Quotes of All Topics . Occasions . Authors
It's not hard to get your way when it's your way or the highway. People either follow suit or they're not around. I don't really like the sound of that, 'cause that sounds like a temper tantrum. I'm just very black and white when it comes to my business. There's really no gray area.
The Zionists indeed learnt well from the Nazis. So well that it seems that their morally repugnant treatment of the Palestinians, and their attempts to destroy Palestinian society within Israel and the occupied territories, reveals them as basically Nazis with beards and black hats.
The American dream comes from opportunity. The opportunity comes from our founding principles, our core values that's held together and protected by the Constitution. Those ideas are neither Republican, Democrat, conservative, liberal, white, or black. Those are American ideologies.
In addition, black folks need to attend green conferences, too. We just self-segregate and don't go. They might even waive your fee if you apply on a diversity basis, because they'd be so shocked to see somebody from a different background wanting to be a part of the green movement.
A Different World was run by black women, Debbie Allen and Yvette Lee Bowser. Lead writer Susie Fales-Hill was a hero of mine, because she was 28 when she was running one of the top shows on television. Going to work every day and seeing black women in charge made that normal to me.
As Danton sees it, the most bizarre aspect of Camille's character is his desire to scribble over every blank surface; he sees a guileless piece of paper, virgin and harmless, and persecutes it till it is black with words, and then besmirches its sister, and so on, through the quire.
... I began showing the black border of the negative as part of the image, something I'd never done before. I began to realize that the edge of the negative represents the shadow of the camera, the opaqueness of matter. It casts a shadow on the negative, so it's a photogram as well.
I had imagined a kind, ugly, intuitive man looking up and say, 'Ah!' in an encouraging way, as if he could see something I couldn't, and then I would find words to tell him how I was so scared, as if I were being stuffed farther and farther into a black, airless sack with no way out.
No matter how cutting-edge Hollywood may seem, it is still delayed in how it views people: If producers do not perceive me as an Iranian girl, then I cannot play an Iranian girl. If you aren't perceived as a full black girl, then it makes it more difficult to play a black girl on TV.
Womanists is what black feminists used to call themselves. Very much so. They were not the same thing. And also the relationship with men. Historically, black women have always sheltered their men because they were out there, and they were the ones that were most likely to be killed.
Is it not that bad to be trapped somewhere, then? Depending on where you're trapped?" "I suppose it depends on how much you like the place you're trapped in," Widget says. "And how much you like whoever you're stuck there with," Poppet adds, kicking his black boot with her white one.
The problem is poverty. And it hides the problem. We often associate black churches with a history of protest. But prosperity gospel and megachurches tend to be rather soft on political issues. T.D. Jakes doesn't take a major stand on political issues. Creflo Dollar certainly doesn't.
"Hey Jacob!" I felt an unfamiliar surge of enthusiasm at his smile. I realized that I was pleased to see him. This knowledge surprised me. I smiled back, and something clicked silently into place, like two corresponding puzzle pieces. I'd forgotten how much I really liked Jacob Black.
Only by acknowledging the full extent of slavery's full grip on U.S. Society - its intimate connections to present day wealth and power, the depth of its injury to black Americans, the shocking nearness in time of its true end - can we reconcile the paradoxes of current American life.
While he was watching the ships, Buttercup shoved him with all her strength remaining. [...] Down went the man in black. [...] "You can die too for all I care," she said, and then she turned away. Words followed her. Whispered from far, weak and warm and familiar. "As...you...wish..."
Black people don't hijack planes, alright? Now I'll be the first to admit, we steal a lot of stuff, but we do not hijack planes. In fact, in the history of aviation, a black person has never even attempted to hijack a plane. Do you want to know why? Because you can't sell an airplane.
I'm black and white, so either, sometimes, you're not considered by the breakdown of the script: you're not 'black enough' for this role. Or you're not 'white enough' for this role. Or, like, looking up to people, who do I identify with? And not seeing Barbies that maybe look like me.
I tell Donald Trump that the establishment will tell their lies. They will try to keep him down. I tell him, 'Now Mr. Trump, they're treating you like a black man.' I say, 'Mr. President, you know what it's like to be a black man. No matter what you say or do, you are guilty as hell.'
From the start I was a kid who read 'Goosebumps', and that led me to Stephen King, and then I saw 'Aliens,' and 'Night of the Living Dead,' the original. And with 'Night of the Living Dead' I was like, 'Oh my god, there's a black person who's the main character. Does anybody see that?'
I am just a pawn. I was just here. They are after a bigger thing, they would love to take us back to where we were many years ago. Back to where black people were looking down, not looking white folks in the face, not being able to compete for a job out there and not be a whole person.
Horace, who had been trying to find out the meaning of Kurokuma for some time now, was pleased to hear the translation. "Black bear," he repeated. "It's undoubtedly because I'm so terrible in battle." "I'd guess so," Will put in. "I've seen you in battle and you're definitely terrible.
We will soon create intelligences greater than our own ... When this happens, human history will have reached a kind of singularity, an intellectual transition as impenetrable as the knotted space-time at the center of a black hole, and the world will pass far beyond our understanding.
That sounds like Anthony Soprano. He has a point. I've said it before: if you're black and you sell dope, you end up in the big house; if you're white and you sell a large amount of dope, you end up visiting the White House. So it's a matter of race and it's a matter of scale, frankly.
A lot of times I don't know if I trust the director to tell that film's story. Or I think it's inappropriate for a male director to tell a female story, or a white director to tell a black story. Everyone walks away from a movie differently, because you're relating it to your own life.
