Quotes of All Topics . Occasions . Authors
I've never been a big movie person, but I used to watch movies regularly in my life, and sometime in the '90s I just stopped. I certainly never was an educated moviegover.
Most actors, unless they're big movie stars and can carve out huge chunks of time to focus on one movie that takes six months - the rest of us have to jump around to make ends meet.
I didn't have big movie offers, or any big agents wanting to work with me. I had to go grassroots, start at the bottom and go on 150 auditions before someone finally gave me a shot.
I'm cleaning toilets for $30 a day, because I needed that $30, and people are pointing at me, saying, Look at the big movie star. Look where he is now. I just said, I'm where God put me.
Listen, you make a big movie, you're going into the Coliseum, and people are going to give you the thumbs up or the thumbs down. And that's part of the game. It's part of the fun as well.
I was never really a nerd. I'm not really into comic books or Dungeons and Dragons or any of that kind of stuff. I was in drama class, and I'm a big movie and music buff. And I'm into sports.
My brothers and I came to L.A. as break-dancers when I was about 10, and by the time I was 15, I was working on this really big movie, with Steven Spielberg and Dustin Hoffman and Robin Williams.
You know, they just don't make big movie stars the way they used to, maybe because the system has changed, the studio system, but it's sad to see people like Jimmy Stewart go, all the giants of the past.
Any actor will tell you there's more of a schedule to doing a television show. That's why you'll notice a lot of big movie actors are doing television, and they'll tell you, it's because of the schedule.
I thought I'd be a low-key producer or something, politics and film at the same time. But also, I'm not a big movie person - my girlfriend gets mad at me because I go to sleep whenever we go to the movies.
I remember a lot of conversations where I was constantly hearing, 'You've gotta do this movie so you can do that movie. You've gotta make a big movie so you can make a small movie.' But I can't act like that.
I have been very selective in the South because I was always offered the biggest films. In Bollywood, things are different because multi-starrers are a norm. All big heroines are happy to be part of a big movie.
I came to Hong Kong when I was five, but we didn't have any relatives in Hong Kong. My mom is a big movie fan, and she watched all kinds of movies, so when I was a kid, basically, we went to watch a movie every day.
In a big movie, like Ridley Scott's 'Kingdom of Heaven,' where I had a small part, you realize your task is to support everything that has to come together. You're just a piece of the puzzle. You're the guy in the hat.
Paul Haggis, who's now a big movie guy, cast me as a lawyer in 'Family Law.' When that series ended, I thought that I would be going on more auditions and booking more jobs, but everything just came to a screeching halt.
There are people who fly to the height of stardom in a single day, and then there are people like me. I used to have this ridiculous idea that I absolutely had to be a big, big movie star. Now all I'm after is happiness.
The great thing about horror films is that they work on a low budget. The genre is the star. You don't need big movie stars, and I actually think a lot of times that the best horror films are the low budget contained ones.
With my first pay cheque I sent my parents to Jamaica, so they actually got passports! They're pretty grounded; it wasn't until they saw the trailer for 'Battleship' that they were like, 'Ooh, this is a big movie, isn't it?'
'Evil Dead' was such a big movie in my life. It's one of the few that I really remember when I watched it for the first time. I mean, I don't remember when I first saw 'The Empire Strikes Back,' and it's one of my favourite movies.
Sometimes I'm doing a big movie, or sometimes I'm doing a TV show, but as an actor, it's almost the same thing for me. If I'm doing action, or comedy, or something more heartfelt, it's a different approach, but it's all acting for me.
'Little Princess' was the first big movie that I did in America with big stages where we had kind of a different schedule to work. We had a great production designer, Bo Welch, and we had time to think about the movie in pre-production.
No, I don't regret doing anything, and, you know, at the time, 'Monster-in-Law' was... I was so excited to get that part. I got to be in a big movie for a few months. I got work, and everybody on it was really nice, and it was a fun experience.
I don't have that drive to be in this field, climbing up, doing bit parts in movies to make a big movie. But I'm lucky I get to also do acting - it's fun. I should probably just take an acting class on the weekends - that would be enough for me.
I'd done a big movie that I wasn't happy with, and I was moving out of London when I got approached about Barton Fink, because my agent said the brothers were in London. We hit it off immediately, and suddenly I found myself on the way to America!
Because I've made a film with such an amazing director as Tarantino, I'm much more conscious of working with good directors from now on, so that's what's important to me. I don't really care about making a big movie - I just want to make good ones.
I think I'd like to do a big movie with a strong female lead, whether or not she would be a superhero. I'm more interested in characters like Scarlett Johansson in 'Lucy.' I'm less interested in people with superpowers because I can't identify with them.
