Quotes of All Topics . Occasions . Authors
I rolled the second car that I ever owned, a Toyota 4 Runner. This was winter in Colorado, two weeks before the 2002 Olympic trials. I was driving in the outside lane, and my rear tire caught some black ice, and we totally turned sideways to the point where we were heading right toward the median.
I left the clinic in a daze that had nothing to do with my head injury. Clear up in a week or so? How could Dr. Olendzki speak so lightly about this? I was going to look like a mutant for Christmas and most of the ski trip. I had a black eye. A freaking black eye. And my mother had given it to me.
I was attracted to black music for the same reason that I loved those old Irish ballads. Both were social statements of sorts, and both were indigenous to their respective cultures: Ireland, where my father had grown up, and towns like St. Louis along the Mississippi River, where I was growing up.
How many of them were there?' Her voice wasn't joking around. Eighteen. Hundred.' Four,' Blaylock interjected. 'An honor guard of four.' What did they work you over with? Those bruises on your thighs are severe?' Crowbars. Big, massive-' Blay cut in. 'Clubs. Had to be those ceremonial black clubs.
Evolutionary biologists have been able to pretend to know how complex biological systems originated only because they treated them as black boxes. Now that biochemists have opened the black boxes and seen what is inside, they know the Darwinian theory is just a story, not a scientific explanation.
A very good drink they call Chaube that is almost as black as ink and very good in illness, especially of the stomach. This they drink in the morning early in the open places before everybody, without any fear or regard, out of clay or China cups, as hot as they can, sipping it a little at a time.
I had a dream about riding a black cat, and then the next day I was at this antique mart, and I found this little devil riding a black cat - an Austrian bronze, tiny little thing. It was super tiny. And it was kind of like, "Oh my God, my dream came true." Except it was a devil, of course. Not me.
I recently heard of someone studying the ellipsis (or three dots) for a PhD. And, I have to say, I was horrified. The ellipsis is the black hole of the punctuation universe, surely, into which no right-minded person would willingly be sucked, for three years, with no guarantee of a job at the end.
I always have felt that elders are really important. I think it's because, in my little Southern black culture, elders really were respected. Everybody listened to them. They may not have agreed - that's a whole different story - but they would totally listen and consider what the elder had to say.
We are a total of our sum parts, right? I came from a family of very strong women - black women. And if I go back as far as my great grandmothers, there was always that love and the ability to be nurturing. Then I grew up in a household where my father was the one who was more affectionate with me.
When I was running the Troubadour, there was this transition from the classic singer/songwriter Jackson Browne types to bands like Black Flag, the Dead Kennedys, and Fear. Those are just some that come to mind. Oh, and Adam Ant! The Fear fans wanted to 'crush' the Ants. These guys hated each other.
My first time performing was in the black box theater of my high school's basement as a member of 'Clownaz,' the school's improv team. We charged money for tickets, saying the proceeds went to our school's recycling program. Then, immediately after the show, we divided up all the money and kept it.
He's Black Council," I said. "Or maybe stupid," Ebenezar countered. I thought about it. "Not sure which is scarier." Ebenezar blinked at me, then snorted. "Stupid, Hoss. Every time. Only so many blackhearted villains in the world, and they only get uppity on occasion. Stupid's everywhere, every day.
There is a wide, yawning black infinity. In every direction, the extension is endless; the sensation of depth is overwhelming. And the darkness is immortal. Where light exists, it is pure, blazing, fierce; but light exists almost nowhere, and the blackness itself is also pure and blazing and fierce.
There was a time I was no longer going to be black. I was going to be an 'intellectual.' When I was first looking around for colleges, thinking of colleges I couldn't afford to go to, I was thinking of being a philosopher. I began to understand then that much of my feelings about race were negative.
The Catholic Church had strict racial attitudes and intolerance for anybody who was not Catholic. When I look at a lot of Black ministers and what went on in the Black church, I was more caught up with those who were in Cadillacs and shiny suits than I was with those who were Kingian in their style.
