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I think I misunderstood the following in the footsteps bit, in a few of my early drinking years. I'd take any form of being compared to Dad as flattery. So if I fell off a stool or smashed up a TV set just because I was drunk, and somebody in the bar went 'Hey, man, that was just like Bonzo!' I would be really happy.

I was given this beautiful coffee table book of Soviet architecture for my birthday. It has a lot of holiday camps, swimming pools, theatres, and buildings that were built for leisure activities. Incredible architecture in the most obscure places. It's a little bit sad, because a lot of it has been left to fall apart.

A properly balanced story provides an equal representation of the negative and positive attributes of, I could say the world, but it's actually a being. 'Harry Potter''s a good example. So Harry's the hero, right. But he's tainted with evil. There's a dark and a light in every bit of that narrative. It's well balanced.

The Toothbrush mustache was first introduced in Germany by Americans, who turned up with it at the end of the 19th century the way Americans would turn up with ducktails in the 1950s. It was a bit of modern efficiency, an answer to the ornate mustaches of Europe - pop effluvia that fell into the grip of a bad, bad man.

With commentating, I've had a chance to show the humorous side of my personality that I didn't use on the court. It's fun, and I don't take myself too seriously. I have good broadcast teams with me, but I'm not a huge stats guy. I think they post the numbers too quickly, and I'd rather let the match play out a bit first.

I hate going out for lunch during a workday because it slows down my pace and ruins my rhythm. I prefer to eat at my desk. Actually, I wander around the design studio with a plate in my hand as I dine on, for example, salmon sashimi and a salad of tomatoes and mozzarella. I often have a bit of dark chocolate after lunch.

I was an introverted kid; I liked my time alone. And the rest of my family is pretty extroverted, so I felt like a bit of an oddball. They're very gregarious and charming and charismatic people. I always felt like I was struggling as a young person. I think everyone was very surprised to hear that I wanted to be an actor.

My intentions have been, and are always, to just really get behind what my ideas are musically and to just ride this thing out, cause it feels good, and I think for the most part it's good music. Even when it's not, I'd like to still search for something that could be even like a little bit mind-blowing or shocking to me.

I have butt muscles, thigh muscles, and then my upper body is super skinny - except for in my shoulders, which you need for a little bit of strength to hold other players off the ball. So I think I've developed muscles 100 per cent from just shooting the ball and running. Every single thing about my body looks like soccer.

If you look at previous generations, even where they didn't open up power, you look at an early Xbox 360 or early PlayStation 3 games and compare those to the ones that came at the end. The developers are just getting better. So time is far more important than opening up a little bit here or there, though it does all help.

I did a little bit of acting - some guest spots here and there. I got a job working as a therapist doing individual and group crisis intervention and family therapy. I did that for two years. I left to do 'Boston Legal.' So my psychology career has been interwoven into my acting career, and it's my safety net and fallback.

As far as sleeping goes, you're up and ready to go at six in the morning. Spring training was always a combination of relaxing and working, and I missed that quite a bit. I missed being around the ball field. A baseball. A bat. The smell of the uniform, you might say. Talking baseball. Seeing opponents as well as the Cubs.

Sometimes a game comes at just the right moment in your life. 'Flower' is beautiful, serene, and a bit of sunshine in a gloomy world. I remember going through a rough spot in my life and turning on 'Flower' for a little break in the day. You fly through luscious landscapes collecting petals and painting the world with life.

For me, success isn't even about money. It's about getting to do what you love and supporting yourself. Everything that comes after that is bonus, unless your only goal is to be rich. If that's your goal, you're going to find out that once you have a little bit, you want a lot. Then once you have a lot, you want a lot more.

My thing was, I loved music. I played music: I played the saxophone. So the little bit of music knowhow I had, I tried to implement that in every thing I did, from my style, my cadence, the way I tried to pause and stagnate it; that all came from John Coltrane and listening to jazz albums. Trying to rhyme like a jazz player.

If I get stuck, I look at a book that tells me how someone else did it. I turn the pages, and then I say, 'Oh, I forgot that bit,' then close the book and carry on. Finally, after you've figured out how to do it, you read how they did it and find out how dumb your solution is and how much more clever and efficient theirs is!

My greatest beauty secret is being happy with myself. I don't use special creams or treatments - I'll use a little bit of everything. It's a mistake to think you are what you put on yourself. I believe that a lot of how you look is to do with how you feel about yourself and your life. Happiness is the greatest beauty secret.

