Quotes of All Topics . Occasions . Authors
There are thousands of ways to make people laugh - satire, black comedy, slapstick.
All my work shares a kind of balance between black comedy and sad and despairing melancholy.
A great production of a black comedy is better than a mediocre production of a comedy of errors.
When Kubrick decided to go the black comedy route with his movie, he thought of me to give it that flavor.
The day of the wedding went like these things generally do, full of anxious moments interspersed with black comedy.
Stanley Kubrick went with his gut feeling: he directed 'Dr. Strangelove' as a black comedy. The film is routinely described as a masterpiece.
Kaizad Gustad is quite crazy, and he has weird ideas, and 'Boom' is one such idea. It's a crazy film by a crazy guy. It's almost a satire, a black comedy.
Joe Carroll had a certain black comedy to him. But I think it's lovely playing a man who, in his heart and soul, is a gentle man. And he's wounded and complicated.
Black Comedy is a farce that is played in the dark, as you know, with the lights full on. It's the Chinese convention of reversing light and dark, and exactly where anybody is at any given moment is the play.
I'd say a lot of black comics were forced to do the black comedy circuit. I'd go into black comedy clubs and see what they're going through, which is different because they're almost made to be in another world.
Society in the English countryside is still strangely, quaintly divided. If black comedy and a certain type of social commentary are what you want, I think English rural communities offer quite a lot of material.
'Newton' is a black comedy, a social satire. Amit Masurkar is directing the movie, and Drishyam films is producing. Rajkummar Rao is in the movie. I am playing a very important character. It is a very interesting project.
My career is a black comedy of sorts. I spent a lot of time explaining myself to various different groups. But more and more, I'm finding that the desire to communicate, which all these audiences share, is a powerful thing.
Yeah, even a black comedy. Where it's a little eerie. I'd love to do that. But there are about three really fabulous ones on the air now and I don't know if I can do any better than that. I'd like to sort of forge new ground.
I set out to do a horror film with 'Dog Soldiers,' and what I came out with at the end of the day was something that was more of a cult movie, more of a black comedy with some horror elements in it. It kind of went over the top.
For a lot of comics who aren't as silly or physical but more intellectual, we get looked at as 'alt comics.' No, I'm still a black comic, and there are black people who want to hear my type of black comedy, but that space hasn't been built out for us.
It's a one-day story of a guy called Newton Kumar, and the backdrop is election: how the most powerful tool we have as citizens is vote but how we don't utilise it. We really don't give importance to it. It talks about democracy; it's a satire, a black comedy.
I did this Super-8 film at art school called 'Tissues,' this black comedy about a family whose father has been arrested for child molestation. I was absolutely thrilled by every inch of it, and would throw my projector in the back of my car and show it to anybody who would watch it.
Morvern Callar's' a really weird film, in a sense, where I was trying to experiment with taking things in a different direction, and it kind of half works and it half doesn't. And I kind of felt with that film that perhaps I should have pushed it more into the realms of black comedy slightly.