Eventually [black men] are arrested, whether they've committed any serious crime or not, and branded criminals or felons for life. Upon release, they're ushered into a parallel social universe in which the civil and human rights supposedly won during the Civil Rights Movement no longer apply to them.
We need everybody and all that we are. We need to know and make known the complete, constantly unfolding, complicated heritage that is our black experience. We should absolutely resist the superstar, one at a time mentality that threatens the varied and resilient, flexible wealth of our Black future.
I like science fiction and physics, things like that. Planets being sucked into black holes, and the various vortexes that create possibility, and what happens on the other side of the black hole. To me it's the microcosmic study of the macrocosmic universe in man, and that's why I'm attracted to it.
I sense a kind of fear of writing black or Asian characters from non-ethnic writers, who perhaps feel that they don't know the culture and therefore can't write about it. By and large, if there's an Asian character, I might get a call. But if the character is called 'Philip,' the chances are I won't.
The true France is a multicultural France. Where someone is appointed minister not because she is a woman but because she is competent. And not because she is from a visible minority. I am against positive discrimination. Someone can be intelligent and black, and someone can be an imbecile and white.
Thank you," the young mother said again. "Thank you." "The Black Tower protects," Logain heard himself say. "Always." "I will send him to you to be tested when he is of age," the woman promised, holding her son. "I would have him join you, if he has the talent." The talent. Not the curse. The talent.
I come from a real working class background, and I didn't know anyone sophisticated - except I saw Edie Sedgewick once at the Art Museum in Philly. She had these black leotards and little black pumps and this big ermine cape and all these white dogs and black sunglasses and black eyes. She was classy!
We moved to a town that's predominately Caucasian, some Hispanic and one or two black families, and they do shrimping for a living. Here come hundreds of Vietnamese doing the same occupation. So there was a lot of tension because people were saying we were taking money, shrimp, fish or whatever it is.
There are black companies that are very active in the economy, that are growing and not on the basis of mergers and acquisitions, but because of putting new money into their particular companies and, therefore, their particular sectors. Indeed, if they didn't do that, they would collapse as companies.
Hillary Clinton could say she was a woman and running for president. And Sarah Palin could say she was a woman and running for vice-president. But Obama couldn't say, 'I'm black and I'm running for president.' It couldn't come out of his mouth. He couldn't say that because, if he did, he'd lose votes.
Patrick Demarchelier was the one who got me my first 'Vogue' cover. It was French 'Vogue' - I think in '87 or '88. I think I was the first black model to be on the cover of French Vogue, which was shocking to me because when I asked them about it, they were like, 'Oh, no. We've never had that before.'
So what you do [under apartheid system] is you convince black people that the reason they are being oppressed is because there are some within their community who just can't behave. And if only they could behave, then everyone else would have more freedoms and liberties, which, of course, is not true.
It is absolutely necessary, for the peace and safety of mankind, that some of earth's dark, dead corners and unplumbed depths be let alone; lest sleeping abnormalities wake to resurgent life, and blasphemously surviving nightmares squirm and splash out of their black lairs to newer and wider conquests.
Maybe I was just born in the wrong era, man. I'm a bit of a throwback to the days of black and white movies. Those guys back then, they had a certain kind of directness about them. A lot of the screenplays, the plots were very simplistic - they gave rise to a type of anti-hero that maybe I suit better.
Identity is becoming more dependent on what people are willing subscribe to and less dependent on objective criteria such as skin colour or where they're born. Ways of identifying blackness are no longer black or white. It's not a case of us or them, you can now be us and them; like them but different.
We all have a large stake in preserving our democracy, but I maintain that those without power in our society, the black, the brown, the poor of all colors, have the largest stake not because we have the most to lose, but because we have worked the hardest, and given the most, for what we have achieved.
One symptom of his (Hitler) being strangely at variance with reality, or the nature of things,was his gift for wearing inappropriate of ludicrous clothing...When he was supposed to be starting a militaristic revolution he was wearing evening dress and an ill-fitting black tailcoat...and his army medals.
