People are tempted to politicize the fact that I paint black figures, and the complexity of this is an essential part of the work. But my starting point is always the language of painting itself and how that relates to the subject matter.

Being an actor myself I realize that all actors believe they are qualified to play any role. If you showed me a script with a black woman character I would tell you that I could do it. That is what we do. We act as if we are someone else.

One movie I think is just terrific is 'Bernie,' with Jack Black and Shirley MacLaine. That was a great surprise to me - so witty, so entertaining, a true story, and I'm not a great Jack Black fan, but he's great in it. I think it's a gem.

I didn't like any British music before The Beatles. For me, it was all about black American music. But then I became a successful pop singer, even though the kind of music I liked was more elitist, which is what I'm trying to get back to.

It is a struggle; for though the black man fights passively, he nevertheless fights; and his passive resistance is more effective at present than active resistance could possibly be. He bears the fury of the storm as does the willow tree.

I'm an athlete and I'm black, and a lot of black athletes go broke. I do not want to become a statistic, so maybe I overcompensate. But I'm paranoid. Oprah told me a long time ago, 'You sign every check. Never let anyone sign any checks.'

It is no good getting furious if you get stuck. What I do is keep thinking about the problem but work on something else. Sometimes it is years before I see the way forward. In the case of information loss and black holes, it was 29 years.

Growing up in the suburbs, the worst part was definitely being black. The best part was maybe also being black. Just having that perspective, being on the outside while also being on the inside. That's kind of how I've felt my whole life.

When I was in my 20s, I was out of control in terms of what I would do to defend my vision. There are black film-makers and storytellers who take a back seat to just get it done. It's good, but it's not right there. It's been compromised.

Latinos outnumber Black people now. I'm not too happy about it. Because it's only a matter of time before we lose our month. Soon as they figure it out, they're going to have Latino History Month. All we're going to have is Cinco de Negro.

There's something really unique about Orphan Black is that it has a lot of female leads, so it's about a lot of women's stories, but it's not women’s stories in terms of trying to find a guy or keep a guy; it's about entirely other things.

When Jack Black and I started Tenacious D, there were about two seconds in the beginning when we thought maybe we'd have a go at serious music. But we quickly abandoned that when we realized that everything we did tended to come out funny.

We did an episode on Good Times which came out of a newspaper article about the incidence of hypertension in black males being higher than whites, and increasing. So we did a show in which James, the father on Good Times, had hypertension.

The problem is that television executives have got it into their heads that if one presenter on a show is a blonde-haired, blue-eyed heterosexual boy, the other must be a either black gay or a lesbian. Chalk and cheese, they reckon, works.

The Moon was the most spectacularly beautiful desert you could ever imagine. Unspoilt. Untouched. It had a vibrancy about it and the contrast between it and the black sky was so vivid, it just made this impression of excitement and wonder.

Night was a very different matter. It was dense, thicker than the very walls, and it was empty, so black, so immense that within it you could brush against appalling things and feel roaming and prowling around a strange, mysterious horror.

What's happening is that Asian and Latino and other groups without that history are more likely to end up in either black churches or white churches and then make them multiracial churches. I talk about that in the US we have two cultures.

I went through a big Jim Morrison phase where I grew my hair and wore those black leather pants. I even tried to get the boots, the chains, and I was full into getting that Jim Morrison vibe... but I didn't go overboard or try the mascara.

When Black Flag and DOA and all those bands were touring in the early 80s, it was kind of a forest and you just kind of got your way through it. Now it's like a six lane highway with Starbucks every twenty meters. That's just civilization.

I have designed my style pantomimes as white ink drawings on black backgrounds, so that man's destiny appears as a thread lost in an endless labyrinth. I have tried to shed some gleams of light on the shadow of man startled by his anguish.

What is the problem with the advertising industry is they're still, for me, what I call in Africa is the colonial mind of white men, because the black person or the other colour is out of the line. They're not good for this sort of purpose.

For the first time in our history, every spectrum of black thought is in the same room on the same page with a cause bigger than our persons, bigger than our organizations, and the cause is to ease the suffering of the masses of our people.

I'm every father. I'm not only a black father. I'm a white father. I'm a Chinese father. I'm a Mexican father. I'm all fathers that want their sons out of the house and stop eating up all the food. Get a job, please. Stop looking at the TV.

Some white people hate black people, and some white people love black people, some black people hate white people, and some black people love white people. So you see it's not an issue of black and white, it's an issue of Lovers and Haters.

And I guess what I would say is that we can't think narrowly about movements for black liberation and we can't necessarily see this class division as simply a product or a certain strategy that black movements have developed for liberation.

