Even if it flops, when you're sitting at the drawing table, you dream about seeing your work on the big screen, no matter what.

Bruce Lee was the first star I idolized. Growing up as a Chinese American, there weren't many people like me on the big screen.

When you show people on the big screen that could be our next-door neighbour or our cousin, it does have an impact on our lives.

Whether it's Cyd Charisse and Fred Astaire or 'West Side Story,' see it on the big screen. That's the way we should appreciate it.

Superstar,' my first Gujarati film is a game changer for the Gujarati film industry. When I saw it on the big screen, I had goosebumps.

When I was old enough to go to movies alone, I got to see 'Frankenstein' and 'Dracula' on the big screen. I just fell in love with them.

Billy Graham that the world saw on television or saw on the big screen was the same Billy Graham that we saw at home. He wasn't two people.

If I had the opportunity to buy the latest movie that's out that month and watch it on the comfort of my big screen TV, I would pay for that.

In the old nuclear age, you could sit under a big screen under a mountain in Colorado, and you could see where the missiles were coming from.

It's nice to see my work recognized as being worth something beyond the printed page, and it was very cool seeing Thanos up on the big screen.

I can't live without my 15-inch MacBook Pro. I drag it everywhere I go. I love having a big screen with me at all times, especially in transit.

Sticking to my schedule, I've gotten over seven months ahead, which allowed me to write a 'Pearls Before Swine' movie script for the big screen.

I've been a huge animation fan since I was a kid, so the idea of seeing my characters in full motion on the big screen is completely mind-blowing.

I think most people, no matter their status now, have big screen TVs, because they're the standard TVs now. And so why would you go to the cinema?

I think I might want to get into development, as in developing my own sort of piece, whether it be for the stage or the big screen or for television.

I would love to do a love story or a socially relevant drama. Something on the lines of Netflix originals. I would love to explore the big screen, too.

It's pretty amazing to see something in your head and write it down, go out and shoot it, then see it on the big screen. It's a pretty amazing feeling.

If a hip-hop artist can get on stage and entertain an arena full of 30,000 people and keep their attention for 45 minutes, imagine that on a big screen.

Theatrically seeing a movie with a group of people and having a collective experience has an authenticity that you can't get with your big screen television.

While growing up, I always wanted to see myself on the big screen - more so because there were no laptops then, and viewing on mobile was a far-fetched dream.

It does not mean that in the process of a small screen, I do small acting, or if I do a big screen project, I do big acting. For the actor, it does not matter.

Frank is such a great visual storyteller, that if you study his artwork you see that his Sin City books are already the best movies never seen on the big screen.

Every four or five films we've made a film that has gone on TV first. It's quite nice to tap into the TV audience, but it is nice to see it on the big screen too.

You can't stop people watching on mobiles, but I hope the old fashioned idea of sitting in a dark room with a big screen with a group of strangers lives on forever.

Being in front of the camera was like coming home. The first time I saw myself on the big screen, it was in a trailer for 'The New Guy', and I just started screaming.

TV is great, and I love it, but to watch somebody's hand-crafted drawings on the big screen is an experience that we've forgotten as an audience, how much fun 2D can be.

It is very difficult for us to establish identity in films. It is not easy to break through your stereotype image from television and form a new identity on the big screen.

I mean, movies are all geared to be basically under 25, and they're all tentpoles, explosions, excitement and all that - they take advantage of the big screen, which is great.

I always direct next to the camera and watch my actors, and so you can see the small things that you can't see on the small screen but you can definitely see on the big screen.

I was approached for acting roles when I was young. I had said that I look into the mirror every day and don't think my face suits for the big screen. So I will not do the films.

I don't want to get home from work and wonder if I could have done better if I didn't go out that night. What you're doing is going to go on the big screen and go down in history.

You have to realize I like doing big movies that appear on a big screen. So the visuals and the audio have to be of a certain quality before I start to get excited about the thing.

Survivor has been such a hit, and out of that have come so many interesting stories from people that we don't see on the big screen. We have helped make them incredible celebrities.

I'm not the type of person who goes through all this effort for a movie, and then doesn't care if anybody sees it. I want them to see it, and I want them to see it on the big screen.

Television is a big platform for actors, and so many actors have made it to films from there. And for me, too, it has been a great transition from the small screen to the big screen.

I relate more to the fact that 80-inch plasma has just started to become ubiquitous and in people's homes the fairly decent 5.1 sound system and the big screen isn't that out of reach.

Small screen or big screen my job on set doesn't really change. The only difference with TV is I get to be surprised with new information just like the audience every time I get a script.

If I hear that a film of mine is going to be shown on a big screen somewhere and I haven't seen it in a while, I make a point to get to see it. I just want to see it up on the big screen.

Who doesn't wants to be seen on the big screen? But that doesn't mean I will be a part of any project. TV has given me recognition, and I need to live up to the expectation of my audience.

Hopefully, when people see 'Senna', they will understand why this inspirational story needed to be told, why it had to be made as a movie for the big screen, and why it is a film for everyone.

For 82 minutes, 'The Little Mermaid' reclaims the movie house as a dream palace and the big screen as a window into enchantment. Live-action filmmakers, see this and try to top it. Go on and try.

For actors, we always feel like there shouldn't be any divide for anybody. The industry is the one that kind of creates the idea that if you're such-and-such an actor, you can't be on the big screen.

There's something about the impact of a big screen that means something to me, even though I realize almost every film is fated to be seen for a year in theaters, and then forever after on television.

I take it as a compliment when people want to click photos with us. But at times, it is pretty intrusive. People think that because we come on the big screen or on television, they have a right over us.

Animation translates well to a small screen. When you look at Walt Disney or Chuck Jones - you know, Bugs Bunny - there really isn't any difference if you watch on a very big screen or a computer screen.

If you watch any show that stars white people, white people aren't coming up to them like, 'Thank you for showing my face on the big screen.' Because they see their faces in popular culture all the time.

I always hope that people feel less alone when they see a movie that I make. That some part of the story played out on the big screen will resonate for individuals in the audience in a way that gives them comfort.

There are definitely times where I am listening to the radio, and I think, 'That would be awesome. I would love to sing that.' It's this weird karaoke fantasy that I might someday get to live out on the big screen.

'Okja' I don't think would have been made if Netflix hadn't made it. That, to me, is a much bigger thing than whether someone watches it on a big screen or a phone. Because it simply wouldn't have existed otherwise.

I was thrilled, because I like the big screen and I could then move on to the next thing. It was the biggest break for me. In a way, though, I wish it had been a TV series because then you are working for five years.

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