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Combining quantum entanglement with wormholes yields mind boggling results about black holes. But I don't trust them until we have a theory of everything which can combine quantum effects with general relativity. i.e. we need to have a full blown string theory resolve this sticky question.

had two smaller scripts that I had written with full black casts. And people loved the scripts, but nobody would fund them. Those roles and stories are out there. But unless you have the money to finance movies on your own, you're beholden to others, and that is a very big limiting factor.

The Black Panthers was what we would call today a criminal gang that was formed by Huey Newton. Now, interestingly enough, I knew Huey Newton before he formed the Black Panthers. He was a student of mine when I was a teacher, instructor at Oakland City College back in the very early 1960s.

Woody Allen has a wonderful line: 'Today I'm a star. What will I be tomorrow? A black hole?' That's very important to know - that you have the moment, then you lose the moment. You have to see your chances, you have to take them, and you also have to see when you don't have chances to take.

I mean, with the exception of Bernie Sanders, the Black Lives Movement, it's very difficult to, in a sense, especially since the 1980s, to talk about what the social contract is and what it means, and what it means to celebrate public goods, what it means to make, create social investments.

I still make paintings and use the figure; it's hard to do and hard to succeed. On some levels, because I am working with black figures and black pigment, it's even harder because I have to be more responsible for the image. I try to be really careful about the presence the figure projects.

If black lives matter, then why is it that black women are more than five times as likely as a white woman to have an abortion? I think the womb that brings forth the black life should matter... Because black lives absolutely matter, what about the babies in that womb? What about that mama?

As soon as you start looking into roles which are specifically Asian, Black, or Latina, you start looking at stereotypes. That's the issue minority actors face - it's not that we don't want to play our ethnicities; it's that, often, the role that's written for our ethnicity is a stereotype.

I try to mix the fashion with the music and what's going on at the time...at the time [when my uniform was black on black] I was putting together an album, my album was my name at the time; very minimal, very stripped down, very everything but it still had and have to have some level of pop.

Those who are most sensitive about "politically incorrect" terminology are not the average black ghetto-dweller, Asian immigrant, abused woman or disabled person, but a minority of activists, many of whom do not even belong to any "oppressed" group but come from privileged strata of society.

'Top Boy,' for some people, was very controversial because it seemed to be portraying black people in a certain light that they thought to be stereotypical. However, what I would say is that the writer went and lived in Hackney in East London for a long time and did his research really well.

If I had the gift of Jerry Seinfeld, of Bill Cosby, of Lewis Black, these instinctively brilliant comic minds, then you go that route! But you gotta know your limitations. I'm more of an actor, more of a process guy. I did Tom Snyder, just as Danny Aykroyd did on 'SNL.' I did it in the club.

Because I am a one-legged, black, short, woman I had to spend every day of my life pushing against what society told me I should be. I had to sell my value every day of my life. Confidence is what enables us to push back on reality. Once you get good at that, you can use it to live your joy.

The best musicians in the world were raised on the same kind of music I was raised on and that is black, soulful, authoritative, ultra-tight, ferocious, uppity, defiant music that from the Howlin' Wolf, the Muddy Waters, the Lightnin' Hopkins, the Chuck Berry, Bo Diddley, and Little Richard.

The F.B.I. was very happy with the article they produced, which was entitled, "The Black Merchants of Hate," that came out in early 1963. What's significant about that piece is that that became the template for what evolved into the basic narrative structure of The Autobiography of Malcolm X.

My martial arts came a lot from my uncle, who actually taught martial arts through the military. He was a black belt in tae kwon do, but also, he used a lot of military-style fighting where it's not the high kicks or anything like that. It's basically defeat your opponent as fast as possible.

Millions of people are unable to vote due to felony convictions with the highest rates among black men. People in prison are denied the right to vote in 48 states, and while we accept that as normal in the United States, in other western democracies people in prison do have the right to vote.

In our world, 80 to 90 percent of women's weight gain comes from overindulging in insulin-stimulating food. And it's not hardcore, straight-up, I-can-see you-in-the-face sugar. They're eating whole-wheat bread. They're eating ancient grains. They're eating black beans. That stuff is horrible.

I grew up in a small town in a low-income family and was the only black kid in my elementary school. I felt like an outsider, and since I didn't know of LGBT people - much less LGBT black women - living happy, healthy, and successful lives, I didn't believe I could ever marry or have a child.

It [Cambridge] wasn't a holy grail in the sense that I'd never been to Cambridge. But then, when I did go, the contrast between Leeds, which was very black and sooty in those days, and Cambridge, which seemed like something out of a fairystory, in the grip of a hard frost, was just wonderful.

One day, out of irritation, I said, you know all of those years with the Royal Shakespeare Company, all those years of playing kings and princes and speaking black verse, and bestriding the landscape of England was nothing but a preparation for sitting in the captain's chair of the Enterprise.

Youth is impulsive. When our young men grow angry at some real or imaginary wrong, and disfigure their faces with black paint, it denotes that their hearts are black, and that they are often cruel and relentless, and our old men and old women are unable to restrain them. Thus it has ever been.

Some, while deploring animal abuses, on the same breath approve 'benefits to humans from certain animal abuses'! Who would criticize the Jewish holocaust or Black slavery, and YET praise the benefits to Germans or Whites??? This convenient ambiguity at the expense of animals is unacceptable!!!

When you get to know a lot of people, you make a great discovery. You find that no one group has a monopoly on looks, brains, goodness or anything else. It takes all the people - black and white, Catholic, Jewish and Protestant, recent immigrants and Mayflower descendants - to make up America.

Bob Marley performed the 'One Love Peace' concert in Jamaica with the two different warring political sides. There's always been that in black music and culture in general. It's no surprise because black music is such a reflection of what's going on in black life. It's not unusual for hip-hop.