I grew up in Deptford in south London, and at that time I used to wear toppers, loon pants and tonic suits from shops like Take 6 and Topman. I was a bit of a soul boy, but I had a very eclectic taste in music - I was into James Brown and Bowie; and I was the only kid in the neighbourhood who would also be listening to Chopin.

J.K. Rowling said Bellatrix's role was going to be significant in the last one, when I showed some reluctance in playing a tiny bit part. Up front, they said, 'You're very significant in the last one.' But significant could mean a lot of things. That could just mean a significant plot point. Doesn't necessarily equal big part.

I love anything by Joan Didion. Incidentally, she was one of the local moms when I was growing up in Point Dume. She always reminded me a little bit of my mother, so I feel a great affinity. I love the precision of Didion's writing. There's a construction and a craftsmanship to her sentences that's imbued with so much emotion.

If you are going to write, say, fantasy - stop reading fantasy. You've already read too much. Read other things; read westerns, read history, read anything that seems interesting, because if you only read fantasy and then you start to write fantasy, all you're going to do is recycle the same old stuff and move it around a bit.

The liberal entertainment industry is a fickle world. So it's about living in the moment, and it's about being clear with it and understanding that this is another opportunity to step up the staircase a little bit and create some newer opportunities and get involved in some other projects, as well as possibly creating your own.

Sometimes I take the watch, or I take the shoes, but usually the souvenir is to take the life you had with those directors, or the crew - the camera person, the lighting person. When you finish a film it's like a little death. You had a family for a bit, and you finish the movie and you probably will never see each other again.

I was born into a Turkish family that had acquired Italian citizenship. Many members of the family subsequently became British, French, Brazilian, and German, so there was a bit of everything. It was not uncommon for people in the family to speak seven languages: English, French, Ladino, Italian, Turkish, Arabic, and even Greek.

The reality is gas prices should be much more expensive then they are because we're not incorporating the true damage to the environment and the hidden costs of mining oil and transporting it to the U.S. Whenever you have an unpriced externality, you have a bit of a market failure, to the degree that eternality remains unpriced.

I grew up with an impatience with the anti-scientific. So I'm a bit miffed with our current love affair with all things Eastern. If I sneeze on the set, 40 people hand me echinacea. But I'd no sooner take that than eat a pencil. Maybe that's why I took up boxing. It's my response to men in white pajamas feeling each other's chi.

I'm just used to having so much control in music and in acting you have to give that up a bit. Sure, our voices are heard on set, but at the end of the day you can lose an argument. Whereas in music, if I feel the second verse needs to be changed I can change it. I find it really hard as an artist to give up some of that control.

I was a bit nervous when I first entered the Indian dressing room. Some of the players sitting out there had 10 years of experience and were sitting in front of me. But then Virat Kohli and Ravi Shastri told me that there are no seniors or juniors in the team. So I could open up to them easily and irritate them with my questions.

It's strange. At some point in your career, the situation between yourself and the camera reverses. For a certain number of years, you court it and you need it, but ultimately, it needs you more, and it's a bit like a relationship. The minute that happens, it turns you off... and it does feel like it is taking something from you.

We live in a very mollycoddled society where the slightest bit of discomfort is seen as wrong, but that discomfort is there for a reason. It's supposed to trigger some form of action, some form of change, a realization of a truth - something, and I think the self-help world has you believing that you should be happy all the time.

The way Disney characters move, they're very kind of slow and fluid and flowing; one pose kind of eases into the next. If you look at a show like 'The Simpsons' and subsequently a show like 'Family Guy' - the characters will jerk from pose to pose a lot, a bit more snappy. Which sort of goes along with the writing tone of the show.

Every bit of me is devoted to love and art. And I aspire to try to be a teacher to my young fans who feel just like I felt when I was younger. I just felt like a freak. I guess what I'm trying to say is I'm trying to liberate them, I want to free them of their fears and make them feel that they can make their own space in the world.

I didn't have a good time with Lancashire in 2000. Probably I'd played too much cricket and should have taken a rest, but I went there when the offer came because I had always had an ambition to play the county game in England. And I was a bit jaded. And I didn't do myself justice. I want to put that right before I finish my career.

What if the Soviet intervention was a blessing in disguise? It saved the myth that if the Soviets were not to intervene, there would have been some flowering authentic democratic socialism and so on. I'm a little bit more of a pessimist there. I think that the Soviets - it's a very sad lesson - by their intervention, saved the myth.