White America's live under this accusation that they're racist, they need to prove that they're not racist. In order to prove that you're not racist, you need to take over the fate of black people and say, go with us, we'll engineer you into the future, we'll engineer you into equality.
Black Revolutionaries do not drop from the moon. We are created by our conditions. We are shaped by our oppression. We are being manufactured in droves in the ghetto streets, places like attica, san quetin, bedford hills, leavenworth, and sing sing. They are turning out thousands of us.
The African American's relationship to Africa has long been ambivalent, at least since the early nineteenth century, when 3,000 black men crowded into Bishop Richard Allen's African Methodist Episcopal Church in Philadelphia to protest noisily a plan to recolonize free blacks in Africa.
In the Occupied Territories, what Israel is doing is much worse than apartheid. The South African Nationalists needed the black population. That was their workforce. The Israeli relationship to the Palestinians in the Occupied Territories is totally different. They just don’t want them.
I'm not one that believes that affirmative action should be based on one's skin color or one's gender, I think it should be done based on one's need, because I think if you are from a poor white community, I think that poor white kid needs a scholarship just as badly as a poor black kid.
I am angry about the mammoth, out-of-control social welfare entitlement programs from Washington, D.C., that were supposed to solve our problems. The obvious truth is these impractical, politically motivated programs have irreparably damaged the fabric of our black society and community.
My dear brother Barack Obama has a certain fear of free black men. As a young brother who grows up in a white context, brilliant African father, he's always had to fear being a white man with black skin. All he has known culturally is white. He has a certain rootlessness, a deracination.
Imagine a crime series in which, every week, there is a white suspect and a black suspect. And every week, lo and behold, the black one turns out to have done it. Unpardonable, of course. And my point is that you could not defend it by saying: "But it's only fiction, only entertainment."
We have our classic hood movies, right? Like "Boyz in the Hood." We have our classic conscious films like Spike Lee's "Do the Right Thing," or "Stand By Me." Even beyond Coogler, there are black films that are just voices. So the intention behind this ["The Land"] was to capture today's.
There was a manifesto in the late '60s/early '70s, and it basically laid out what 'black art' was and that it should embrace black history and black culture. There were all these rules - I was shocked, when I found it in a book, that it even existed, that it would demarcate these artists.
As a very young writer - kindergarten through about fifth grade - I most often wrote about black characters. My very early stories were science fiction and fantasy, with kids stowing away on spaceships and a girl named Tilly who was trying to get into the 'Guinness Book of World Records.'
As African-Americans, that's what's being played fast and loose with, our citizenship. When you have the Trayvon Martins and the Michael Browns being shot and killed, it's because, on a certain level, there is a kind of mutability in the understanding of citizenship around the black body.
It was the Michael Jordan/Nike phenomenon that really let people see that athletes were OK, and black athletes were OK. Defying a previous wisdom - not only that black athletes wouldn't sell in white America, but that the NBA as a predominantly black sport could not sell in white America.
What we call little things are merely the causes of great things; they are the beginning, the embryo, and it is the point of departure which, generally speaking, decides the whole future of an existence. One single black speck may be the beginning of gangrene, of a storm, of a revolution.
We need someone who will stand up and speak up and speak out for the people who need help, for people who are being discriminated against. And it doesn't matter whether they are black or white, Latino, Asian or Native American, whether they are straight or gay, Muslim, Christian, or Jews.
I do not remember-that is the point-the first impulse that pumped and shoved most of the earlier poems along, and they are still too near me, with their vehement beat-pounding black and green rhythms like those of a very young policeman exploding, for me to see the written evidence of it.
For years, I've been painting black men as a way to respond to the reality of the streets. I've asked black men to show up in my studio in the clothes that they want to be wearing. And often times, those clothes would be the same trappings people would see on television and find menacing.
We must develop a federal program of public works, retraining, and jobs for all - so that none, white or black, will have cause to feel threatened . . . There is nothing except shortsightedness to prevent us from guaranteeing an annual minimum and livable income for every American family.
Black scientists and technicians, many of them women, used cells from a black woman to help save the lives of millions of Americans, most of them white. And they did so on the same campus—and at the very same time—that state officials were conducting the infamous Tuskegee syphilis studies.
Everybody has culture, even white people have culture, but its different with me. So in high school, I was hanging out with the black and Hispanic kids. I'm not hating on white people. I hang with white people, too, but that's where I felt most accepted because I could relate to them more.
I think that Michael Jackson, just as an entertainer, as a figure who embodies the contradictions of Black identity, and the possibilities of R&B music in the '70s and '80s will continue to be one of the most recognized and formidable human beings that we've ever produced in our tradition.
If you are black on television, you are probably going to be some kind of thug, gangster, or portrayed in a negative light. If you are some type of Muslim, you are going to be blowing stuff up. If you are Hispanic, you are going to be some type of gangbanger. I've felt like this for years.
Would we hold liberty, we must have charity- charity to others, charity to ourselves, crawling up from the moist ovens of a steaming world, still carrying the passional equipment of our ferocious ancestors, emerging from black superstition amid carnage and atrocity to our perilous present.
White America is tortured by black America's failure to thrive, and all that guilt and anxiety has only gotten worse as a substantial quota of white America loses its own footing in the middle class and plunges into the rough country of joblessness, hopelessness, and government dependency.
I felt like if I didn't write about what happened to the young men here in the South of America, the same things would keep occurring. Here in the South, young black men just keep dying - young black women, too. I couldn't live with myself if I hadn't been as honest as possible about that.
Most writers stick to what they know. The black experience is our experience, so it's not that challenging for us. That's why sometimes you'll see writers that start off telling black stories, but later branch out into other material. People say they "sell out." No, they evolve as writers.