Art is a form of experience of the person, the place, the history of the people, and as black people, we are different. We hail from Africa to America, so the culture is mixed, from the African to the American. We can't drop that. It's reflected in the music, the dance, the poetry, and the art.

In 2009, I edited, under the aegis of the Library of America, an anthology called 'Becoming Americans: Immigrants Tell Their Stories from Jamestown to Today.' It featured immigrants from different backgrounds, from black slaves like Phillis Wheatley to Yiddish-language speakers like Henry Roth.

Death,' whispered Tarlar, 'you do not fear it, Fell? By water, or any other way?' 'What is to fear?" answered the black wolf. 'If it is an end, then so be it. For there is no pain in that, except the pain left to the living... And if death is not an end, then what more than a wonderful journey.

For black folks, the Confederate flag represents the same thing that the Nazi flag represents to the Jews. There is absolutely no difference when we look at it. Now, white folks try to explain it away like, 'Oh, it's OK.' But when you're black, it is not OK. It represents oppression and murder.

There are dozens of ways of failing to make money. It is one thing to fail to make money because your single talent happens to be a flair amounting to genius for translating the plays of Aristophanes. It is quite another thing to fail to make money because you are black, or a child, or a woman.

Nirvana is the utter extinction of all that is base in us, all that is vicious in us. Nirvana is not like the black, dead peace of the grave, but the living peace, the living happiness of a soul which is conscious of itself and conscious of having found its own abode in the heart of the Eternal.

I wore the gold is symbolic of my African heritage. When my black ancestors was bought over here from Africa they were shackled by their neck, they wrist and they ankles in steel chains. I turned those steel chains into gold to symbolize the fight. I'm still a slave, only my price tag is higher.

I always loved LeAnn Rimes and especially Clint Black for his soulfulness. As I've gotten older, my influences have broadened - John Mayer, Michael Buble, Stevie Wonder, Keith Urban, Stevie Ray Vaughn, the Beatles - all of these artists have somehow been a part of my development as a songwriter.

A lot of people refuse to do things because they don't want to go naked... . We as black people, we as people, we as the human species have got to get used to the fact we're not going to be right most of the time, not even when our intentions are good. We've got to go naked and see what happens.

A black boxer's career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.

It's a stereotype that black players are just really fast, but at the end of day I want to be skilled, I want to be technical, I want to have vision and that's what I've always tried to promote in my game: not relying on one thing but just being able to outwork players in so many different ways.

When I saw Adele, I thought: 'I'll give it an hour before people say I was her,' just because I was fat. When you watch 'X Factor,' you can bet your bottom dollar, every single fat singer sounds like me as far as the judges are concerned. Can you imagine if they did that with every black artist?

When I was older and I first started working, I was obsessed with buying my first Chanel jacket. I saved up my hard-earned money, went to Barneys, and bought a little black Chanel jacket. It saw many, many job interviews and many, many events. I'm not fitting into it lately, but I still have it.

There is a very diverse range of superheroes, especially with the Firestorm character. In the comics, there is a black Firestorm. But we still don't see that many black superheroes. So what The CW is doing and what DC Comics is doing with this whole universe with diversity is absolutely amazing.

Former New York Mayor, Rudy Giuliani, former Alaska Governor, Sarah Palin, talk show Rush Limbaugh claim - " don't you love that, they "claim." I'm not claiming anything. I'm saying. Anyway. " - that Black Lives Matter exacerbates tensions and sows racial divides." How can that even be debatable?

Intersectionality is an analytic sensibility, a way of thinking about identity and its relationship to power. Originally articulated on behalf of black women, the term brought to light the invisibility of many constituents within groups that claim them as members but often fail to represent them.

I want to be a great role model to let the kids, especially black kids, that it's possible to make it in this sport. I think we, as a black community, quit playing the game because we think it's a white man's sport. Or we think that since other black people don't play it, so why should I play it.

Imagine God inside your computer, your phone, everyone else's computer. Imagine someone who almost is the Black Corporation, with all its power and riches and reach. And who, despite all this, seems pretty sane and beneficent by the standards of most gods. Oh, and who sometimes swears in Tibetan.

The black man in America's position is parallel with that of the Jews, especially when the Jews were in bondage under Pharaoh. And at no time did Moses in the Bible ever try and integrate the Hebrews into the Egyptian society or accept any hypocritical offers made by the slave master of that day.

As a black actress you've got to work doubly hard. But it doesn't ever get me to the point where I give up on myself. It just motivates me to be more prepared, focus and disciplined. That's why I care so much about doing black films and making sure that we represent and are represented correctly.

These days I find myself wanting to avoid being pigeon-holed, ghettoized, held in a different category than other authors. And when people ask me if I'm a black writer, or just a writer who happens to be black, I tend to say that it's either a dumb question or a question which happens to be dumb.

I would say to any young black , if you get a job and you're asked to work 100%, then you work 125% and don't complain about it. The moment you complain about it, then you don't really want to work. Always do more than you're asked to do and you'll get far in life - and that applies to all youth.

When Ozzie Virgil became the first Dominican player in the majors, his nationality was barely noticed. What the press and fans talked about was his skin color. He was the first black player on the Detroit Tigers, and a great deal of attention was paid to him as someone who crossed the color line.

Normally Connor would walk away from a conversation like this. His life is about tangibles: things you can see, hear and touch. God, souls, and all that has always been like a secret in a black box he couldn't see into, so it was easier just to leave it alone. Only now, he's inside the black box.

Patrick Demarchelier was the one who got me my first Vogue cover. It was French Vogue - I think in ’87 or ’88. I think I was the first black model to be on the cover of French Vogue, which was shocking to me because when I asked them about it, they were like, "Oh, no. We’ve never had that before."

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