I just had - we had instances - like, for instance, when I turned 13, she threw me a bar mitzvah. But nobody came.But nobody came because nobody knew what the hell that was. I only had black friends. No one knows what the hell you're doing.

My plays are for the kind of black people who relate to funk music, to Parliament-Funkadelic. When those guys get out of a spaceship - the idea that black people are from outer space, there's a poetic truth to that. We are this vast people.

I first became aware of Lao Gan Ma chile crisp at a potluck baby shower in 2016, where a friend brought a bowl of chilled hand-pulled noodles that he tossed with black vinegar, soy sauce, sesame seeds, scallions and a ladleful of the sauce.

Al was standing a bare three feet away, his mood almost jovial as he took the paper and it vanished in a wash of black sparkles. “Thank you, Rachel,” he said, carefully reaching for my hand as Trent stiffened. “Welcome back, my itchy witch.

You don't have to paint your walls lime green just to try to have your home feel decorated. If you're a classic dresser or preppy dresser or a modern dresser, you wear a lot of black - whatever it is - your home should reflect that as well.

I feel like the stillness of Ralph Angel - him being formerly incarcerated, being a Black man, being misunderstood in this world, I felt like that brought him to a place where he thought he had to be an observer - externally and internally.

I'm thinking about some developments say in the 80s when the anti-apartheid movement began to claim more support and strength within the US. Black trade unionists played a really important role in developing this US anti-apartheid movement.

Slashing its way to the finish line, Black Swan is the first ballet movie for highbrow horror fans for whom ballet itself signifies little to nothing. Those of us who know and love ballet can only look on it with a different kind of horror.

Growing up, I didn't receive the representation that I wanted so badly. I was always looking out for black characters - black women - that were specifically just about existing and weren't necessarily racialized or were centered around race.

I wish that she had had a black loon because I don't think that Nina [Simone] did. I have always had - I've been very fortunate - a group of little old ladies that I love and who love me, and who turned and to whom I turn at different times.

I was addicted to rhythm 'n' blues pretty much directly into folk music. I had my little 45s of mostly black artists. That was as close as I got. I've never listened to heavy rock or stuff that jangles my nerves, because I'm already jangled.

If not for food stamps, Medicaid, and various job programs, I would never have gone on to be the first in my family to go to college, the first black woman to represent my ward on the Cleveland City Council, and, ultimately, a State Senator.

That's where the Black Keys and Jack White have succeeded and I've failed: They've actually convinced college kids that they're listening to hip music - but it's just blues twisted a new way - while I'm playing for the college kid's parents.

Science has revealed a universe that is vast, ancient, violent, strange, and beautiful, a universe of almost infinite variety and possibility one in which time can end in a black hole, and conscious beings can evolve from a soup of minerals.

My father use to say if coal died, the country died. He was right. Our economy rests on the back of the coal miner. If we did not have the black diamonds of the mountains to burn, we would lose more than half of the nation's energy reserves.

Hardboiled crime fiction came of age in Black Mask magazine during the Twenties and Thirties. Writers like Dashiell Hammett and Raymond Chandler learnt their craft and developed a distinct literary style and attitude toward the modern world.

I combined smoky grey shadows with ultra heavy black liner and piled on extra lashes for a mysterious and sultry look. To contrast with the gritty texture on the eyes, I kept the girls skin soft and pretty and gave their lips a natural flush.

There's no room for failure performing [stand-up] for a black audience. If you don't get them right away it's tough winning them back even if you're doing top-notch material. If you didn't win them right when you walked out there, it's tough.

Being black only helps them. Many times they get sponsors because they are black. And they have had a lot of advantages because they can always say, 'It's racism.' They can always come back and say, 'Because we are this color, things happen.'

My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that was exactly what was happening all around us.

I always enjoyed playing ball, and it didn't matter to me whether I played with white kids or black. I never understood why an issue was made of who I played with, and I never felt comfortable, when I grew up, telling other people how to act.

You may be assured that we won't ever let your words die. Like the words of our Master, Jesus Christ, they will live in our minds and our hearts and in the souls of black men and white men, brown men and yellow men as long as time shall last.

If you were black, you experienced prejudice. It wasn't a real horrible thing for us; we went through it. We noticed it mostly in the South and in Las Vegas, where we couldn't stay in the hotels where we entertained. But that began to change.

No other group in America has so had their identity socialized out of existence as have black women... When black people are talked about the focus tends to be on black men; and when women are talked about the focus tends to be on white women.

I've been fortunate not to have been pigeonholed by virtue of being mixed-race, of being English and black, and by virtue of working all over the world. I've enjoyed a great degree of variety in the work that I've done. It's been quite unique.

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