'Wall Street' was the big movie of 1987, the year in which Harveys opened. It was a film about greed and self-indulgence, about hunger for success, and Michael Douglas's line, 'breakfast is for wimps,' became a mantra for anyone who wanted to get to the top.
I just didn't lock into being in the right role in the right big movie and it going huge. I did never really make the leap to hyperspace. Who's to say that it can't still happen. I just enjoy working, and feel fortunate to be doing the things that I am doing.
My mom and dad - they were always there. They were always on the set. They focused on our family life. The entertainment business wasn't the end-all. They weren't out to get the next big paycheck or the next big movie. It was about 'What can we do as a family.'
People - I hate to use the word 'fans' - are very respectful. It's not like I'm some pop idol or big movie star. I'm very approachable, and I love the people who enjoy me, because they react like they've run into a friend. Usually, it's like, 'Hey, Wanda! How ya' doing?'
You do need to edit yourself as you shoot because you have fewer options in a smaller movie. In other words, when I'm shooting a big movie, and I got an 85 day shooting schedule or more, then I'm saying I have enough time to shoot option A and B and C and D for every scene.
I'm going to continue doing what I want to do. And if it means I want to go and make a big movie, if it has something to say, I will want to make it. I don't want to spend my life wasting my time. If it's a big movie, I want to do it. If it's a small movie, I want to do it.
One of the things that sets Oliver Stone apart though is he is commercial. He is mainstream. He makes big movies and he is one of the last guys that can make big movies that actually have something to say, that you know challenge the audience in a way while entertaining them.
I think I'm pretty committed to staying. I'm not committed to not doing big movies, but I am committed to continuing to make smaller movies, not for the sake of making smaller movies, but because I think it's really invigorating to just go work with people and know that it might be awful.
I'm going to put a museum on my ranch and people keep saying, 'That's a huge idea.' Yeah, it's big, but not bigger than the average big movie. A hundred million dollars in the art world is a substantial amount of cash to do anything. That's maybe a big gallery's total sales for a given year.
I've realized that what you think of when you make a 'big movie,' if it's actually a green screen movie, it's like doing independent New York theater because you don't have any backgrounds or props. So it's kind of like making the lowest budgeted film you could possibly imagine, plus $100 million.
I have a real passion for playing a role that's a strong female character, that's just not typical, with a lot of heart, not an easy sell of a movie, not real commercial. It doesn't have to be a big movie, but I'm just looking for something that I really, truly, 100 percent believe in and am behind.
At Pixar, we believe strongly that filmmakers should develop ideas they are passionate about. This may sound like a no-brainer, but in fact in Hollywood, the big movie studios have whole departments devoted to acquiring and developing projects that will only later be paired with a director-for-hire.
I can't speak American dog very well. There was a lot of improvisation with Uggie - like when I put the dog on the table or sometimes I follow him, sometimes he follows me. I had a lot of treats in my pocket. We worked with Omar Von Muller, the dog trainer. It was very easy because it was a big movie.
I've realized as well after five years of being on the road that if I'm going to four or five months of my life to something even if I'm overpaid, it's four or five months of my life away from home, away from my son, away from family and friends. I better believe in it on some level even if it's a big movie.
I have this set-up at my house where I have one big movie theater screen that's 9 ft. by 16 ft. Then, I have nine 63-inch monitors around it; four on either side and one underneath. So I get all nine one o'clock games, and I can switch them onto the big screen. That's what I do on the Sundays during the season.
'Friends With Benefits': it feels like a two-hander to me, but it is a big movie, and this is the first straightforward male I've been able to play. I would describe my character in 'The Social Network' as a kind of sociopath. I would describe my character in 'Bad Teacher' as... just a weirdo. But this is a male's male.
Look at a football field. It looks like a big movie screen. This is theatre. Football combines the strategy of chess. It's part ballet. It's part battleground, part playground. We clarify, amplify and glorify the game with our footage, the narration and that music, and in the end create an inspirational piece of footage.
We called the head of CBS and said, 'We know how network television feels about musicals. Would you even consider doing 'Gypsy?'' He said, 'If I did say yes, you'd have to have a big movie star who does not do TV.' I told him that, in our fantasy world, we'd like Bette Midler. He said, 'Get Bette Midler, and you have an on-the-air commitment.'
I got my big movie break thanks to an emergency in a five star hotel bathroom. I was attending a film party, wearing a kurta pajama. At the washroom, I could not open the pajama knot and was screaming for help. Pahlaj Nihalani was there and he helped me out. And before I knew it, I was in front of the camera for my first feature film, 'Aag Hi Aag!'