Quotes of All Topics . Occasions . Authors
I'm aware that if I make a country album and release it, and it gets on the Grammys, the Grammys are going to put it in the Urban category. Just my blackness automatically sets it in there.
I had to say to myself, 'I haven't written enough about blackness, yet it's part of my consciousness and my lived experience.' I had to get over that anxiety of 'I haven't done this before.'
Blackness, any sort of difference, is not a burden. Relegating blackness or other sorts of difference to serious books that explicitly engage with issues creates a context in which it can seem like one.
In America, mixed-race identity tends to invite both curiosity and suspicion, largely because few have found a way to interrogate it without centering whiteness as the scale by which to evaluate blackness.
The biggest accomplishment, in racial terms, for Barack Obama was being elected. He had to overcome his blackness to be elected. He climbed the Mt. Everest of American politics, becoming an historic first.
Blackness has always been stigmatised, even amongst black people who flee from the density of that blackness. Some black people recoil from black people who are that dark because it has always been stigmatised.
'Fantastic' is self-explanatory, you know? And the 'Negrito' is a way to open up blackness to everyone - you know, make it playful, international. It's extremely positive in my view; it's my affair with this music.
Even the humble black grandmother, who sings in the church choir and struggles to raise a grandchild abandoned to her care, must assert ideological liberalism in order to make others comfortable about her blackness.
No one tells every white person in this country how to be. No one tells every Hispanic, or Asian or Jewish person in this country how to be. There is no single definition of whiteness or single definition of blackness.
A lot of white men in the music industry are promoting and participating in black culture in a way that is pretty careless. They want the currency of blackness, but they don't want the brunt that comes along with that.
What I say about myself, black footballers or black pop stars is that we have been 'elevated out of blackness.' Because when people see us, they don't see us as being black. These are the issues that we should address.
We cannot continually barricade ourselves under some falsified idea of race, because our idea of blackness and race is simply reactionary. Africans didn't walk around Africa being black and proud, they walked around proud.
Merely by describing yourself as black you have started on a road towards emancipation, you have committed yourself to fight against all forces that seek to use your blackness as a stamp that marks you out as a subservient being.
The Earth reminded us of a Christmas tree ornament hanging in the blackness of space. As we got farther and farther away it diminished in size. Finally it shrank to the size of a marble, the most beautiful marble you can imagine.
If our culture is so often readily and easily appropriated, imagine what happens when we embrace our full blackness and know that our contributions are just as important to the shaping of the country and, more broadly, the world.
I learned at an early age how to traverse the white world, the white-dominant world. I learned, and I was successful at it. I learned the nuances - I learned how to act, how to be - but I always was conscious and aware of my blackness.
I am often asked what it is like to be on the 'front line.' But I do not use the term 'front line' to describe us, the protesters. Because everywhere in America, wherever we are, our blackness puts us in close proximity to police violence.
The lighter the skin, the more acceptable you are. The darker the skin, the more marginalised you become. I want to demonstrate that you can produce beauty in the context of a figure that has that kind of velvety blackness. It can be done.
Whenever I ask myself what blackness means to me, I am struck by the parallels that exist between my predicament and that of many Western Jews, who struggle with questions of assimilation at a time when marrying outside the faith is common.
Anyone reading contemporary poetry - especially contemporary African-American poetry - will quickly see that race is an enduring subject. What some don't realize is just how diverse the handling of that subject is. It's as diverse as blackness.
It was jarring to be berated for 'acting white' when I was placed in a predominantly black middle school in Southern California. I was also chubby, into boys who weren't into me, and tried too hard to fit into this 'blackness' I was supposed to be.
When you get just a complete sense of blackness or void ahead of you, that somehow the future looks an impossible place to be, and the direction you are going seems to have no purpose, there is this word despair which is a very awful thing to feel.
Through my school years, I learned more about slavery, anti-black racism, and oppression in the U.S., and my blackness could no longer be an afterthought. I started wearing it proudly, and as my consciousness deepened, so did my love for black folks.
Being an openly gay black man, unfortunately I've had experiences working with individuals who've tried to exploit my blackness or my gayness in a way that doesn't make me feel comfortable, or they try to manipulate me into being a caricature of myself.
