not being rude: I just kind of blank out.

There are often days when I've sat down in my office for hours and prepped for a show knowing, three minutes before I go on, some big crazy thing happens where everything is thrown out, and the teleprompter goes blank.

There's a big difference between the independent film world and the Hollywood film world, and I don't know that I understood that until I got into certain rooms, and people's faces go blank when you talk about Sundance.

A theatre is not a blank page for editorial, it is not a soapbox or a Tannoy system: it is a conscience that wakes with what is happening in the space, and wakes further still in response to what people are making of it.

As African-Americans, we don't start with a blank slate, while other people may. In our position, there's always some sort of stereotype that is being scrutinized or that is being assumed when we come through the curtain.

I didn't know anything about movies or movie stars or the Academy or anything. I was just a blank sheet of paper. I was totally ignorant of all that stuff. I never went to the movies, didn't know anything about the movies.

I don't even subscribe to writer's block being a truthful thing. I've had writer's laziness quite often. But I think it's all about sitting down and facing down the blank page and doing it, and I've always been ok at that.

If I am doing a speech at a Labour party meeting - I think I have done every constituency - I'll look for a happy face, and talk to that face. In the Commons, with all the anger, I'll fix on a blank panel above their heads.

Sometimes the very best of all summer books is a blank notebook. Get one big enough, and you can practice sketching the lemon slice in your drink or the hot lifeguard on the beach or the vista down the hill from your cabin.

Regardless of political affiliation most of the policy/media world, as a subset of 'the educated classes' in general, tended to hold a broadly 'blank slate' view of the world mostly uninformed by decades of scientific progress.

Nine years ago on September 14, 2001, I placed the lone vote against the 'Authorization for Use of Military Force' - an authorization that I knew would provide a blank check to wage war anywhere, at any time, and for any length.

There are a lot of people, who want to be writers, who stumble at a blank page. You could imagine an algorithm that could give writers a first draft or a starter kit, so it could enable people to be more prolific in their writing.

Space is a canvas, as large and blank as any ever created, for it is indeed creation itself, and it calls to us to paint upon it with our own dreams and imaginations anything we wish, anything we want, and anything we can imagine.

I don't want a lot of guys like me who played the game. Quite frankly, I want blank canvases; I want people to come in with new ideas. I don't want the biases of their own experiences to be a part of their decision-making process.

The iambic pentameter owes its pre-eminence in English poetry to its genius for variation. Good blank verse does not sound like a series of identically measured lines. It sounds like a series of subtle variations on the same theme.

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