Fear is like a black cavern that is terrifying. Once you enter the cavern and explore it, you realize that you can get out of it, go through it and get out of it. Then there's another cavern that is just as big and terrifying, and you just go in and dwell in it and see what is the worst that can happen.
Mr. [Donald] Trump, for five years, you perpetuated a false claim that the nation's first black president was not a natural-born citizen. You questioned his legitimacy. In the last couple of weeks, you acknowledged what most Americans have accepted for years: The president was born in the United States.
It is time to celebrate the New Black Americans - those who have sealed the Deal, who aren't beholden to liberal indulgence any more than they are to the disdain of the hard Right. It is time to praise blacks who are merely undeniable in their individuality and exemplary in their levels of achievement .
I had a vision - and I saw white spirits and black spirits engaged in battle, and the sun was darkened - the thunder rolled in the Heavens, and blood flowed in streams - and I heard a voice saying, 'Such is your luck, such are you called to see, and let it come rough or smooth, you must surely bear it.'
Before playing football, I didn't fit in anywhere. My parents didn't have a lot of money, which they spent on our education to send us to Catholic private school in Oakland, mostly black. The other kids had more money than I did. I started school early; I was young. So I'd come back to my hood and read.
The most formidable of all the ills that threaten the future of the Union arises from the presence of a black population upon its territory; and in contemplating the cause of the present embarrassments, or the future dangers of the United States, the observer is invariably led to this as a primary fact.
During the last decades, films about the black experience have been produced, directed, and even scripted by white men. Some of them are excellent. But most reflect George Bernard Shaw’s warning that 'if you do not tell your stories others will tell them for you and they will vulgarize and degrade you.'
I guess, in a way, I grew up mixed race: half white, half black. That question's always been on my mind: 'What are you? Are you this or that? Are you a white dude or are you a black dude?' In a strange way, music and comedy is kind of the same thing. I'm both. They're just different modes of expression.
We all want to be identified as someone cool, and I have struggled with repping where I'm from and my heritage before. It's part of growing pains. But when people see me being proud of what I am - and they are what I am too - it makes them proud. That's why I try to represent my Asian and my black side.
Loyalty, Signor Molteni, not love. Penelope is loyal to Ulysses but we do not know how far she loved him...and as you know people can sometimes be absolutely loyal without loving. In certain cases, in fact, loyalty is form of vengeance, of black-mail, of recovering one's self-respect. Loyalty, not love.
I consider myself lucky that Sheila Johnson, the cofounder of Black Entertainment Television, didn't choose to rest on her very impressive business laurels. Her luscious 100 percent modal scarves, printed with photos she takes all over the world, are gorgeous. Wearing one is like being wrapped in a hug.
Malcolm X envisions a broad-based pluralistic united front, which is spearheaded by the Nation of Islam, but mobilizing integrationist organizations, non-political organizations, civic groups, all under the banner of building black empowerment, human dignity, economic development, political mobilization.
I wrote two poems about the '81 uprisings: 'Di Great Insohreckshan' and 'Mekin Histri.' I wrote those two poems from the perspective of those who had taken part in the Brixton riots. The tone of the poem is celebratory because I wanted to capture the mood of exhilaration felt by black people at the time.
I can see why many Southerners, black ones in particular, don't like the implication that Southernness and the Confederate heritage are one and the same, because they're not. On the other hand, there are people who want to extirpate that completely and want folks to spit on the graves of their ancestors.
The physicality was important to me. Because the film has Shane Black's dialogue, and [Robert] Downey's delivery, and you look at [Jon] Favreau, Don Cheadle and Gwyneth [Paltrow], it is this heightened level with a comedic aspect to it. Everything is grounded in reality, but it plays a little heightened.
No one is calling any of these designers racist. The act itself is racist. There were more black models working in the Seventies than there are in 2013. This a time when silence is not acceptable at all. If the conversation cannot be had publicly in our industry, then there is something inherently wrong.
'Mars Needs Moms' was motion capture, where you walk into a space that's essentially a black box with cameras everywhere. It was so technical. You have these mandibles with cameras on your face and a helmet, and you have to hit certain marks. You couldn't shoot this stuff without the green-screen aspect.