There's something about the Pacific Northwest, the scale of it, and the fact that not so long ago people came here and died getting here, and then died the first winter they were here. There's this breathtaking beauty, just a little bit of moss on the tree, just this little thread of danger, and the sinister. And I really like that.

You have to have a big vision and take very small steps to get there. You have to be humble as you execute but visionary and gigantic in terms of your aspiration. In the Internet industry, it's not about grand innovation, it's about a lot of little innovations: every day, every week, every month, making something a little bit better.

I was a boy with one dream and one dream only: I wanted - no, strike that, I was desperate for - a room of my own. You see, in those days I shared a room with my little brother, Jesse, and it wasn't pretty. He was the Oscar to my Felix: messy, careless, and just a little bit sticky - exactly the way a kindergartner is supposed to be.

Sharpe is my favorite role of all that I've played. He's a very complex character. He knows that he's a good soldier, but he will always have to fight the prejudice of aristocratic officers because of his rough working-class upbringing. On the battlefield, he's full of confidence - but off it, he is unsure, a bit shy and ill at ease.

I went to UMass-Amherst and was like, 'I want to work in news, I want to be a journalist.' Then I got there and was like, 'what kind of crap is this?' They inflate everything. It will be like snowing outside, like just a little bit, and they are like 'Giant storm coming, batten down the hatches!' and I just didn't like that aspect of it.

'Paris Is Burning' was only just a glimpse into what was happening within the ballroom scene. The difference is that 'Pose' is opening the lens a little bit more, and it's diving into the personal lives of these women who fought for their kids - who raised their kids to be strong individuals so that they can move on and have a legacy, too.

I love cooking and eating - I'm a total foodie. It started off as a survival thing as a student, when cheese and potato pie was all I could afford to make. My most successful results come from concocting something with leftovers. Any chef will tell you that you should taste as you cook, so I might make it a bit more spicy, yogurty or eggy.

I think Korea is so focused on just the charts, and what's going to chart and what's not, and I'm sure it's like that way in the States as well, to a certain degree. But I enjoy working in the States a little bit more. Because it's more about making music that is the right sound and the right fit to me, not so much just chasing the charts.

I understand what scripting and programming is, but do I know how to do it? Not really. But, I think that even knocking on the door allows you to understand a little bit of that kind of stuff. Mainly what 'Silicon Valley' has taught me, in that respect, is the business side of it, with that gold rush element as opposed to creating software.

Everyone's frightened. It's how you deal with that fear. It's very, very powerful. And what you've got to do is get it as a tailwind instead of a headwind. And that's a little bit of a judo trick in your mind. And once you learn that, fear starts to excite you. Because you know that you are going to enter into something and try it and risk.

I grew up in a bit of a vacuum. And as a kid, you see 'Monty Python's Flying Circus' and you're like, 'Oh, it's a cartoon.' There's mixed media. It's funny, and there's stop-motion. But as an adult, you figure it out, how the entire underpinnings of their comedy was poking fun at the rank and file of the British aristocracy and the monarchy.

We take the traditional value investor's process and just flip it around a little bit. The traditional value investor asks 'Is this cheap?' and then 'Why is it cheap?' We start by identifying a reason something might be mispriced, and then if we find a reason why something is likely mispriced, then we make a determination whether it's cheap.

Playing live is much more natural for me. The instant reaction and the feedback from the audience is great for me. I really relish it. And if you play blues-based music, it's not really academic music or recital music. It really needs a bit of atmosphere and a bit of interplay and a bit of roughness, and you really get that with an audience.

If you're entering anything where there's an existing marketplace, against large, entrenched competitors, then your product or service needs to be much better than theirs. It can't be a little bit better, because then you put yourself in the shoes of the consumer... you're always going to buy the trusted brand unless there's a big difference.

When we were doing 'Freaks and Geeks', I didn't quite understand how movies and TV worked, and I would improvise even if the camera wasn't on me. I thought I was helping the other actors by keeping them on their toes, but nobody appreciated it when I would trip them up. So I was improvising a little bit back then, but not in a productive way.

At about age 25 I had a bit of a quarter-life crisis and expected to be at a certain place by then, which was unrealistic to some extent. I used to have a lot of passion for interior design but I somehow lost it along the way, and so fashion was what I thought to be a new beginning, but in the end it just solidified the love I have for design.

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