Quotes of All Topics . Occasions . Authors
Alchemy and Kabbalah are later developments in my thinking. I think the primary interest has been the relationship of magic and mystery to logic and understanding. Those are the primary driving forces of my life. I have this ability, for some reason, to be able to hold both the Magical MysteryTour we're on in conjunction with the logical rigor of understanding theoretical physics, which makes me kind of a rare bird, because usually you're one or the other.
King Henry: But what a point, my lord, your falcon made, And what a pitch she flew above the rest! To see how God in all his creatures works! Yea, man and birds are fain of climbing high. Suffolk: No marvel, an it like your majesty, My lord protectors hawks do tower so well; They know their masters loves to be aloft, And bears his thoughts above his falcon's pitch. Gloucester: My lord, 'tis but a base ignoble mind That mounts no higher than a bird can soar.
Promise me you’ll marry me. Not now. Someday. Because I need to know.” Claire felt a flutter inside, like a bird trying to fly, and a rush of heat that made her dizzy. And something else, something fragile as a soap bubble, and just as beautiful. Joy, in the middle of all this horror and heartbreak. “Yes,” she whispered back. “I promise.” And she kissed him, and kissed him, and kissed him, while the sun came up and bathed Morganville in one last, shining day.
I wrote a number of poems about Kah Tai lagoon, when Safeway was building that huge, ugly store down there where I used to love to watch the birds nest. That political poem, or environmental poem, was unsuccessful because Safeway built there anyway. And yet the poem has something to say today, as it did then. And I speak here only of my own poems. The agenda for every poet has to be different because most of us write from direct human experience in the world.
[Charlie "Bird" Parker] would sit down and ask [Phil Wood], "What do you think about this whole secondary Viennese school with Schoenberg, Berg and Webern? Are you listening to that music and what do you feel about it?" These were the conversations that he was having. And he also said, what he learned from Charlie Parker was, not that he studied with him in the formal sense, is that the first thing that Charlie Parker would always ask was, "Did you eat today?".
If we all knew each morning that there was going to be another morning, and on and on and on, we's tend not to notice the sunrise, or hear the birds, or the waves rolling into the shore. We'd tend not to treasure our time with the people we love. Simply the awareness that our mortal lives had a beginning and will have an end enhances the quality of our living. Perhaps it's even more intense when we know that the termination of the body is near, but it shouldn't be.
The way so many musicians slavishly imitated Coltrane, that's the way it was with Charlie Parker - only even more so, if that can be imagined. Everyone that I knew changed totally. But they took the worst things of his playing-that harsh sound; it just didn't come off the way they did it. The way he did it was great, Their way wasn't good at all. I just would listen to 'em, say: 'That's a Bird imitator', and that would be it; I would never care to listen to them again.
Lady Bird was very, very shy and yet she would go out and speak publicly on behalf of her husband and on issues that mattered to her. Someone asked her once how she did it, and she said you have to "get so wrapped up in something that you forget to be afraid." And I have found that that absolutely captures those moments when I fought for something I cared about. I get so caught up in fighting for things that are important to me that it pushes me through fear and doubt.
I am from many places. I am from a hike across Tuscany...waves of golden wheat undulating on the hills...tractors plowing new vineyards...taxi drivers yelling, "Bella!" I am from a canoe motoring through marshes in the Amazon outside Manaus, Brazil... Jacana birds taking flight as we pass houses on stilts... giant trees and lily pads...and giggling children jumping into the lake for a swim during a downpour, while I stand unbelievably drenched but baptized by a oneness of spirit.
Not all introductions worked well. Rabbits were an unmitigated environmental disaster. Unchecked by any natural predator, they bred at a staggering rate and chewed their way across vast areas of pastureland as well as any garden that came their way. Attempts to control them by introducing ferrets, weasels and stoats did much more harm than good. Although these predators probably killed a reasonable number of rabbits, they also devastated populations of kiwi and raided the nests of flighted birds.
The Universe story is the quintessence of reality. We perceive the story. We put it in our language, the birds put it in theirs, and the trees put it in theirs. We can read the story of the Universe in the trees. Everything tells the story of the Universe. The winds tell the story, literally, not just imaginatively. The story has its imprint everywhere, and that is why it is so important to know the story. If you do not know the story, in a sense you do not know yourself; you do not know anything.
You will remember when a bird crashed through the window and fell to the floor. You will remember, those of you who were there, how it jerked its wings before dying, and left a spot of blood on the floor after it was removed. But who among you was first to notice the negative bird it left in the window? Who first saw the shadow that the bird left behind, the shadow that drew blood from any finger that dared to trace it, the shadow that was better proof of the bird's existence than the bird ever was?