When I was growing up, my mother used to say, 'Don't ever bring no nappy-head Black girl to my house.' In the deep South in the '50s, '60s and '70s, the shade of your Blackness was considered important. So I, unfortunately, grew up hearing that message.
I think it's really important that we understand the ways in which blackness plays out, right, and discrimination against black people impacts different communities in different ways but ultimately leaves them undermined and really devalued in our society.
Blackness is a state of mind, and I identify with the black community. Mainly, because I realized, early on, when I walk into a room, people see a black woman, they don't see a white woman. So out of that reason alone, I identify more with the black community.
My mother is black, from Grenada, so my blackness was always there, but It wasn't until I started hanging with the upperclassmen black actors at my high school that I really got my roots in being a black American, which is a distinctly different identity and experience.
Of course, the opposite of white privilege is not blackness, as many of us seemed to think then; the opposite of white privilege is working to dismantle that privilege. But my particular hip-hop generation proved to be very serious about figuring it all out and staying engaged.
Since I got to this country when I was 12, I've been obsessed with this idea of whiteness and blackness because I realized I was neither. For me, it was so important to me to make a film that focused on whiteness because you wouldn't have blackness if you didn't have whiteness.
People ask me why my figures have to be so black. There are a lot of reasons. First, the blackness is a rhetorical device. When we talk about ourselves as a people and as a culture, we talk about black history, black culture, black music. That's the rhetorical position we occupy.
I had a few brushes with death, where I nearly chose to go. The final one in 1996 did it for me. I suddenly had that feeling that I wasn't indestructible. There was no big white light experience, I just felt this complete blackness and a huge voice inside me saying, 'This is not right.'
As a teenager, my blackness was also questioned by some of the life choices I made that weren't considered to be 'black' choices. For example, joining the swim team when it is a known fact that 'black folk don't swim'; or choosing to become a vegetarian when blacks clearly love chicken.
My experiences at Princeton have made me far more aware of my 'blackness' than ever before. I have found that at Princeton, no matter how liberal and open-minded some of my white professors and classmates try to be toward me, I sometimes feel like a visitor on campus; as if I really don't belong.
Sometimes, when the neighborhood is silent and the sky is aswarm with the stars and the mind is swirling like a flushed toilet, a person gets to doubting himself. In the hardest times, the stand-at-the-kitchen-sink-and-stare-into-the blackness times, I put on Bob Dylan's 'Tomorrow Is a Long Time.'
Nobody told David Clarke what to think, what to feel, what to say, what to believe in, who to marry, what kind of food to eat - you know that thing that the race hustlers like to say defines your blackness? But yet every time I look in the mirror in the morning, I see a black guy looking back at me.
There is a wide, yawning black infinity. In every direction, the extension is endless; the sensation of depth is overwhelming. And the darkness is immortal. Where light exists, it is pure, blazing, fierce; but light exists almost nowhere, and the blackness itself is also pure and blazing and fierce.
Identity is becoming more dependent on what people are willing subscribe to and less dependent on objective criteria such as skin colour or where they're born. Ways of identifying blackness are no longer black or white. It's not a case of us or them, you can now be us and them; like them but different.
There is a distinct layer between the Earth and the universe, which is extremely black. Slowly, the entire universe starts to look 3D, like you can fly through it rather than this sphere of blackness overhead. And when you're above the atmosphere, there isn't water vapour in the air to make things foggy.
In the racialized space of capitalist gentrification, police are not only arbiters of the peace, they are the muscle of retail racism: You can only be in this space if you transcend your blackness by showing us some green dollars. Even then, there is no guarantee that green will transcend your black skin.
When I started, I was aware of using the black as a rhetorical device. It's understanding that black people come in a wide range of colors, but you find instances in a lot of black literature in which the blackness is used as a metaphor. In some places, you can find an extreme blackness used as a descriptive.
Solange's new album, 'A Seat at the Table', is so many things at once: an antidote to hate, a celebration of blackness, an expression of the right to feel it all. After a move to Louisiana and period of self-reflection, the artist joined forces with a range of collaborators to put her new discoveries to music.
There's so much material out there that's unnecessarily racist. It takes a shot at what is 'urban' or demonstrates blackness with some sassy, neck-jiving character that's not even relevant to the plot. I see it time and time again, and it doesn't move the story forward. It just kind of cryogenically freezes us in this old racial paradigm.