He was sure that he was not the cause of the abrupt silence. His passage through the canyon had not previously disturbed either birds or cicadas. Something was out there. An intruder of which the ordinary forest creatures clearly did not approve. He took a deep breath and held it again, straining to hear the slightest movement in the woods. This time he detected the rustle of brush, a snapping twig, the soft crunch of dry leaves-and the unnervingly peculiar, heavy, ragged breathing of something big.
A Buddha is not a man of concentration, he is a man of awareness. He has not been trying to narrow down his consciousness; on the contrary, he has been trying to drop all barriers so that he becomes totally available to existence. Watch... existence is simultaneous. I am speaking here and the traffic noise is simultaneous. The train, the birds the wind blowing through the trees - in this moment the whole of existence converges. You listening to me, I speaking to you, and millions of things going on - it is tremendously rich.
Bird taxonomy is a difficult field because of the severe anatomical constraints imposed by flight. There are only so many ways to design a bird capable, say, of catching insects in mid-air, with the result that birds of similar habitats tend to have very similar anatomies, whatever their ancestry. For example, American vultures look and behave much like Old World vultures, but biologists have come to realize that the former are related to storks, the latter to hawks, and that their resemblances result from their common lifestyle.
There are airmen and there are pilots: the first being part bird whose view from aloft is normal and comfortable, a creature whose brain and muscles frequently originate movements which suggest flight; and then there are pilots who regardless of their airborne time remain earth-loving bipeds forever. When these latter unfortunates, because of one urge or another, actually make an ascension, they neither anticipate nor relish the event and they drive their machines with the same graceless labor they inflict upon the family vehicle.
And what of my extended family-birds, beasts, and reptiles? They too have drowned. Every single thing I value in life has been destroyed. And I am allowed no explanation? I am to suffer hell without any account from heaven? In that case, what is the purpose of reason, Richard Parker? Is it no more than to shine at practicalities-the getting of food, clothing and shelter? Why can't reason give greater answers? Why can we throw a question further than we can pull in an answer? Why such a vast net if there's so little fish to catch? (pg. 98)
All things that are, are ours. But we must care. For if we do not care, we do not exist. If we do not exist, then there is nothing but blind oblivion. And even oblivion must end someday. Lord, will you grant me just a little time? For the proper balance of things. To return what was given. For the sake of prisoners and the flight of birds. Death took a step backwards. It was impossible to read expression in azrael's features. Death glanced sideways at the servants. Lord, what can the harvest hope for, if not for the care of the reaper man?
No, no, it's not all random, if it really was all random, the universe would abandon us completely. and the universe doesn't. it takes care of its most fragile creations in ways we can't see. like with parents who adore you blindly. and a big sister who feels guilty for being human over you. and a little gravelly-voiced kid whose friends have left him over you. and even a pink-haired girl who carries your picture in her wallet. maybe it is a lottery, but the universe makes it all even out in the end. the universe takes care of all its birds.
My days were not days of the week, bearing the stamp of any heathen deity, nor were they minced into hours and fretted by the ticking of a clock; for I lived like the Puri Indians, of whom it is said that "for yesterday, today, and tomorrow they have only one word, and they express the variety of meaning by pointing backward for yesterday forward for tomorrow, and overhead for the passing day." This was sheer idleness to my fellow-townsmen, no doubt; but if the birds and flowers had tried me by their standard, I should not have been found wanting.
Even the song of birds, which we can bring under no musical rule, seems to have more freedom, and therefore more for taste, than a song of a human being which is produced in accordance with all the rules of music; for we very much sooner weary of the latter, if it is repeated often and at length. Here, however, we probably confuse our participation in the mirth of a little creature that we love, with the beauty of its song; for if this were exactly imitated by man (as sometimes the notes of the nightingale are) it would seem to our ear quite devoid of taste.
I perceive the world in fragments. It is somewhat like being on a very fast train and getting glimpses of things in strange scales as you pass by. A person can be very, very tiny. And a billboard can make a person very large. You see the corner of a house or you see a bird fly by, and it's all fragmented. Somehow, in painting I try to make some logic out of the world that has been given to me in chaos. I have a very pretentious idea that I want to make life, I want to make sense out of it. The fact that I am doomed to failure - that doesn't deter me in the least.
One day at Princeton, I noticed there were dead birds on the pavement between the campus buildings, where very large trees were. It turns out it was DDT. At the time, in the early '50s, no one thought DDT was dangerous to anybody but insects. I went down to the Daily Princetonian, the college paper, and tried to persuade them to do a story. They said, "Naw, there's nothing wrong." But that taught me a very important lesson. One, that newspaper people can get very jaded. Second, that you might know something, like an expert chemistry professor, you are not going to apply what you know.
